Ein Witwer, der erkannte, dass seine einzige Verbindung zu seiner Familie über seine Frau bestand, begibt sich auf eine spontane Reise, um sich mit jedem seiner erwachsenen Kinder wieder zu ... Alles lesenEin Witwer, der erkannte, dass seine einzige Verbindung zu seiner Familie über seine Frau bestand, begibt sich auf eine spontane Reise, um sich mit jedem seiner erwachsenen Kinder wieder zu vereinigen.Ein Witwer, der erkannte, dass seine einzige Verbindung zu seiner Familie über seine Frau bestand, begibt sich auf eine spontane Reise, um sich mit jedem seiner erwachsenen Kinder wieder zu vereinigen.
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
- Jilly
- (as Katherine Moennig)
- Young Amy
- (as Lily Sheen)
- Butcher
- (as Kene Holliday)
- Wine Man
- (as EJ Carroll)
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Ah, platitudes. We're all guilty of using them. They're a polite way of telling someone to buzz off, that you don't want to talk to them, that they are unworthy of your time. This movie is all about platitudes, most cruelly applied when it's least needed or wanted. In this movie a man wants to initiate communication with his children, all of whom are adults and have long since left the home, and he and his children go through a lot of changes as they attempt to bridge the gulf that separates them. This doesn't mean the children don't care about their father, they do. But the emotional closeness was never there and this is what this movie is about: breaking down barriers to establish an emotional connection. This movie is a Robert DeNiro vehicle. It is his re-emergence onto the Hollywood scene after years of cinematic oblivion. His performance is a tour de force; he deserves at least an Academy Award nomination for best actor. He carries the movie. Drew Barrymore also gives an impressive performance as one of Mr. DeNiro's daughters. Ms. Barrymore shines on the screen and proves once again that she is one of the premiere actresses in Hollywood. Sam Rockwell and Kate Beckinsdale also are excellent. What a great movie! Never cold-shoulder your father.
This is the best Robert DeNiro movie in years. His strong acting carries this sentimental story about a man trying to reconnect with his children. The movie places a strong emphasis on family relationships and does an excellent job in engaging and keeping the audience's attention as Mr. DeNiro's character embarks on an odyssey of emotional discovery. At times the story verges on becoming openly maudlin but succeeds in avoiding that pitfall. The movie also avoids becoming hokey and corny and succeeds in staying on course as the DeNiro character continues on his journey. All in all, this is a wonderful movie featuring a strong performance by Robert DeNiro. After watching this movie, you will think twice before telling someone "everybody's fine" unless you mean it.
We go to movies to either escape reality or simply live in fantasy, don't we? I have to say, so much reality existed in this movie, escapism and fantasy seemed totally lost. The subtleties of everyday life can mean so much in retrospect. Every little thing that we do, no matter its importance, can come back and haunt us. That, surprisingly, is what makes this movie so real and endearing.
Nothing about Everybody's Fine is lacking if you can find yourself or someone you know in this movie. The beauty of it is, you will find someone you know. If you haven't tricked yourself into thinking this might be like Christmas Vacation or Planes, Trains and Automobiles, then I hope you can appreciate its evenly paced, nostalgia filled beauty.
De Niro has outdone himself with this simple heart-filled "grown family" film. I can truthfully say I liked him more in this than anything else he has done, although I also believe he probably didn't have to dig too deep into his soul to be Frank Goode. I will be surprised if he has not turned the heads and hearts of those who can nominate him for an Oscar. While all the characters were easy to relate to, this movie was more about Frank Goode's journey from state to state and through life.
Believe me, Everybody's Fine is more than just fine.
9/10 and one giant hug for everyone involved in making this beautiful film.
Treading heavy territory to resemble films like About Schmidt, Everybody's Fine is a heartfelt, emotional film that will leave you in tears. Though the narrative could come off a bit over-dramatic at times, there's no denying the warmth that the film conveys to family and loyalty. DeNiro is most effective in his role of Frank Goode, the hard-working father whose long hours putting up coating on telephone wire may have cost him more than he thought. Director, Kirk Jones makes some great artistic choices, especially in the final scenes of the film. One thing however that is surprising is how the film is being marketed. Portraying itself as a holiday-comedy is going to be quite unexpected to viewers as the film is weighty with emotion and less on the laughs.
The supporting players, in this case the adult children, are all beautifully cast. Drew Barrymore has never been sweeter in the role of Rosie, a dancer in Vegas with a "Daddy's Girl" mentality. Kate Beckinsale is stunning in looks and adequate in delivery as Amy, a top advertisement executive. Sam Rockwell, who is long overdue for Oscar attention, plays Robert, the musician who painfully seeks his father's approval.
Enough can't be said about DeNiro who gives one of his finest performances of his career. Showing a softer side yet remaining in tuned with his fatherly instincts, DeNiro has redeemed some of his lesser works in the past years. He takes in some of the best and worst parts of all fathers' across the world. Worrying yet too hard at times it spills over into his children's decisions. Where the narrative misses in some aspects, DeNiro makes up for with his devotion and commitment to the character. It's an outstanding turn for him in his late career.
Over-dramatic, cliché, and a bit predictable, Everybody's Fine shows a beating heart. There's no stupidity or attitude in its form, just pure feeling. If you come from a family of secrets for the greater good (which may be the majority of us), this will speak volumes.
***/****
Wusstest du schon
- WissenswertesBradley Cooper put himself on tape to audition for a role as Robert De Niro's son, with his own mother playing DeNiro's part. He lost out to Sam Rockwell.
- PatzerWhen Frank takes the train from Chicago to Denver he passes some beautiful scenery, including various desert mesas as well as Glenwood Canyon, both things one would see when approaching Denver via Amtrak from the west, not the east.
- Zitate
Young Man in Diner #1: I'm 94. I keep away from the doctors.
Frank Goode: Boy.
Young Man in Diner #1: I have three children, six grandchildren. They're busy. They're too busy to talk to me. I gotta make an appointment. They got lost some place. They don't need anybody. People changed, life is changed. Today, you shake hands with somebody, you gotta count your fingers to make sure you got five fingers back.
- Crazy CreditsThe photographs Frank took during his journey are shown alongside the end credits.
- VerbindungenFeatured in The Rotten Tomatoes Show: Surrogates/Pandorum/Fame (2009)
- SoundtracksCatch a Falling Star
Written by Lee Pockriss, Paul Vance (as Paul J. Vance)
Performed by Perry Como
Courtesy of The RCA Records Label and The RCA/Jive Label Group, a Unit of Sony Music Entertainment by arrangement with Sony Music Licensing
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Details
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Box Office
- Budget
- 21.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.208.876 $
- Eröffnungswochenende in den USA und in Kanada
- 3.852.068 $
- 6. Dez. 2009
- Weltweiter Bruttoertrag
- 16.443.609 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1