Ein Autounfall in der Gegenwart schickt einen Detektiv auf mysteriöse Weise zurück in die 1970er Jahre.Ein Autounfall in der Gegenwart schickt einen Detektiv auf mysteriöse Weise zurück in die 1970er Jahre.Ein Autounfall in der Gegenwart schickt einen Detektiv auf mysteriöse Weise zurück in die 1970er Jahre.
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Having never heard of this show prior to its debut on ABC, I absolutely loved the American version. After a few episodes, the characters really developed, and the actors seemed to gel more than in the start. A lot of humor involved Michael Imperioli and Keitel condescending women's rights and confused by 'Spaceman's' current attitudes that we take as common sense.
The British version is obviously amazing, but it's two separate countries, so the issues and slang used (along with the scenery), are very different. To be honest, I didn't understand a lot of the references in the British version. I wasn't even alive in the 70s. I am almost positive a lot went over my head in the American version as well. The basic premise, the hallucinations, and character names are really the few things both have in common. The idea of a re-make is to improve something that was done poorly yet remained popular (usually a cult classic) or alter a successful idea to reach new audiences, not produce a carbon copy. Ricky Gervais understood that concept when bringing us the Office. Even today, his characters evolve yet maintain his original, core personalities, yet that may be due to his current involvement as producer and writer.
From reading the other reviews, I believe it was impossible for fans of the original to view the American version as something attuned to our history. The anger seemed more directed at Americans for even attempting this version, not its content, the sharp, sarcastic dialog (after the growing pains), or the humor in the ideals held a mere thirty years ago. Be that as it may, the outcry was heard and new fans of the series were stripped of a potential classic before it had a chance to develop into its beautiful and savvy predecessor. Sometimes the translation is lost on its way overseas (like Coupling), but I do not think that was the case here. Every week I was eager for a new episode. Every week I laughed and got more involved with the growing complexities within each character. Due to this, the final episode will infuriate just about everyone. It was an idea meant to be led to slowly and with a lot of misdirection, yet the cancellation sped us to the "wow" moment too quickly. It became a moment of confusion, instead of revelation.
I would advise purchasing either version and cranking the volume. Otherwise, you're not going to hear the music over your own laughing and voiced epiphanies. Both soundtracks are stellar, and half the fun is guessing at the end of the series like with Lost, and I promise, you will fail as soon as you start trying.
Both versions have a place in my heart. Enjoy them!
The British version is obviously amazing, but it's two separate countries, so the issues and slang used (along with the scenery), are very different. To be honest, I didn't understand a lot of the references in the British version. I wasn't even alive in the 70s. I am almost positive a lot went over my head in the American version as well. The basic premise, the hallucinations, and character names are really the few things both have in common. The idea of a re-make is to improve something that was done poorly yet remained popular (usually a cult classic) or alter a successful idea to reach new audiences, not produce a carbon copy. Ricky Gervais understood that concept when bringing us the Office. Even today, his characters evolve yet maintain his original, core personalities, yet that may be due to his current involvement as producer and writer.
From reading the other reviews, I believe it was impossible for fans of the original to view the American version as something attuned to our history. The anger seemed more directed at Americans for even attempting this version, not its content, the sharp, sarcastic dialog (after the growing pains), or the humor in the ideals held a mere thirty years ago. Be that as it may, the outcry was heard and new fans of the series were stripped of a potential classic before it had a chance to develop into its beautiful and savvy predecessor. Sometimes the translation is lost on its way overseas (like Coupling), but I do not think that was the case here. Every week I was eager for a new episode. Every week I laughed and got more involved with the growing complexities within each character. Due to this, the final episode will infuriate just about everyone. It was an idea meant to be led to slowly and with a lot of misdirection, yet the cancellation sped us to the "wow" moment too quickly. It became a moment of confusion, instead of revelation.
I would advise purchasing either version and cranking the volume. Otherwise, you're not going to hear the music over your own laughing and voiced epiphanies. Both soundtracks are stellar, and half the fun is guessing at the end of the series like with Lost, and I promise, you will fail as soon as you start trying.
