IMDb-BEWERTUNG
6,8/10
3867
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA thrilling story spanning 48 hours of five individuals linked by hate and fear but brought together by fate to finally recognize each other.A thrilling story spanning 48 hours of five individuals linked by hate and fear but brought together by fate to finally recognize each other.A thrilling story spanning 48 hours of five individuals linked by hate and fear but brought together by fate to finally recognize each other.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt
Porter Barron
- American special forces
- (as Potter Baron)
Empfohlene Bewertungen
That is a great film from two main aspects. The first aspect is, everyone is in. A Paki, an Afghan, Two Indians and of course an American as a non-hero late role which is literal. As an actual America in general plays the head role in this film. Those people all traveling in one Jeep. Unbelievable. Their attitudes, the one who gets the gun, shows power, the cricket loving, cigarette talks. I like this film a lot from the second aspect.The humanness oaf all of those men. Even terrorist. The sense of the American in the Pepsi scene. This film is like a reality shoot. Marvelous. I did not like the end. Very soft ending but still very good film.
Different
Humorous
Poignant
that's what this ride called 'Kabul Express,' is about and a good experimental effort by the production house of Adi Chopra known more for his romantic tear-jerker's. This time he breaks away from the regular mould and delivers something that is more realistic.
It has it flaws, like two reporters Suhel (John) and Jai (Arshad) who have gone to Afghanistan on their rookie assignment but seem to be surprised at the scenario and way of life there. Come on guys, didn't anyone back at office brief you on what's happening in a war torn country or don't you watch the news. Any Johnny today knows from the news and literature available how life in Afghanistan stands. Knows enough than to be taken aback by a kid without a leg or a hotel in ruins.
John at times seems a bit out of sorts but Arshad makes hay while the Afghan sun shines and draws a chuckle from the audience. With his spontaneity and natural comic timing he delivers his dialogues to maximum effect :) Linda Arsenio as a Reuter's reporter is quite wasted. Anyone could have done that role which requires a bare minimum display of acting talents. But she sure does serve her purpose of eye candy amidst the dilapidated Afghan countryside.
The cinematography of the barren landscape and rugged terrain is quite breathtaking and so is the background music. Comes as a relief that there are no song and dance items included which have no place in the script from the beginning.
A few more slickly edited action sequences would have added positively to the 'thriller,' element in the movie cause at times it leaves you with an empty feeling with nothing to look forward to in the next scene. Towards the end of it one could sum this one up as a drama with comic relief moments.
And for some reason I am quite confused about the message the movie tried to deliver. Was it about Indo-Afghan friendship, or the difference between Indian and Pakistani mindset. Perhaps it's about drawing parallels across a cross section of culturally different nations.
Feel free to draw your own conclusion but after you have seen this one cause its different and worth a watch.
It has it flaws, like two reporters Suhel (John) and Jai (Arshad) who have gone to Afghanistan on their rookie assignment but seem to be surprised at the scenario and way of life there. Come on guys, didn't anyone back at office brief you on what's happening in a war torn country or don't you watch the news. Any Johnny today knows from the news and literature available how life in Afghanistan stands. Knows enough than to be taken aback by a kid without a leg or a hotel in ruins.
John at times seems a bit out of sorts but Arshad makes hay while the Afghan sun shines and draws a chuckle from the audience. With his spontaneity and natural comic timing he delivers his dialogues to maximum effect :) Linda Arsenio as a Reuter's reporter is quite wasted. Anyone could have done that role which requires a bare minimum display of acting talents. But she sure does serve her purpose of eye candy amidst the dilapidated Afghan countryside.
The cinematography of the barren landscape and rugged terrain is quite breathtaking and so is the background music. Comes as a relief that there are no song and dance items included which have no place in the script from the beginning.
A few more slickly edited action sequences would have added positively to the 'thriller,' element in the movie cause at times it leaves you with an empty feeling with nothing to look forward to in the next scene. Towards the end of it one could sum this one up as a drama with comic relief moments.
And for some reason I am quite confused about the message the movie tried to deliver. Was it about Indo-Afghan friendship, or the difference between Indian and Pakistani mindset. Perhaps it's about drawing parallels across a cross section of culturally different nations.
Feel free to draw your own conclusion but after you have seen this one cause its different and worth a watch.
In purview of the recent developments in Afghanistan with Taliban taking over the entire country this movie just showed up in my recommendations on Amazon prime and I had to watch it. I was really surprised how good the movie is and it tells a good story of what happened in Afghanistan. I guess nothing has changed in the last 20 years and the movie is still relevant today. It's really unfortunate that Afghanistan has not developed at all and the future also looks disappointing. :(
The movie raises 2 BIG questions. Who is the culprit for the situation in Afganistan and who is world's all time greatest All Rounder in Cricket.
