IMDb-BEWERTUNG
5,7/10
63.552
IHRE BEWERTUNG
Drei Kinder heuern einen Low-Budget-Leibwächter an, um sie vor dem Spielplatz-Rüpel zu schützen.Drei Kinder heuern einen Low-Budget-Leibwächter an, um sie vor dem Spielplatz-Rüpel zu schützen.Drei Kinder heuern einen Low-Budget-Leibwächter an, um sie vor dem Spielplatz-Rüpel zu schützen.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Jordan Valacich
- Cute Girl on Stairs
- (as Jordan Valley)
Empfohlene Bewertungen
Gosh. Forget that this was a flop, and you simply cannot enjoy it in any way. And forget that you simply cannot watch this desperately lost character without reflecting on the actor.
Instead follow this as another in the Hughes-inspired genre, where the story matters less that the cleanliness of the stereotypes. That's really what this is all about. It innovates not at all in the whiny simpy Jew, and earnest fat kid, and that's too bad because we could well be rid of them. But it does innovate a bit in the bully (who is here not a jock), the love interest (here a bespeckled Asian girl), and of course with the Wilson character.
Its in this experiment that the film relies and fails. There's this oft-used balance between mental unbalance and the fantasy of the ideal. Depp does this well, with perhaps the touchstone being his Brando-inspired Don Juan DeMarco. I may have seen a score of popular movies in the last year that use this. My own central reference is "They Might Be Giants."
But in order for this to work, you have to yearn for the fantasy yourself. You want K-Pax. You want romance, clarity, purity. I suppose it could work for fidelity and family as they try here, but not by the route they chose. I guess they simply banked on Owen being inspired and charming us independently of the character box they put him in. That's what the love interest here is for: to be our surrogate watcher, one who accepts.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Instead follow this as another in the Hughes-inspired genre, where the story matters less that the cleanliness of the stereotypes. That's really what this is all about. It innovates not at all in the whiny simpy Jew, and earnest fat kid, and that's too bad because we could well be rid of them. But it does innovate a bit in the bully (who is here not a jock), the love interest (here a bespeckled Asian girl), and of course with the Wilson character.
Its in this experiment that the film relies and fails. There's this oft-used balance between mental unbalance and the fantasy of the ideal. Depp does this well, with perhaps the touchstone being his Brando-inspired Don Juan DeMarco. I may have seen a score of popular movies in the last year that use this. My own central reference is "They Might Be Giants."
But in order for this to work, you have to yearn for the fantasy yourself. You want K-Pax. You want romance, clarity, purity. I suppose it could work for fidelity and family as they try here, but not by the route they chose. I guess they simply banked on Owen being inspired and charming us independently of the character box they put him in. That's what the love interest here is for: to be our surrogate watcher, one who accepts.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Although this silly kids' movie might not seem like it will hold your interest, give it another thought before renting something else this weekend. If you liked the sentiment behind Freaks and Geeks, you'll love it. Co-produced by Apatow Productions and co-written by Seth Rogen, there's an obvious soft spot in the film's heart for misfit kids who can't catch a break. This isn't a movie where you can root for the bad guys, and while it does make fun of the scrawny, overweight, and unmasculine, it does so with the same playful affection friends tease each other.
While starting out high school, Nate Hartley and Troy Gentile find themselves the new targets of horrible bullies Alex Frost and Josh Peck. The harassment is so terrible, and no parent or principal can help them, so they take a drastic chance in hiring a bodyguard. They interview many professionals but settle on the cheapest option: Owen Wilson. Why does he only charge $200? Because unbeknownst to the kids, he's a homeless veteran who just wants enough money to buy a ticket to Canada. Together with his other homeless pals, he plans to string the kids along and then rob them.
But since this is a family comedy, it's a safe bet that he'll find himself endeared to the kids. He does start off as a slick conman, but when he finally sees how much the kids need him, he finds a new purpose and starts taking the bodyguard job seriously. There is a brief part of the movie where Owen suggests finding common ground and making friends with the bullies, but that doesn't pan out. Sometimes, kids are bad to the bone and no amount of "conflict resolution" or loving your enemies can soften their hearts. So, don't expect everyone to have a Thanksgiving potluck together at the end of the movie.
I liked Drillbit Taylor so much more than I thought I would. I thought it was going to be far too silly and geared towards teen boys for my taste, but it was surprisingly sweet. Owen was really adorable, and it put me in the mood for the old Freaks and Geeks episodes.
While starting out high school, Nate Hartley and Troy Gentile find themselves the new targets of horrible bullies Alex Frost and Josh Peck. The harassment is so terrible, and no parent or principal can help them, so they take a drastic chance in hiring a bodyguard. They interview many professionals but settle on the cheapest option: Owen Wilson. Why does he only charge $200? Because unbeknownst to the kids, he's a homeless veteran who just wants enough money to buy a ticket to Canada. Together with his other homeless pals, he plans to string the kids along and then rob them.