Both versions have a place in my heart. Enjoy them!
The energetic and entertaining "Life on Mars" is a cop-show tonic for those tired of being CSI-ed five night a weeks. It's managed to craft a very watchable balance of humor and light science fiction in the frame of a traditional 1970's police story, and yet it's backed by some pretty solid acting chops from Harvey Keitel and Jason O'Mara. Yes, it's different from the British series which it takes its inspiration from, but if you can accept the premise, it makes for some pretty solid entertainment. For those of you fearing or thinking this could develop into another "Lost" with multiple incomprehensible story lines, the tenor of the first couple of episodes makes it clear that this show won't get overly weighted down by its time traveling premise.
Who can resist checking out a new series with a time-travel aspect? I couldn't - so I watched. The pilot was pretty good. The stories, however, looked as if they would get tiresome since he's perpetually in 1973. Fortunately, the show's developers leave a little hook at the end of each episode where he's flashing forward to the present time. What they they are going to do with it is unknown, but it keeps me interested and watching.
If you haven't seen the show, it's about a present-day police officer who is severely hit by a car while investing a crime. He wakes up as a police officer in 1973 and, in every episode, tries to figure out what happened and what he needs to do to get back.
After a slightly shaky start, the series is holding up. The constant references to what life was like in 1973 (esp. things we take for granted) keeps it interesting - but it's Jason O'Mara (who plays the lead character) who holds the show together. His style of skepticism, seriousness and conflict (1973 values vs. modern values) is really great to watch.
There are some similarities to Journeyman from NBC, but let's hope this one sticks around.
If you haven't seen the show, it's about a present-day police officer who is severely hit by a car while investing a crime. He wakes up as a police officer in 1973 and, in every episode, tries to figure out what happened and what he needs to do to get back.
After a slightly shaky start, the series is holding up. The constant references to what life was like in 1973 (esp. things we take for granted) keeps it interesting - but it's Jason O'Mara (who plays the lead character) who holds the show together. His style of skepticism, seriousness and conflict (1973 values vs. modern values) is really great to watch.
There are some similarities to Journeyman from NBC, but let's hope this one sticks around.
Great music, costumes, script and characters. I first watched the BBC series (both of them and then bought the DVDs) and am thoroughly enjoying this US version. Rather than just compare it with the BBC version I believe it best to view it on its own merits. The BBC version is pure class, as are most things containing John Simm. (I strongly recommend 'The Devil's Whore') Do not compare the characters/actors with the BBC version as it is certain to lead to dissatisfaction. The script isn't as subtle as the original, true. John Simm is a better actor than Jason O'Mara, true. However the series is very enjoyable and I may even buy the DVD of this series too. Just sit back and enjoy 50 minutes of good entertainment!
Keitel cannot save this awful remake of an excellent Brit series. How dumbed down are we going to go, folks? This is like taking a great novel and turning it into a Reader's Digest Condensed Book. Gone from this American version are: 1. THE MUSIC: the BBC version serves up actual smash hits from the era, many made right in the UK, while the US version largely serves up a cheesy soundtrack trying to mimic the authentic sound of the times. 2. ACTING. Period. 3. GOOD DIRECTING. Compare the time travel scene in episode 1 in both versions. The Brit version gets it right as the camera crescendos perfectly in time with the crescendo of Bowie's "Life on Mars." The U.S. version reduces that drama to a flattening camera angle change. 4. MANCHESTER, ENGLAND IN THE EARLY 70S - a much more unique canvas for the anachronisms to follow.
Oy! Watch the BBC version and skip this crap, unless you are only watching it for 1) Keitel or, 2) because you really like soap operas
Oy! Watch the BBC version and skip this crap, unless you are only watching it for 1) Keitel or, 2) because you really like soap operas
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- WissenswertesWhen the series was cancelled midway through the first season in March 2009, producers had time to make the last episode the series finale, solving the mystery and answering most of the outstanding questions.
- PatzerGreen and white street signs can frequently be seen. These colors were not introduced in NYC until the mid-1980s.
- VerbindungenFeatured in WatchMojo: Top 10 Worst American TV Remakes (2014)
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