Zwei Tage Paris

This is a somewhat romantic comedy about a french-American couple spending two turbulent days living with her parents in Paris.

My expectations were fairly low when I was coerced into watching Julie Delpy's directorial debut. After the first couple of minutes (and arguments between Delpy and Goldberg, respectively) I was still skeptical. But by the time her (real life, by the way) parents were introduced, things got really hysterical and I was holding my sides laughing throughout the rest of the movie. It has to be said that most of the jokes are sexual in nature, so this is no film for the young or easily offended. There are also moments where Delpys character is a little annoying, but those are thankfully far and few between. Similarly, I approved the brevity of Daniel Brühls appearance. Special mention has to go to Adam Goldberg, however, whose antics lend the movie the lion's share of its funny moments - I certainly hope to see more of him in the future.

Julie Delpy excels in '2 Days in Paris' as she writes, directs, produces, composes the music and stars in this romantic bitter/sweet comedy. Opposite Adam Goldberg, who has amongst other things played psycho Eddie in Friends and Private Mellish in 'Saving Private Ryan', Delpy shines as the nerdy photographer who has trouble with her eyes. The two central performances and sharp script means the film flows along at a pretty fast pace with the one liners so frequent you could easily miss the odd one. The situations explored around relationships and family are universal and so easy for anyone to relate to, there are misunderstood physical situations and language barriers which all add to the overall melodrama/comedy unfolding on screen. The film is peppered with brilliant moments from the awkward to the bizarre and the laughs come thick and fast, with Paris as a backdrop the lovers weave in and out of one situation to another always in love yet always on the verve of break-up. Co-starring Delpy's real father as her in film father shows a sense of tightness and a labour of love that comes across in the finished product. Like a cross between something from Woody Allen and Amelie this film has a special naivety full of wonderment juxtaposed with the dark underbelly of life that is at times hard to escape. Whether you laugh or cry you can't fail to be moved by a film so simple in its execution of themes that can, as displayed, be so complicated. Delpy has made something she, and everyone involved, should be very very proud of.

Those who can write, direct, act, produce and co edit a film are very rare - indeed non existent. Of course there are a few geniuses like Tommy Lee Jones (Three Burials)who can direct and act but they are few and far between. Julie Delpy alas has none of the qualities as mentioned as is demonstrated in this film.

"2 Days In Paris" is nothing more than a two day old, dogs dinner. To be more generous it is a gab-fest with Delpy doing the gabbing at 5000 words per frame. Put aside the cheap cinematography (what photography I hear you say?) and it is nothing more than third rate Woody Allen film from the 1970's except it's on steroids. Once you have gotten over the swing-cam moving left to right - as if the cameraman had been trained to film tennis tournaments - then you can settle down to watch two boring characters self implode amid some of the weakest location settings ever. To be fair, they do take a one second breather about forty-five minutes into the film. If you are watching it on DVD then is the time to have a break for an hour and get yourself primed with a drink for the rest of the film - you'll need it.

This is one of those films that makes one feel like a voyeur at a bus stop. You can hear and see the couple in front of you arguing and you want them to go away because after a while they are plain old annoying. In essence, that is the theme that struggles its way through the film.

Has as been said by others, it is riddled with clichés and stereotypes. The film and the plot has no vision nor lends itself to giving any insights. One suspects that the crude moments in the film are there only to lift the pointless plot out of the doldrums.

It is sad that what had the potential to be a good film has been ruined by Delpy's ego in collaboration with the truly awful acting of the others - except the cat who adapted the minimalist method of acting.

I shall be writing to the DVD distributors and asking them if they will include a pack of spaghetti with each DVD. I think it would help to relieve the boredom if people could knit spaghetti while watching. At least they would have something at the end of the film.

Note to self: Avoid all Delpy films in the future. Send Delpy a catalogue of vari-focal lenses including wide angle. Who knows?

It's a pretty small sub-genre of films, in which Julie Delpy plays an irritating European, wandering round a European city in the company of an even more annoying American. But Delpy, who starred in Richard Linklater's 'Before Sunrise' and its sequel, has now made a film of her own in a similar mould. Fortunately, it's not as self-regarding as Linklater's films, but it isn't funny enough to really work as a comedy, and if it's characters are a little less unlikeable, they're still not really interesting, being too self-consciously eccentric. Delpy tries to paint a picture of the reality of a mature relationship; but it doesn't really work when the protagonists have the emotional development of teenagers. I sincerely hope the genre goes no further than here.

I watched 2 Days in Paris staring Julie Delpy and Adam Goldberg last night. I've never much cared for Adam Goldberg, and I spent my own 2 days in Paris in 2000 and it was the hardest 2 days on a relationship I've ever had. Maybe that's why this has become one of my favorite films of all time. Watching Adam Goldberg deal with some of the same foreign travel problems and relationship issues that torture him throughout this movie.

The movie is half in French. It is definitely to your advantage if you don't speak French, because a key plot element is how Jack (Adam Goldberg) becomes so regularly frustrated by not understanding the language.

In the end, I think I loved this movie because it is one of the best love stories I've ever seen. It's not a Hollywood fairytale romance, it's real, it's gritty, quirky, funny, and ugly, just like love can be in real life.