Trumbo

I saw this at the Toronto Film Festival on September 12, 2007. During the post-screening Q & A, several audience members were saying that the producers should do everything they can to get the film distributed. It seems that they picked up on the idea that first amendment issues of fifty years ago still resonate. This excellent documentary includes many interviews of Dalton Trumbo who, as one of the Hollywood Ten, was blacklisted from 1947 to 1960--when he was finally given screen credit for the films Exodus and Spartacus.

The producers of those films were also interviewed: Otto Preminger in archival footage and Kirk Douglas in a recent (and poignant) interview. The best part of the film is the lively Trumbo himself in interviews from the 1940s to the 1970s. The entire package is elevated artistically by a cast of top-notch actors who give great performances using only Trumbo's words, from his letters and other writings. The best of these is Nathan Lane's reading of Trumbo's letter to his son on the subject of masturbation.

Through a focus on the life of Dalton Trumbo (1905-1976), this film examines the effects on individuals and families of a congressional pursuit of Hollywood Communists after World War II. Trumbo was one of several writers, directors, and actors who invoked the First (rather than the typical Fifth) Amendment in refusing to answer questions under oath.

We have insights from Donald Sutherland; we also have Michael Douglas, Nathan Lane, Brian Dennehy and Liam Neeson reading letters in their smooth, rich voices. What a great way to welcome audiences to the story of political persecution.

Trumbo himself says that "people joined the Communist Party because they felt it was doing something". He never really comes out and embraces Communism, but the whole era was a mess -- America allied with the Russians in World War II, and once the Nazis were defeated, anyone with Communist sympathies was tossed aside.

This film also has great archive footage of Walt Disney and others.

The film does a terrific job of examining Dalton Trumbo's unyielding beliefs, his cantankerous personality, and most importantly his words.

His letters are read by terrific actors like David Straithairn and Donald Sutherland, and it's in these readings that we get an insight into how sad and deep America's fear of intellectuals and artists really is.

The film has flaws, including rushing through some of the most important turns in Trumbo's professional life (e.g., his return to finally being able to take credit for his work in 1960) and there's a slight lack of emotional punch to the whole thing. But this is intelligent filmmaking, and Trumbo's words will ring in my head for a long time.

When many people think of movies several thoughts came in mind: Who are the actors? Is this a good movie? Who directed? But many times we forget to ask ourselves who wrote it and why someone wrote this kind of movie? After all writers are the real movie creators, they develop a story, plot, scenery, what period the story is set, everything comes from a good story. Author, novelist and screenwriter Dalton Trumbo (1905 - 1976) was one of the greatest writers of all time not only on-screen but off-screen too. Many of his credits are well known films such as "Papillon", "Johnny Got His Gun", "Spartacus" and "Roman Holiday". But why is he so famous you may wonder. Sadly, Trumbo was enlisted in the Black List of artists considered to be Comunists by the House of Un-American Ativities in the late 1950's. After that he was arrested for a year, released but he couldn't work anymore because he was one of the Hollywood Ten figures to not answer some of the Congress's questions.

"Trumbo" is a documentary about the man in all of his forms: writer, father, person, husband, friend and more. Directed by Peter Askin and written by Christopher Trumbo (Dalton's son) based on his own play, this documentary is an original look into the life and work of one the greatest screenwriters of all time. Not only that. An ensemble cast appears performing and reading many letters written by Trumbo during his different moments in life. Michael Douglas, Joan Allen, David Strathairn, Josh Lucas, Donald Sutherland, Liam Neeson, Brian Dennehy, Nathan Lane and Paul Giamatti put the emotion by reading and performing Dalton's vision of the world, his fights against the people who harmed him and many others brilliant pieces of writing.

Here there's testimonies of people who met him, like his son, some friends, Dustin Hoffman, Kirk Douglas (who helped Trumbo during the period when he couldn't write by giving Trumbo a screen credit for his work on "Spartacus") and we see archive footage of Trumbo himself in many interviews. This great man was a strong supporter of freedom of speech, a great liberal that was misunderstood in his time when many thought that he was Comunist because of the subjects and the way dealt with it on his films. But he was also a fighter who fought against all the problems he had, stood up for those who were his friends, a peaceful and funny warrior. To quote his own words: "I don't look for trouble but they look for me".

An interesting subject that appears here is all of Trumbo's works on movies during the Black List period using a fake name (The Front). He wrote many movies using a front, one of them is "Roman Holiday" and the other was "The Brave One" (under the name of Robert Rich). "The Brave One" won an Academy Award of Best Screenplay in 1957 and no one attended the Ceremony to pick the Oscar. Of course, Trumbo couldn't show up because he was forbidden to write, Motion Picture Association wouldn't let. But the Oscar was given to him years later. It's a very interesting thing that doesn't happen these days, screenwriters nowadays doesn't have that kind of experience to put into a screenplay. Trumbo did that, used his own hard experience in movies like "Spartacus", "Papillon" and "Johnny Got His Gun". If you pay attention to these movies when they appear in the documentary you will notice that the characters quotes are a reflexion over Trumbo's life but at the same time it's something that fit very well in the movies. Highly recommended! 10/10

"Trumbo" is an amazing documentary about screenwriter Dalton Trumbo, a man who won an Oscar under another name in 1965 and couldn't go and pick it up.

What a story, told mostly by Trumo himself through his letters, segment of his book "Johnny Got His Gun," and interviews he gave. The letters and book portion are read by a wonderful cast: Michael Douglas, Josh Lucas, Nathan Lane, Paul Giametti, Diane Lane, David Strathairn, Brian Dennehy, Liam Neeson, and Donald Sutherland.

There are also interviews with his children, Mitzi and Christopher, Walter Bernstein, Otto Preminger, Kirk Douglas, Dustin Hoffman, Kate Lardner, and others.

We're shown a brilliant man who is an equally brilliant screenwriter. His career is stopped thanks to the blacklist, because he refused to answer "are you now or have you ever been a member of the Communist party?" - not taking the fifth amendment which would protect him from self-incrimination, but, like the rest of the "Hollywood Ten," the first amendment where the government is prohibited from inhibiting free association, and their right to silence.

Trumbo liked a good fight, and he stuck to his beliefs, even though it meant going broke, having to move to Mexico, and ultimately writing 18 screenplays under other names or being uncredited.

It wasn't until the late '50s, when some producers began hiring blacklisted people and 1960, when Otto Preminger and Kirk Douglas broke the blacklist by crediting Trumbo for their films, that the blacklist began to lose its sting. It would take others much longer to regain their reputations, if they ever did. Many lives were ruined in its wake.

This is such a compelling documentary, but if you weren't around in that era, it probably won't have the impact it did on someone like me. When I was growing up, the most terrifying thing in the world was Communism.

In truth, it was a philosophy that sounded good to people during the depression. Philosophies on paper always sound good - unfortunately they don't work when you have human beings involved. Most people became disillusioned with it and, after attending some meetings or even joining, gave it up.

Sadly, if. like Lee Grant, you even went to the funeral of someone who was suspected of being a communist, you were blacklisted.

As Trumbo put it, the Elks were probably as influential in the end. But J. Edgar, McCarthy, and others saw Communists under every chair. It was a furor that caused a lot of damage and denied us the work of some great artists.

Highly recommended for an excellent look at what was going on during that time.