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Afsaid

  • 2006
  • 0
  • 1 Std. 33 Min.
IMDb-BEWERTUNG
7,3/10
8934
IHRE BEWERTUNG
Afsaid (2006)
Home Video Trailer from Sony Pictures Home Entertainment
trailer wiedergeben1:42
6 Videos
17 Fotos
SoccerComedyDramaSport

Kampf der Frauen in einem Land, das sie vom Betreten der Stadien ausschließt.Kampf der Frauen in einem Land, das sie vom Betreten der Stadien ausschließt.Kampf der Frauen in einem Land, das sie vom Betreten der Stadien ausschließt.

  • Regie
    • Jafar Panahi
  • Drehbuch
    • Jafar Panahi
    • Shadmehr Rastin
  • Hauptbesetzung
    • Sima Mobarak-Shahi
    • Shayesteh Irani
    • Ayda Sadeqi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    8934
    IHRE BEWERTUNG
    • Regie
      • Jafar Panahi
    • Drehbuch
      • Jafar Panahi
      • Shadmehr Rastin
    • Hauptbesetzung
      • Sima Mobarak-Shahi
      • Shayesteh Irani
      • Ayda Sadeqi
    • 54Benutzerrezensionen
    • 120Kritische Rezensionen
    • 85Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Gewinne & 4 Nominierungen insgesamt

    Videos6

    Offside
    Trailer 1:42
    Offside
    Offside: Girl Soldier Caught
    Clip 1:43
    Offside: Girl Soldier Caught
    Offside: Girl Soldier Caught
    Clip 1:43
    Offside: Girl Soldier Caught
    Offside: Guy On Bus Finds Girl
    Clip 1:41
    Offside: Guy On Bus Finds Girl
    Offside: Game Begins Again
    Clip 1:46
    Offside: Game Begins Again
    Offside: Discovered By Her Angry Grandfather
    Clip 1:47
    Offside: Discovered By Her Angry Grandfather
    Offside: Have They Scored?
    Clip 1:42
    Offside: Have They Scored?

    Fotos17

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 13
    Poster ansehen

    Topbesetzung25

    Ändern
    Sima Mobarak-Shahi
    • Dokhtar_e aval
    Shayesteh Irani
    • Dokhtar_e Sigari
    Ayda Sadeqi
    • Dokhtar_e Footbalist
    Safdar Samandar
    • Sarbaz_e Azari
    Mohammad Kheir-abadi
    • Sarbaz_e Mashhadi
    Golnaz Farmani
    • Dokhtar_e Chadori
    Mahnaz Zabihi
    • Dokhtar_e Sarbaz
    Nazanin Sediq-zadeh
    • Dokhtar_e Kouchak
    Masoud Kheymeh-kabood
    • Sarbaz_e Tehrani
    Mohammed-Reza Gharebaghi
    • Taraghe_ei
    Mohsen Tanabandeh
    Mohsen Tanabandeh
    • Belit Foroush
    Hadi Saeedi
    • Sarbaz
    Reza Farhadi
    • Pir_e Mard
    Mohsen Tabandeh
    • Ticket seller
    Mohammad Asarian
    • Shxyxn
    Mohammed Moktar Azad
    • Haji
    Ali Baradari
    • Bus Passenger
    Joad Abed El Gani
    • Regie
      • Jafar Panahi
    • Drehbuch
      • Jafar Panahi
      • Shadmehr Rastin
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen54

    7,38.9K
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    Empfohlene Bewertungen

    9marclay

    A Surprising Comedy From Jafar Panahi

    Several young Iranian women dress as boys and try to get into a World Cup qualifying match between Iran and Bahrain. When they're caught, they're penned in an area where the match remains within earshot, but out of sight. The prisoners plead to be let go, but rules are rules.

    Given the pedigree of its director, Jafar Panahi, it was disarming to discover that Offside is a comedy, and a frequently hilarious one. In 1997's The Mirror, Panahi presents two versions of Iranian girlhood and leaves the audience to wonder which one is "real". In 2000's The Circle, several Iranian women step outside the system; their transgressions are different, but they all end up in the same tragic place.

    However, thinking now about Offside, it's hard to imagine it as anything other than a comedy, because the situation it presents is so obviously ridiculous. As the women demand to know why they can't watch the soccer match and their captors struggle to answer, the only possible outcome is comedy.

    What makes Offside most affecting is that the young women are not portrayed as activists attacking the system. They are simply soccer fans and patriots, and despite the fact that they are clearly being treated unfairly, they never lose their focus on the match and the historic victory that is within their nation's grasp.
    7samwagar

    Charming little film with subtle point

    In Iran, the Islamic Revolution has shaped all parts of life, including everyday things. But people still go on living their lives, generally just doing the things you'd expect, like go to soccer matches to cheer on the national team as it's in the running to qualify for the World Cup. Except women aren't allowed to go to the soccer stadium to watch the game.

