Ein Mann, der bei 9/11 seine Familie verloren hat, trifft seinen alten College-Mitbewohner wieder. Die Wiederbelebung der Freundschaft ist das Einzige, was dem Mann zu helfen scheint, sich v... Alles lesenEin Mann, der bei 9/11 seine Familie verloren hat, trifft seinen alten College-Mitbewohner wieder. Die Wiederbelebung der Freundschaft ist das Einzige, was dem Mann zu helfen scheint, sich von seiner Trauer zu erholen.Ein Mann, der bei 9/11 seine Familie verloren hat, trifft seinen alten College-Mitbewohner wieder. Die Wiederbelebung der Freundschaft ist das Einzige, was dem Mann zu helfen scheint, sich von seiner Trauer zu erholen.
- Auszeichnungen
- 3 Nominierungen insgesamt
- Cherie Johnson
- (as Camille LaChe-Smith)
Handlung
WUSSTEST DU SCHON:
- WissenswertesEvery song that's played in the background is either played on Charlie's iPod or has its album mentioned by Charlie.
- PatzerWhen Charlie is in his first apartment playing the video game and the shot is from where the video screen is, the receiver/amplifier has no cables or wires running to or from it; yet when he's in the second apartment, all the RCA cables and other cables are plugged into it and it is clearly hooked up to work.
- Zitate
Charlie Fineman: [Charlie looks at Alan] I had three daughters.
Alan Johnson: [surprised] I... I know.
Charlie Fineman: Geena was five. Jenny was seven, she, uh... she liked boys already. Julie was 9. She was... she was older. They all looked alike, Johnson. Like Doreen. Doreen was my wife. DT. That was her nickname. Doreen Timpleman. She had a dog, Spider. Spider... the poodle. They'd wake me up all the time, Saturday mornings, you know, singing Beatles songs to me in harmony, the four of them... so cute, so cute. Doreen never judged me... never nagged like some wives do. Wanted me to take my shoes off so I didn't wreck the carpet. That's it. Doreen and the girls were VERY female. I... I... I was the oddball, you know. Mr. Man. They adored me, Johnson...
Alan Johnson: I bet they did... I know they did, Charlie.
Charlie Fineman: With the long brown hair... except little Geena. She kept the hair short... to be different from everybody... she, um, she had a birthmark, though. Looked like a burn... but it wasn't. She always said it was gonna go away, but it... it never did. Jenny, Jenny, this one... she wanted to be a gymnast. She was such a klutz, though. I didn't have the heart to mention it as a problem. They, uh, went to see Doreen's sister Ellen and her girls in Boston, and they took Spider, because... I had to work and they didn't trust me to feed her, but that was a joke. We were all going to DT's little cousin's wedding in Los Angeles, and I was gonna meet them out there... The kids wanted to go to Disneyland, but they... they uh, were already gonna miss a couple days of school, so we had to say no. You know. So I'm going out to meet them in Los Angeles, and on the way to JFK, I'm in a taxicab and I hear on the radio...
[slowly starts to cry]
Charlie Fineman: I get there and the man tells me the plane's from Boston... another man tells me there's two planes.
[sobs]
Charlie Fineman: Then I go inside the airport and I'm watching. I'm watching on the television... and I... and I... I... I saw it. I saw it and I felt it at the same time. I thought about Geena's birthmark, and I... I felt them burning...
- Alternative VersionenA scene removed from the UK version of the film is the montage of scenes with Angela Oakhurst (Liv Tyler) consoling Charlie Fineman (Adam Sandler) with the original version of 'Love, Reign o'er me' playing in the background.
- VerbindungenFeatured in Late Show with David Letterman: Folge #14.113 (2007)
This might be the best movie to deal with the 9/11 attacks out there. At first that isn't clear, but once you are done you realize that's all that matters. Out of nowhere, a tragedy and its personal consequences.
Of course, this is also a movie about a very unselfish friendship. Don Cheadle leads this movie top to bottom (this is the Adam Sandler movie that is really a Don Cheadle movie). And his unshakeable kindness and patience with ex-roommate Sandler is beautifully rendered. Cheadle's acting has a whole range of subtle gestures and hesitations that are clearly his, beyond what any director might offer. As the successful dentist in his late model Volvo wagon, he represents what Sandler, the man suffering from loss and psychological instability, once had.
Sandler is sort of perfect as a choice in this role partly because he's cast against type and that's the dynamic of the movie--a man who should be very different from what you see. The whole time you can picture the lively loving Sandler, and not the wreck before you. He plays the part with the quirks and inwardness you might expect, and it's not quite brilliant. He ends up supporting the shine of Cheadle's lead.
Another aspect to the movie, probably not unintended, is the beauty of New York, and the romantic lure of its ordinary streets. There are no landmarks here, just regular life in regular Manhattan.
The one slight drag on the whole affair, and I'm not sure how this could have been avoided without a wholly different plot, is the attempts to bring Sandler out of his hole. One aspect is professional psychiatry, which makes sense, and is pretty well done. (I found the depiction of an accomplished shrink by Liv Tyler really good.) But the other aspect, meant I suppose to add some spice to the cast, is the nutty and sharply beautiful presence of an outlier character, a woman who just happens along first into Cheadle's world and then by extension (and some unbelievable coincidence) into Sandler's. Saffron Burrows plays the part well but it seems forced into the scene--at times funny and poignant but, as with several other minor characters like the in-laws, mostly caricatured or out of place.
Not that anything is ever quite out of place in fiction. Fiction with a strong strain of truth giving it its depth. Director and writer Mike Binder has managed to pull together a gem that refers, ever so gently, to 9/11, and to some deeply caring New Yorkers who all, as a larger group, all suffered from the attacks. "Reign over Me" did not get the attention you might have expected. It's possibly because it's such a depressing movie, whatever its upbeat moments. But it's beautifully sad, like maybe we imagine some of the best European films to be, and I really recommend it on those terms.
- secondtake
- 18. Juni 2012
- Permalink
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- La esperanza vive en mí
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 19.661.987 $
- Eröffnungswochenende in den USA und in Kanada
- 7.460.690 $
- 25. März 2007
- Weltweiter Bruttoertrag
- 22.242.388 $
- Laufzeit2 Stunden 4 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1