Yes, its this unique and fine blend of humor and world politics' BIGGEST burning issues that makes Kabul Express easily one of the finest films of the year.
With some convincing acts by immensely talented Arshad Warsi and great looking John Abraham and rest of the cast, coupled with great direction and splendid (simply splendid) cameraman-ship, this movie is a treat. Its essentially a big screen movie.
Kabul Express takes you to the soulful journey through the heart of Kabul with Express paced narrative but making sure you don't miss a shot due to fast speed. If there is any establishment like Kabul Tourism, this would be a perfect advertisement for it, as the cinematographer captures exactly what needs to be captured, leaving you wondering if you could some day go for a vacation on those rugged roadways.
Beauty of the film lies in the effortless ease with with which it tries to find the cause of the destruction in Afganistan and making us believe that no one, including the soldiers fighting there, wants a war. It's all about money honey. You know what's it all about when one of the protagonists says, "Its all Only for money, only to suck all the oil and sell Coke and Pepsi here." You might just laugh away at the dialog, only later realizing how true was it. The best part is that you wont realize that you are actually watching a film which deals with such serious issues with the director extracting humor from least likely situations.
Despite being very convincing the movie leave one question unanswered, Who is better among Kapil Dev and Imran Khan :o)
Go and watch it, essentially on the BIG screen.
Yes, its this unique and fine blend of humor and world politics' BIGGEST burning issues that makes Kabul Express easily one of the finest films of the year.
With some convincing acts by immensely talented Arshad Warsi and great looking John Abraham and rest of the cast, coupled with great direction and splendid (simply splendid) cameraman-ship, this movie is a treat. Its essentially a big screen movie.
Kabul Express takes you to the soulful journey through the heart of Kabul with Express paced narrative but making sure you don't miss a shot due to fast speed. If there is any establishment like Kabul Tourism, this would be a perfect advertisement for it, as the cinematographer captures exactly what needs to be captured, leaving you wondering if you could some day go for a vacation on those rugged roadways.
Beauty of the film lies in the effortless ease with with which it tries to find the cause of the destruction in Afganistan and making us believe that no one, including the soldiers fighting there, wants a war. It's all about money honey. You know what's it all about when one of the protagonists says, "Its all Only for money, only to suck all the oil and sell Coke and Pepsi here." You might just laugh away at the dialog, only later realizing how true was it. The best part is that you wont realize that you are actually watching a film which deals with such serious issues with the director extracting humor from least likely situations.
Despite being very convincing the movie leave one question unanswered, Who is better among Kapil Dev and Imran Khan :o)
Go and watch it, essentially on the BIG screen.
I remember many, many years ago, someone said to me, "I don't think Andy's coming - do you want his place?" Before even the Soviet invasion of Afghanistan, before the middle east became a constant war-ground, a number of my friends would follow the 'hippy trail' - overland to India through the strange and wonderful lands on the way like Afghanistan. I didn't go. I often dreamt of the strange civilisations of Iraq, Pakistan, Afghanistan, lands of jinn, ancient cultures, strange customs. Today, visiting Afghanistan for a Westerner is almost unthinkable - travelling there overland probably suicidal. Understanding the country through anything but a western political lens almost impossible.
How refreshing to see a film made there with care and attention to authenticity. A film that is half thriller, half comedy. And one that conveys some of the complex attitudes of a warring people for whom it is the only home they ever know or want.
Indian director Kabir Khan, although with considerable security, is able to come and go much easier than any Westerner could. I can't imagine even Mel Gibson going out to Kabul to make a motion picture right now. Khan's actors are all cast according to their nationality.
Two Indian rookie reporters make the strangest roadtrip ever - trying to get an exclusive story on the Taliban following 9/11. They meet up with an Afghan driver, a gorgeous American Reuters photographer, and a Pakistani 'Talib' who by turns holds them hostage or doesn't. They are waylaid by police, bandits and mujahedin as they make a treacherous trip across a vivid no-man's-land through breathtaking scenery to the border. On the way they discover much about the complexities underlying Afghanistan as well as about themselves and each other.
Kabul Express is the first feature film to be shot extensively in Kabul after the official end of the Taliban's reign and demonstrates the director's love of the country and its people, as well as an incredible sense of humour that both accurately portrays and caricatures all the various races involved.