But since this is a family comedy, it's a safe bet that he'll find himself endeared to the kids. He does start off as a slick conman, but when he finally sees how much the kids need him, he finds a new purpose and starts taking the bodyguard job seriously. There is a brief part of the movie where Owen suggests finding common ground and making friends with the bullies, but that doesn't pan out. Sometimes, kids are bad to the bone and no amount of "conflict resolution" or loving your enemies can soften their hearts. So, don't expect everyone to have a Thanksgiving potluck together at the end of the movie.
I liked Drillbit Taylor so much more than I thought I would. I thought it was going to be far too silly and geared towards teen boys for my taste, but it was surprisingly sweet. Owen was really adorable, and it put me in the mood for the old Freaks and Geeks episodes.
'Drilbit Taylor' is a teen movie that revolves around three highschool students being bullied and in order to protect themselves they plan to hire a bodyguard. The film has its own charm and is quite likable thanks mostly to Wilson's chemistry with the three teens. Another thing I liked about this movie is that it wasn't overloaded with sex and crudeness which seems to be a forced compulsory requirement of every teen movie these days (a recent example being the awful 'Superbad'). The teen actors, Nate Hartley and Troy Gentile are very good. Hartley particularly gives a natural performance. Owen Wilson uses his superb comic timing and does nothing short of great. What I didn't like about 'Drilbit Taylor' is that it tends to go unnecessarily over the top with some sequences and the fight scene in the end is a little too violent. The bullying scenes were meant to be funny (at least that's the impression I got given the background score and the way it was executed) but with me they had the opposite effect and I wonder how kids who are actually bullied would feel after watching such scenes being used as comic relief. However on the other hand, it might be uplifting to them as the point of the movie was to stand up for oneself and his friends. Anyway, 'Drilbit Taylor' is fun entertainment. Not the best of its kind but still good enough.
Drillbit Taylor is the latest Apatow/Frat Pack movie. It isn't great and it isn't awful. Rogen's screenplay disappointed me, he did such a good job on Superbad. This movie will be compared to Superbad and rightfully so. It basically serves as a prelude to Superbad. Owen Wilson does his usual. Wilson's charm and improv skills keep this movie afloat. I think that if this movie was rated R it would have fared better with reviews and box office performance. Overall though its a must see for Frat Pack fans and Wilson fans. I also wish Owen well in his upcoming projects and i hope he is well on the road to recovery.
6/10
6/10
I recently went to see the sneak preview Tuesday, going in I thought it'll be so-so in the humor department. This isn't a smart make you think comedy, but it had heart in the right places and it was very funny none the less. It has a few plot holes, but nothing too obvious to the viewer.
I really enjoyed watching the characters, Owen Wilson is really great at these types of comedies. In the end though I've got to say that the kids they casted really stole the show. They fit their roles perfectly.
In the end all I can say is that this movie is redemption for geeky fresh meat everywhere.
I really enjoyed watching the characters, Owen Wilson is really great at these types of comedies. In the end though I've got to say that the kids they casted really stole the show. They fit their roles perfectly.
In the end all I can say is that this movie is redemption for geeky fresh meat everywhere.
Wusstest du schon
- WissenswertesJohn Hughes' final film as a writer before his death in 2009. As in Ein Hund namens Beethoven (1992) and Manhattan Love Story (2002), he requested his name be removed (since so much was changed between script and movie), and is credited as Edmond Dantes, title character of The Count of Monte Cristo by Alexandre Dumas.
- PatzerWhen the three boys are sitting in Principal Doppler's office telling him what happened to them by Filkins, he is leaning against the door. He walks in and a person with a checkered shirt (Ronnie?) is walking in following behind him, but then disappears from the scene.
- Zitate
Drillbit Taylor: I'm Drillbit Taylor... US Army ranger, black-ops operative, decorated marksman, improvised weapons expert.
Wade: Are you still in the military?
Drillbit Taylor: I was discharged - unauthorized heroism.
- Crazy CreditsThe end credits show a scene of a kid walking into the nurses office asking for help (similar to what Drillbit did when he got punched). Drillbit appears as the school nurse, who then asks the kid who punched him and promising him it will "never happen again".
- SoundtracksPhotograph
Written by Rivers Cuomo
Performed by Weezer
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Top-Auswahl
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Details
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 32.862.104 $
- Eröffnungswochenende in den USA und in Kanada
- 10.309.986 $
- 23. März 2008
- Weltweiter Bruttoertrag
- 49.944.325 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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