The Bridge

If you have ever stood and looked at the Golden Gate Bridge, you know its undeniable effect on the psyche. It is an amazing and (for me) eerie structure.

"The Bridge" is a low budget documentary that delicately, yet honestly presents a common occurrence on the bridge: suicide jumpers. Actual footage of several jumpers is shown in the midst of interviews with loved ones trying to make sense out of the senseless.

Effectively, "The Bridge" is tied together by a single story of one individual whose footage is featured through-out the film to be concluded with a quite dramatic sequence.

What I enjoyed most was the interview and story of a young teen boy who decided he wanted to live as he was plummeting to the water below and miraculously survived.

One portion of the film that I would have preferred edited out was the mother and sister of one of the victims. Their interview became obnoxious as the sister kept interrupting the mother.

"The Bridge" dug into me and clenched a nerve. It will stay with me for some time.

The Bridge is probably the only mature film about suicide I have seen. It is also in a sense a very beautiful film.

The thing that I think ticks people off is that there is no clear message of "don't do it". Most of the interviewed people are at peace with the fact their friends, relatives, sons are dead. They are content of the fact the people who jumped, jumped. And that even if they could have been stopped that time, they would probably have done that some other time.

The controversial footage of people jumping off the bridge simply punctuates the whole point of the film: people jump off the bridge. All the time. People die all the time. It would be naive to think you somehow could or even should stop all that.

In all, this is very recommended viewing for everyone; it's not too graphic, the subject is something you shouldn't avoid and it's very well made. It avoids all pathos often associated with a documentary film that is about a more adult subject.

This film's got a lot of publicity due to the controversial nature of a small amount of its content - namely people jumping from the bridge. There is so much more to this film than that.

Yes, its shocking, yes its heartbreaking but by talking to the families and friends of the jumpers there is a tremendous insight into the true ramifications of suicide. Some families/friends come to terms with it, some don't. Some realise that their friend/relation is now at peace, while some are angry at the selfishness of it. I found a lot of the film life affirming, it also features a survivor and someone who was rescued at the last moment. This really isn't a ghoulish film.

It's an excellent documentary that makes no judgements. All it does is spotlight something in society that we don't like to talk about in an intelligent, compassionate and unbiased way. There is so much more to this film than just the shock value, hopefully people will see that.

For what its worth I felt that by deciding to take their own lives in a public forum the jumpers had forgone the right to privacy in their final moments. I didn't feel like a voyeur. I recommend this film very highly.

In 2004 director Eric Steel set up cameras to cover the pedestrian side of the Golden Gate Bridge. During this year he capture many people walking along the bridge, tourists, people going to work, people taking in the scenery and some people who had come to commit suicide by jumping from the bridge. His film explores the backgrounds and motivations to the people that we see jump to their deaths.

There is a real question within this film and it is one that is only really touched on by one person (not Steel himself I note) and that is the distance provided by the camera as we observe but do not stop the deaths we see. The film doesn't let you build to facing this as the opening credits are a man hopping up onto the barrier and then jumping to his death; it is here where you decide if you want to watch the rest because it is a strange experience where I at once felt dirty but also distant. I'm not suggesting Steel did nothing to prevent people he saw acting suspiciously from jumping but it is hard to have so much footage of the last guy with the long hair in particular and then follow him to the water and death.

The act of looking at it through a camera is weirdly distancing and I felt wrong watching these things while sitting in my warm front room with a reasonably good life, physical and mental health. This distance remained for me in the film itself as I was strangely emotionally distant from the jumpers and their families. The lack of message and structure doesn't help this and I suppose it is a danger of making the film the way he did because he was very much at the "mercy" of what happens as to how his film turned out. If we had had a year of spoilt rich kids then of course the musings would have been very different. This is also a strength though because the film does provide food for thought in the discussions with the families and friends; I found myself thinking about the topic and this is really what you need to be doing because in terms of substance and message the film does rather sit back and let the viewers do what they want.

This is a real shame because it means the most arresting images and footage are the jumpers themselves and it is hard to avoid watching but also not wanting to at the same time. I don't want to accuse of it of not backing up this footage with substance but I'm afraid that is where I am going with this. The documentary doesn't really explore the themes so much as the individuals and the film is rather repetitive. The lack of emotion drawn from me didn't help me get involved in the people and the things that made me engaged seemed to be mostly happening in my head rather than on the screen.

Overall then this is certainly an interesting film but this interest comes mostly from the viewer rather than the film. The suicides are shocking but yet hypnotic and also morally challenging as you sit there as part of a paying audience watching people die from a distance of space and time. The film is nowhere near good or insightful enough to totally justify the use of this footage and, while I think the footage is more than enough to grab viewers' attention, it is not that great a documentary if you were to watch it with these scenes removed – and that for me says quite a lot about the film.

It's interesting where people choose to target their criticism of this film. Whether the director was there with his camera or not, the individuals would have done what they did. If setting up a camera to record the acts is morally questionable, is talking about it? Reporting it? Discussing it? It's clear that many don't want to face this issue for a variety of reasons that are both universal and specific to the Bay Area. Suicide is a difficult subject and whatever your point of view—"it's a sin" or "it's a release"—the interviews that the director exacts from survivors (in every sense of the word in one case) are the real soul of this movie.

People don't want to talk about it and communities don't want to take responsibility for those faced with mental illness. In the Bay Area there has been a controversial proposal to fence the Bridge so that it won't be so "easy" for the suicidal. This film makes it clear there's nothing easy about jumping off the Golden Gate Bridge.

The film doesn't raise the barricade controversy and the fact that there are patrols on the Bridge to identify those at risk. I think that was a wise choice because what the movie ends up being about is the sad, horrifying fact that those who leave their families or friends (or their communities at large) leave misery and apprehension and doubt. Perhaps, that's the point. Unable to cope with their own internal conflicts, they transfer it to others.

I don't remember a work of art dealing with the subject in such a direct manner leaving out psychological justification and medical terminology so we could pretend ignorance. From Shakespeare to Thelma and Louise, in our culture there's a false honor given to suicide. This movie makes it very clear that no honor or relief is ever the consequence of self-destruction.

The beauty of the area is so compelling here and the photography is just sensational. The opening sequence in particular, intercutting windsurfers with views of the subject, both the Bridge and a jumper.

As well, the range of people interviewed (casual witnesses, rescuers and the grim faces of family members and friends) is quite astonishing. Just when my gut would relax and I gained some composure, another sequence would start the dreadful realization that more agony was coming, more lives brutalized.

I found all aspects of this movie exceptional. Those interviewed, I hope, feel well treated by the film. I felt like there was great sensitivity and protection offered by the director. No one is blamed. There is no agenda for fences or better parenting or increased funding for mental health. The cinematography extraordinary. The soundtrack was perfect with the exception of the final song. It didn't have the weight of what preceded it. I'm not sure anything could have captured in summary what we had just seen.

I did find it hard to watch. Whether I needed to see it is debatable. But I certainly won't fault the filmmakers for doing it. Will it draw more people to jump? That remains to be seen. Will it stop anyone from jumping? I don't think so.

The film exposes the negligence we have towards those who want to die and how threatened we are by their state of mind. In one long anguished monologue, a woman reveals what she wished she would have done the night a friend said goodbye. I hope her message doesn't get lost in the hoopla about footage of people jumping or how the camera came to be set up that year. In agony, the woman states she will never ignore another person's need for help out of embarrassment for herself or embarrassment for the person making the threat. She will act to intervene the next time. And so will I.