    A frequently funny little film follows the small group of women that were caught sneaking into the soccer stadium and the little group of bored soldiers assigned to guard them in a holding pen just outside the stadium. The absurdity of the situation, the simple wish of these women to cheer on the team (nothing subversive there), and little human touches about the lives of everyone adds up to quite a fine comment on humanity versus the ideology.

    Amateurish acting, good script and dialogue, a really enjoyable film. Bend It Like Beckham, sort of - a warm heart and a joy in the daily interests and pleasures of people.
    10eksentrik-me

    a simple plot woven into a brilliant movie.

    I don't know how and where do the Iranian directors get their inspiration in coming up with a plot like this. In fact, it's a very simple plot that many directors could come up with --- but may not be able to project it onto a movie the way Jafar Panahi did.

    The film is like 2 worlds revolving at the same time, one connected to the other - the football match and the battle between sexes that's going on behind the walls of the stadium.

    It makes you feel like you are in the movie and you're one of the characters, and while watching the movie, as if you also would like to have a glimpse of the football match. You will feel exactly the same excitement and sentiments as those female actors in the movie. It's gripping in a way that you wanted to see the ending, you will want to find out the verdict, you'll be dying to see what will happen to the girls.

    I like the intermittent conversations between the smoking girl and one of the military trainee. It's like venus VS mars, it really shows the difference in the thinking of men and women and the struggle of women to get equal rights and opportunity especially in a very patriarchal society like Iran.

    This is the second movie of Jafar Panahi that I have seen (the first being Crimson Gold) and am looking forward to watching some more.

    Am already hooked with Iranian movies and this one is a must-see!
    9claudio_carvalho

    The Wonderful Passion for Soccer

    In Iran, women are officially banned from men's sporting events. In June 2005, the Iran's national soccer team has an important game against Bahrain in the Azadi Stadium for the qualification of the World Cup. A group of Iranian girls and lovers of soccer dresses like boys and unsuccessfully attempts to enter in the stadium being arrested.

    Soccer (and Flamengo's team), beach and movies are my greatest passions; therefore I loved this little gem about a group of girls and their passion for soccer. The director Jafar Panahi, from "The White Balloon", "The Mirror" and "The Circle", shot this movie on the day that Iran defeated Bahrain and qualified to the World Cup in Germany. The dramatic and funny adventure of these Iranian girls is one of the most delightful movies I have ever seen. My vote is nine.

    Title (Brazil): Not Available
    8stensson

    Comedy about a tragedy

    In Iran, women are not admitted to soccer games. Officially it's because they are to be spared from the vulgar language and behavior of the male audience. But of course it is about sexism. Women are lower forms of human beings.

    Some brave girls oppose this and try to get into the stadium by using different tricks. They are caught by soldiers and hold in a kind of cage, until the police will come and pick them up.

    Despite the insane situation, this is a film with lots of humor. It's also encouraging to see how people always find different ways of fighting oppression. You'll get touched at the same time as you have lots of laughs. Good job by director Jafar Panahi. This is in many ways a heroic comedy.

    Mehr wie diese

    Crimson Gold - Blutrotes Gold
    7,4
    Crimson Gold - Blutrotes Gold
    Der Kreis
    7,4
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    Taxi Teheran
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    Drei Gesichter
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    Dies ist kein Film
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    Ayneh
    7,5
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    Pardeh
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    Ten
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    Perserkatzen kennt doch keiner
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    Celles qui chantent
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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Jafar Panahi asked each of the girls in the film to turn up with their own idea of how they would disguise themselves as a boy and what we see in the film was the girls' own attempts.
    • Patzer
      Although the film is a documentary-style, it is possible to see shadows or reflections of the cameraman in some scenes.
    • Verbindungen
      Referenced in At the Movies: Folge #3.33 (2006)
    • Soundtracks
      Ey Iran
      Lyrics by Hossein Gol-e-Golab

      Music by Ruhollah Khaleghi

      Heard over the credits

    Top-Auswahl

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    FAQ20

    • How long is Offside?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 29. Juni 2006 (Deutschland)
    • Herkunftsland
      • Iran
    • Offizielle Standorte
      • Sony Classics (United States)
      • sourehcinema
    • Sprache
      • Persisch
    • Auch bekannt als
      • Offside - Frauen im Abseits
    • Drehorte
      • Azadi Stadium, Teheran, Iran
    • Produktionsfirma
      • Jafar Panahi Film Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 2.500 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 180.530 $
    • Eröffnungswochenende in den USA und in Kanada
      • 18.003 $
      • 25. März 2007
    • Weltweiter Bruttoertrag
      • 561.692 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 33 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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    Afsaid (2006)
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