Die Insassen eines Gefängnis-Hochsicherheitstraktes, wie auch die Wachmannschaft werden Opfer einer dämonischen Kreatur, die sich von Menschenfleisch ernährt. Mit jedem weitern Opfer steigt ... Alles lesenDie Insassen eines Gefängnis-Hochsicherheitstraktes, wie auch die Wachmannschaft werden Opfer einer dämonischen Kreatur, die sich von Menschenfleisch ernährt. Mit jedem weitern Opfer steigt die Macht und Stärke des Unwesens...Die Insassen eines Gefängnis-Hochsicherheitstraktes, wie auch die Wachmannschaft werden Opfer einer dämonischen Kreatur, die sich von Menschenfleisch ernährt. Mit jedem weitern Opfer steigt die Macht und Stärke des Unwesens...
Fotos
Thomas Downey
- The Shapeshifter
- (as Tom Downey)
Joel Ezra Hebner
- The Shapeshifter
- (as Joel Hebner)
Byron Washington
- Leonard
- (as Byron C. Washington)
John Nelson
- Big Sam
- (as John Ollie Nelson)
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After watching an hour of this movie, I want my hour of life back.
First of all, the previous reviewer really hits home with his/her analysis of the plot, acting and effects. I was immediately shocked how bad and lame the acting is. The story opens up to a psychotic inmate with a stupid pentagram-like tattoo on his chest having a "seizure". He briefly cannibalizes his own arm, where the lame effects show him cross-fading over thirty-seconds into a hairy guy in a Styrofoam "demon" suit.
The most funny plot part is that once the inmates and guards team up to survive the prison, one prisoner seems to be a demon expert. He proclaims crazy theories about why demons eat flesh, essentially to make them stronger, duh, and the rest of the inmates and guards agree.
First of all, the previous reviewer really hits home with his/her analysis of the plot, acting and effects. I was immediately shocked how bad and lame the acting is. The story opens up to a psychotic inmate with a stupid pentagram-like tattoo on his chest having a "seizure". He briefly cannibalizes his own arm, where the lame effects show him cross-fading over thirty-seconds into a hairy guy in a Styrofoam "demon" suit.
The most funny plot part is that once the inmates and guards team up to survive the prison, one prisoner seems to be a demon expert. He proclaims crazy theories about why demons eat flesh, essentially to make them stronger, duh, and the rest of the inmates and guards agree.
First, there is NO security in this prison. Second, the guards have firearms (big no no). Third, the script is terrible. Fourth, the monster suit is ridiculous. Fifth, the acting is abysmal. Sixth, the direction is worse. Need I go on? The guy who plays the monster in human form is cute, though, but not cute enough to save this stinker.
And the jail doesn't even have a phone, much less a radio. And why is the female deputy running around in a skimpy top? Definitely a prison no no. Nobody seems to have the least idea of procedure. The Romanian ex-priest is terrible.His accent keeps changing. I won't spoil this one for anyone because it would be redundant.
One of the worst films I have ever seen. For real.
And the jail doesn't even have a phone, much less a radio. And why is the female deputy running around in a skimpy top? Definitely a prison no no. Nobody seems to have the least idea of procedure. The Romanian ex-priest is terrible.His accent keeps changing. I won't spoil this one for anyone because it would be redundant.
One of the worst films I have ever seen. For real.
Another early Asylum cheapo creature feature, it's pretty much like there other effort The Beast of Bray Road just take the werewolf and replace it with a demon and insert a prison setting. It's full of people who don't react when they die and entrails that are exposed before the monster ever kills them. The creature costume does look decent and there is some insane gore on display. In other words, it's not good or well made, but it's enjoyable trash at only 81 minutes.
Most Sci-Fi Channel movies are really bad, but there is something compulsive in that regard that makes you keep watching them. And believe it or not, there are a few of their movies that are tolerable. Shapeshifter is not one of them, it instead situates under the many terrible Sci-Fi Channel movies. The difference though is that there is nothing that has any kind of novelty value or unintentionally hilarious, Shapeshifter is an example actually of a move that is so bad that it's bad and makes you cross after watching. The limited budget really shows here, with scenery that is too small and compact and special effects that look unfinished and jarring within the rest of the production values. The camera angles further cheapen them, everything feels really rushed and quickly headache-inducing. The music bears no improvement either, it is very annoying and doesn't fit at all in the atmosphere, which has no suspense whatsoever. The writing reeks of banality, the story never excites or surprises and the monster is reminiscent of someone in a very cheaply-rendered monster suit. On top of that, the direction brings nothing distinctive or effort to the movie, the characters are shallow and get on your nerves and the acting, especially the ex-priest with an accent that is noticeably inconsistent, is atrocious. Overall, terrible, don't waste your time. 0/10 Bethany Cox
Newly discharged from the military, a former soldier accepts a job in a prison for damaged criminals where she notices a strange man is brought in that speaks no English, and after witnessing him transforming into a vicious creature rounds up the remaining inmates to get them to safety.
