Towards Zero

I guess I should consider myself singularly fortunate to be right at the Canadian border because we get a lot of Canadian and British shows that would not normally be seen in the USA. I did not even know that the BBC was running a whole new series of mysteries based on Agatha Christie's beloved Ms. Jane Marple, spinster sleuth extraordinary.

Geraldine McEwan as the latest and very good incarnation of Jane Marple gets invited for a weekend to the home of Eileen Atkins an old school chum. They've got quite a gathering of people at the Atkins homestead that weekend, including her ward Greg Wise and both his current wife and ex-wife. Now you know that's got to be a recipe for trouble.

But later on retired solicitor Tom Baker dies of a heart attack and shortly afterwards Atkins herself is bludgeoned to death. That does bring the police in. But of course the redoubtable Jane is way ahead of them.

McEwan's Marple is more Angela Lansbury and Helen Hayes matronly than Margaret Rutherford's old blunderbuss was. I remember recently seeing one of the Rutberford films and good old Margaret withheld clues deliberately from Scotland Yard. She wanted the fun of solving the case. But in this one, McEwan just shrewdly deduces from the behavior all around her and comes up with the answers.

It was nice to see Tom Baker whom I so well remember as the Doctor number four of the Doctors Who. I see this has also been the his last appearance to date in front of the camera.

Christie purists say that the plot was altered. Whether it was or not I can't speak to that, but Towards Zero is an intelligent drama and those who don't like pure Agatha can take to this one.

"Towards Zero" was one of the handful of novels featuring Christie's forgotten hero, the implacable Superintendant Battle.

It was a fairly easy job to erase Battle and insert Marple to fill in the empty spaces.

Geraldine McEwan was a good actress, no one disputes that. But her Marple often got shoehorned in where she didn't belong.

This is one of the less eggregious examples of shoehorning, and Miss Marple, as in a physician's hippocratic oath, does no harm. In fact, the greatest thing about the novel (and this episode) is a wonderful trick near the end that's pure Battle if bizarre Marple. Nevertheless, it works.

The novel itself was not top-tier Christie, though its premise is satisfyingly baffling.

I'm no fan of McEwan's twinkly, elfin Miss Marple, but not all her episodes are rotten. "The Sittaford Mystery" (another where she sticks her nose where it doesn't belong) is quite fun while it gleefully shreds the book. One of my favorite Christie books is THE MOVING FINGER and while I prefer the Hickson version McEwan's isn't bad and is livened by the presence of an extremely solid cast, including the ethereal Kelly Brook. Then there's "Murder at the Vicarage," another of my favorite Miss Marple titles and well done, too. The silly "A Murder is Announced" and the spooky "Sleeping Murder" are both solid productions, if too swiftly paced for some tastes.

The series as a whole doesn't stand or fall on whether Miss Marple slyly insinuates herself into stories where she should never have been invited, but whether one accepts McEwan's "kinder, gentler" take on the character. Frankly, even in the productions I like, whether genuine Marples or not, I could do without McEwan. But this is her finest hour (actually, in the second hour).

I am neither a fan or a hater of the new Marple series. There have been some surprisingly good ones as well as some duds. Towards Zero is one of the better/middling and more watchable entries, while not as good as Murder is Announced, Moving Finger, Blue Geranium, Pocket Full of Rye and Murder Crack'd from Side to Side(if we are including the Julia McKenzie entries too), it is much better than Ordeal by Innocence, Nemesis, Secret of Chimeys, Sittaford Mystery and At Bertram's Hotel. In fact, the latter two are the only ones I found unwatchable, not only were they poor adaptations but even on their own terms I just couldn't get into them.

Enough of that. About Towards Zero, it is not without its hindrances. The pace is sometimes a little dull and pedestrian, not as tedious as Sittaford Mystery, but there are some scenes towards the first half that begged for a steroid shot and then the build up to the final solution felt rushed. Also while the direction has its moments, there are times when it is mediocre as well and in the scenes where there is not as much happening some of dialogue is on the weak side.

However, Towards Zero does look great. The settings are picturesque and the cinematography is fluid too, while I also loved the atmospheric lighting shades. The music is also a plus, it is not overbearing or obtrusive as it can be, instead it enhances the atmosphere. While there are some changes, this is not a Marple story and Superintendent Wheeler is omitted, the plot is relatively easy to follow and quite solid up until the conclusion, which doesn't disappoint. Also unlike an adaptation like say At Bertram's Hotel, while as I've said there are changes, it is not a complete rewrite, and there are parts that have the Agatha Christie spirit. The acting is also good, Geraldine McEwan is not as fussy or too light-hearted as she can be and she works very well in one of her better performances of the series. Also excellent are Greg Wise who is dashing without being bland and the always dependable Eileen Atkins who is delightful. Tom Baker overdoes it a tad, but I too enjoyed him.

Overall, a solid adaptation and one of the better/middling entries. 7/10 Bethany Cox

You never know what you are going to get with these Marples. Its always a mystery, but sometimes you will hit a happy combination of story, adapter and director. This is such a happy time. I do not know the director, but can see that he has substantial experience in at least staging and getting the actors adjusted to the enterprise. Some of these actors are known to us, and they really are comparatively excellent.

One character, the rich old woman, is a terrific character, worth admission by herself. The mystery is kept pretty close to the narrative so you have a pretty good chance of actually working on it. Usually, the deal is that you just have to wait until the end and act surprised. Oddly, the denouement here on a boat is the only weak segment. The detective trick this time is easy to spot if you know the sorts of tricks Christie liked to play with the Marple series. That business about tennis should be a clue.

Saffron Burrows must have it hard, being able to be cast as a pretty one. Here she manages to be something else, a rather sorry face in fact until the very end where she is transformed. Pretty good effect if you know the actress.

Ted's Evaluation -- 3 of 3: Worth watching.

As usual, the story of Towards Zero was immaculate but this particular Marple story was especially nostalgic for me because, after just a few minutes, I recognised South Sands near Salcombe in South Devonshire where I lived during my teenage years in the mid 1950s. As a youngster, I worked at the Tides Reach Hotel (which looked quite unchanged) helping with the rental of a fleet of catamaran floats to the holidaymakers on the beach. One thing that was changed in the movie was that Salcombe Estuary was referred to as a river when, in actual fact, it is a tidal estuary. Only once did I ever swim across the estuary and back whilst I lived there as it wasn't an easy swim by any stretch of the imagination. Another thing that wasn't in the movie was my little sailing boat (a Salcombe Yawl - Y24) moored in the bay of South Sands. But then the movie was set about 10 years before it was there anyway! I haven't been anywhere near there for well over 50 years!