The film seems to have no particular political agenda, and if the Taliban and Pakistan probably come off a bit worse than anybody else, the locals who reinstate fairly barbaric time-honoured sports and customs are not a picture of civilised thinking either. The different reactions of our travellers to a game involving tearing an animal to bits, or beating a couple of Talibs to death with bare hands, speak volumes.
In one particularly moving scene, the extremely resourceful Taliban fighter is re-united with his daughter. I found the moment where she only lifts her burka (veil) secretly watching him depart particularly heart-wrenching.
Kabul Express is a film made by an Indian company and not totally divorced of bias - there's no love lost between India and the Taliban over Kashmir, for instance - but as it's not the bias we are used to in the West it is nevertheless a invigorating look into a country that has become almost unintelligible. It may be uncomfortable or even disjointed viewing for anyone emotionally locked into a politicised and over-simplified picture of Afghanistan, but if you can put that aside for an hour or so it is truly an eye-opener.
While not exactly a blockbuster, the film comes across as warm, genuine, exciting and displays a range of humour I've rarely come across. I am also indebted to several Indian members of the audience without whose laughter I would have missed several subtle and very Indian-type jokes.
Kabul Express is a rare film experience and I strongly recommend it.
How refreshing to see a film made there with care and attention to authenticity. A film that is half thriller, half comedy. And one that conveys some of the complex attitudes of a warring people for whom it is the only home they ever know or want.
Indian director Kabir Khan, although with considerable security, is able to come and go much easier than any Westerner could. I can't imagine even Mel Gibson going out to Kabul to make a motion picture right now. Khan's actors are all cast according to their nationality.
Two Indian rookie reporters make the strangest roadtrip ever - trying to get an exclusive story on the Taliban following 9/11. They meet up with an Afghan driver, a gorgeous American Reuters photographer, and a Pakistani 'Talib' who by turns holds them hostage or doesn't. They are waylaid by police, bandits and mujahedin as they make a treacherous trip across a vivid no-man's-land through breathtaking scenery to the border. On the way they discover much about the complexities underlying Afghanistan as well as about themselves and each other.
Kabul Express is the first feature film to be shot extensively in Kabul after the official end of the Taliban's reign and demonstrates the director's love of the country and its people, as well as an incredible sense of humour that both accurately portrays and caricatures all the various races involved.
The film seems to have no particular political agenda, and if the Taliban and Pakistan probably come off a bit worse than anybody else, the locals who reinstate fairly barbaric time-honoured sports and customs are not a picture of civilised thinking either. The different reactions of our travellers to a game involving tearing an animal to bits, or beating a couple of Talibs to death with bare hands, speak volumes.
In one particularly moving scene, the extremely resourceful Taliban fighter is re-united with his daughter. I found the moment where she only lifts her burka (veil) secretly watching him depart particularly heart-wrenching.
Kabul Express is a film made by an Indian company and not totally divorced of bias - there's no love lost between India and the Taliban over Kashmir, for instance - but as it's not the bias we are used to in the West it is nevertheless a invigorating look into a country that has become almost unintelligible. It may be uncomfortable or even disjointed viewing for anyone emotionally locked into a politicised and over-simplified picture of Afghanistan, but if you can put that aside for an hour or so it is truly an eye-opener.
While not exactly a blockbuster, the film comes across as warm, genuine, exciting and displays a range of humour I've rarely come across. I am also indebted to several Indian members of the audience without whose laughter I would have missed several subtle and very Indian-type jokes.
Kabul Express is a rare film experience and I strongly recommend it.
Wusstest du schon
- WissenswertesThe first feature film to be shot extensively in Kabul, Afghanistan, after the end of the Taliban's reign. The producers thought director Kabir Khan was mad to shoot a film in such a place. However, Khan, a former war correspondent, insisted on doing so on the grounds that Kabul was a major element and character in the film; that he himself had been to Afghanistan no less than ten times and came back in one piece every time; that he had a soft spot for the country, having shot his first film in it; and that he would be betraying all his Afghan friends who had helped him during his trips to their country not to shoot such a film in their own land.
- Zitate
Imran Khan Afridi: Suhel Khan, You're a Muslim, aren't you? Aren't you gonna offer 'namaz'? Hell, you're an Indian Muslim, what do you know about Islam?
Suhel Khan: Indeed! It's you guys who're the pillars of Islam: offering 'namaz' with an AK-56 at your side.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Кабульский экспресс
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 302.458 $
- Eröffnungswochenende in den USA und in Kanada
- 142.591 $
- 17. Dez. 2006
- Weltweiter Bruttoertrag
- 5.091.289 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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