This one isn't all that bad as a monster-in-a-prison film. One of the strongest elements here is an intriguing storyline that provides the kind of setup necessary for this kind of feature. Offering the idea of smuggling the creature inside the prison using the unassuming body of a mysterious prisoner and forcing it to get loose and hunt down its quarry inside which sets this going quite nicely when it performs a ritual to break free. The fact that it started early and fast was best, allowing for the action to start up and get the interest level way up quite rapidly with there being no real build-up to it as it just gets loose inside and sets off on its quest. The small prison it's set in is the perfect way to generate some suspense by showing that there's nowhere to hide. That puts them constantly in danger from the creature, and it makes the peril all the more suspenseful. That leads incredibly well into the other strong feature here with the action coming across strongly. The creature itself is one of the best parts of the film. A fully imposing design, bulky with large arms, huge claws, and a shocking-looking head that strikes fear on first impression. The fact that it's a real costume instead of some CGI creation goes a long way in creating a lot of fear in it during its scenes from chasing the group through the hallways of the prison as a series of plans to stall it until help arrives keeps it going along nicely. The next best feature here is the gore, which is quite abundant and appealing with a very vicious mangling, a person ripped in half in the waist, a couple of stabbings, and a head bashed into a pulp, among other kills. There's even a scene where a person gnaws on their arm and chews through it, leaving this pretty gory when it needs to be and making for some decent enough positives. Beyond those few reasons, there's very little to like in this one. The small setting, while also a positive by having a closed-off area to drive suspense from, hurts it by showing off what little there is to the production. Normally, this isn't a problem, but when there's hardly anything to it that indicates it's just a small part of something bigger, then it hurts the film a little as this is a small prison that does have the appearance of just being that big in real life. Another big problem is that there is a very fast start to it, but then the middle section slows down to a near crawl that is painful to sit through. The action slows down to finally get some other scenes in, which is a shame as it started so fast. By selecting that part of the movie to get to know the characters only slows down what momentum that was built up. These reasons keep it from being the simple monster-on-the-loose film it could've so easily been.
Rated R: Graphic Violence, Graphic Language, and Brief Nudity.
This one isn't all that bad as a monster-in-a-prison film. One of the strongest elements here is an intriguing storyline that provides the kind of setup necessary for this kind of feature. Offering the idea of smuggling the creature inside the prison using the unassuming body of a mysterious prisoner and forcing it to get loose and hunt down its quarry inside which sets this going quite nicely when it performs a ritual to break free. The fact that it started early and fast was best, allowing for the action to start up and get the interest level way up quite rapidly with there being no real build-up to it as it just gets loose inside and sets off on its quest. The small prison it's set in is the perfect way to generate some suspense by showing that there's nowhere to hide. That puts them constantly in danger from the creature, and it makes the peril all the more suspenseful. That leads incredibly well into the other strong feature here with the action coming across strongly. The creature itself is one of the best parts of the film. A fully imposing design, bulky with large arms, huge claws, and a shocking-looking head that strikes fear on first impression. The fact that it's a real costume instead of some CGI creation goes a long way in creating a lot of fear in it during its scenes from chasing the group through the hallways of the prison as a series of plans to stall it until help arrives keeps it going along nicely. The next best feature here is the gore, which is quite abundant and appealing with a very vicious mangling, a person ripped in half in the waist, a couple of stabbings, and a head bashed into a pulp, among other kills. There's even a scene where a person gnaws on their arm and chews through it, leaving this pretty gory when it needs to be and making for some decent enough positives. Beyond those few reasons, there's very little to like in this one. The small setting, while also a positive by having a closed-off area to drive suspense from, hurts it by showing off what little there is to the production. Normally, this isn't a problem, but when there's hardly anything to it that indicates it's just a small part of something bigger, then it hurts the film a little as this is a small prison that does have the appearance of just being that big in real life. Another big problem is that there is a very fast start to it, but then the middle section slows down to a near crawl that is painful to sit through. The action slows down to finally get some other scenes in, which is a shame as it started so fast. By selecting that part of the movie to get to know the characters only slows down what momentum that was built up. These reasons keep it from being the simple monster-on-the-loose film it could've so easily been.
Rated R: Graphic Violence, Graphic Language, and Brief Nudity.
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- WissenswertesCrazy end credits: The events, characters, and firms depicted in This photoplay are fictitious. Really. Any similarity to actual persons, living or dead, or actual events is purely coincidental, and very weird We suggest moving, and//0r staying away from shapeshifters with ties to the mob
- PatzerWhen the monster attacks the first guard it rips his shirt open, the entrails are visible even before the monster rips the guard's skin
- Crazy Credits"Why are you still reading this? Go back to the video store and rent another Asylum film. You know you want to."
- VerbindungenReferenced in Shapeshifter: Behind the Scenes (2005)
- SoundtracksZoom
Performed by Boosie Badazz (as Lil' Boosie) Feat. Yung Joc
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Клеймо дьявола
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 200.000 $ (geschätzt)
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