Outpost - Zum Kämpfen Geboren

In a European country devastated by the war, a group of six mercenaries leaded by DC (Ray Stevenson) is hired by the engineer Hunt (Julian Wadham) to protect him in a travel to a no man's land. In accordance with Hunt, he is the representative of a group of investors and he has been assigned to visit one facility in one of their real estates. When they arrive in the spot, they find an old Nazi bunker with a pilot machine and evidences of gruesome experiments with human beings and one survivor. While protecting the outpost, they are attacked by invisible enemies; when Hunt discloses the truth about the mysterious device, DC realizes that they have to fight to survive to an invincible supernatural army.

"Outpost" is a horror movie that keeps a claustrophobic atmosphere, but has many unexplained situations. Why the fiends did not kill the whole group at once? Why the fiends became corporal? Why the leader of the fiends stays in the bunker? Why the mercenaries keep shooting the fiends if they know that their bullets and mines are ineffective? In the end, "Outpost" entertains, but I really prefer the South Korean "R-Point" or the British "The Keep" (1983) that give better explanation to the supernatural events. My vote is six.

Title (Brazil): "Missão de Risco" ("Risky Mission")

This was a treat to find. I went into it with no expectations, as I do will all "B" movies, and really enjoyed this movie.

There is no weak acting so once you get into the story you are not tossed out. The story is very good, a clever twist on hauntings ala "From Beyond".

The special effects are well done and the gore is good. I personally think the first two death scenes should have been a bit more horrific, but I am not complaining. Sound effects are perfect and that helps to bring you into the movie a lot.

I can easily recommend this movie to anyone who enjoys a good ghost story with lots of mood. As good as "ghost ship"

If you ever played the famous game (PC and console) Wolfenstein, you will love this movies.

I like too much stories mixing horror and ominous Nazi scientific experiments. It's a very interesting and prolific genre. Sometimes you get some very poor stories, but it's not the case of this one. It's simple, it's plain and it's interesting with a nice mix of suspense, horror and action.

I like the way the actors played the characters, they are very realistic. Production is also very nice, no CGI at all, but only the good old way of creating weird and dark places.

If you want to see a cool mystery/horror movies with no fuzzy plot, this is the one. I recommend.

A well produced, horror flick that follows some many traditions in this field. A good "hook" script idea with a poorly thought out, daft explanation. Too many horror films-when dealing with out of this world concepts-do exactly the same. Lets have a brief 10 minute exposition of the just read out from the script by a leading character! Still, it has some creepiness and fairly good cinematography, a muted. bleached colour/contrast (ala Saving Private Ryan). The plus points are the enemy-shadows of their former selves; shadows of SS army ghosts (or ae they?). Aside from the problems with the "lets quickly make up an explanation" theory thrown in, the main problems are as follows: The mercenaries seem to made up of a spectrum of foreign soldiers-which is fine-but the accents of some are amusingly bad! "You can be sure o one ting. No-bod-dy gives a foook about oz!" says the "African" guy. The accents didn't totally kill the films "playing it straight" approach, but did bring out a wry smile!

Unlike Neil Marshall's Dog Soldiers effort, this film lacked any sense of humour at all and might have been better for a "Hicks" type character from "Aliens" to have a mordant black sense of doom and humour. There seems to be one Irish soldier employed for this purpose but most of his lines fall fairly flat for the most part, although he is merely unrecognisable from the Simon Pegg/Nick Frost "Spaced" series, where he played (a v.funny) cycle courier with a mind messed by drug use! Overall, the visual design was very good despite its obvious budget constraints, such as the ghost/zombie elements-notably the Nazi approach from the back-lit tree-line. Are they underfire, or not? Well worth a watch then but I walked away feeling that it could have been so much better. I think the writer of this might have been influenced by a few films but...... Many years a go (back in 1977) I went to see cheap schlock horror movie starring Peter Cushing, about a zombie U boat crew who rise from the depths to kill the cast one by one. It was quite effective for the time-probably a bit daft and tame now-but the memory of it stayed with me. Shock waves, Almost Human and Dead Corps were the titles it ran under.

Hey, what do you know? Just about at the time that you get totally beaten down by godawful Z grade horror movie after godawful Z grade horror movie, along comes a super low budget little flick like this to show how it is done. Not much happens, the entire film is shot in greys and in a very limited and very visually unexciting locale. But there was a lot to like about this attempt.

I think much of the credit has to go to the script writer and director in this one, who make the most out of the little they have on hand. They stress atmosphere, sharply drawn characters, and then, in an almost unprecedented development in low grade horror, people who actually act in smart and logical fashion. The squad of soldiers in this one really moves and acts like a squad of soldiers. There is a reason for them to be where they are. There is a reason they are trapped. They take cover, lay claymores, worry about high ground and suppressing fire, pair off in twos to search, and in general never give you any reason to question whether they are actors rather than military men. That is INDCREDIBLY refreshing, and adds a remarkable degree of believability to the whole exercise, in much the way that the marines in Aliens (obviously a vastly superior movie) acted like actual soldiers and made you believe it. And in the same vein, all of the characters here have solid, believable dialogue and react in believable fashion when put under stress. The acting is solid, nobody is flat, there are no stupid joke characters, few cheap scares. The whole thing is just very intelligently done.

Now of course in the end, its still Grade Z horror. They have almost no budget, not much goes on, the premise is both clichéd and shaky, and most problematically the intelligence shown toward the characters is not duplicated in the highly erratic depiction of their opponents (the rules change every time they meet for no apparent reason). But it is the sophistication of the overall attempt here that lets me give this one a solid ranking. They had little to work with, but they actually made a real effort to turn out a quality product here. That deserves something, and in the future it would be nice to see these same people involved in a project with more ambition and money behind it.