IMDb-BEWERTUNG
5,9/10
14.504
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe big-screen adaptation of Perry's stage play about the trials of marriage and what happens to one family when a sexy young temptress arrives on the scene.The big-screen adaptation of Perry's stage play about the trials of marriage and what happens to one family when a sexy young temptress arrives on the scene.The big-screen adaptation of Perry's stage play about the trials of marriage and what happens to one family when a sexy young temptress arrives on the scene.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Kaira Akita
- Keisha
- (as Kaira Whitehead)
Empfohlene Bewertungen
I just caught this film it is about relationships, marriage and the concept of expecting perfection vs. the reality of every day life weighing in on relationships. I laughed often and cried several times as well.
On the whole this was white cinema done with black faces but such a trend is long over due (if I have to watch one more trailer about how hard life in the hood without anyone fixxing their situation or the benefits to selling drugs and pimping I may go on a shooting spree). However, don't let this fool you-the writing was top rate and while some dialogue rehash there was a lot of very original dialogue as well. My only real complaint of the film was its sterility in many shots a lack of warmth within some home settings and among the performers as a whole.
There seemed to be little genuine commaraderie between the actors particularly in the earlier scenes. They were supposed to be friends since college but they were stiff in their reuniting with each other.
Also there is the scene were the overweight wife is forced to drive to the reunion by herself and all the women are worried for her safety yet when she enters the cabin the next day no one runs over to greet her they wait for her to come to them. Despite some of these often repeated mistakes (not just here but in other movies) this movie was very very good. I enjoyed it almost as much as The Four Seasons but unlike the Four Seasons this film follows all the characters all the way through the film- a nice touch in giving overall closure. Janet Jackson was my least favorite; portraying the celebrated novelist who lost a child but the the other performances were powerful enough to over shadowed her lack of depth. This was the first Tyler Perry film I have seen and I must say his 2 weeks at top box office is well justified here.
On the whole this was white cinema done with black faces but such a trend is long over due (if I have to watch one more trailer about how hard life in the hood without anyone fixxing their situation or the benefits to selling drugs and pimping I may go on a shooting spree). However, don't let this fool you-the writing was top rate and while some dialogue rehash there was a lot of very original dialogue as well. My only real complaint of the film was its sterility in many shots a lack of warmth within some home settings and among the performers as a whole.
There seemed to be little genuine commaraderie between the actors particularly in the earlier scenes. They were supposed to be friends since college but they were stiff in their reuniting with each other.
Also there is the scene were the overweight wife is forced to drive to the reunion by herself and all the women are worried for her safety yet when she enters the cabin the next day no one runs over to greet her they wait for her to come to them. Despite some of these often repeated mistakes (not just here but in other movies) this movie was very very good. I enjoyed it almost as much as The Four Seasons but unlike the Four Seasons this film follows all the characters all the way through the film- a nice touch in giving overall closure. Janet Jackson was my least favorite; portraying the celebrated novelist who lost a child but the the other performances were powerful enough to over shadowed her lack of depth. This was the first Tyler Perry film I have seen and I must say his 2 weeks at top box office is well justified here.
Before seeing this film or any other Tyler Perry production I, like many of you, had my doubts. But there is something quite engaging when watching this film. The thing I ask you to remember when watching this film is seeing what was produced with the resources at hand. Of course there are flaws and the emotions seem slightly pushed at times, but it was a good story full of love, understanding, fun, and laughter. Tasha Smith did an excellent in her role as did Tyler, Sharon Leal, and Jill Scott. You fall in love with these guys, all of them, and whats going on in there lives very quickly. I will admit that the cast of characters would be better suited for a television sitcom. But, with the amount of main characters in this film, i still say a job well done. I am most eager to see how their stories develop in the next movie and i also think that it would also be a wonderful idea to consider a television show going back to when they all first met and started dating and for it to be on a network like HBO or showtime, but that might be dreaming too high. Anyway, this was a successful film am I am excited to see the next film and some of the films Perry has put out that I've missed. Just check it out with an open mind.
Last night I went to the threatre not knowing what I was going to see. Literally. I had no notion of what films were playing. I wanted to see "The Lost Legion" because I was in the mood for a swords and sandal epic, but it wasn't playing anywhere nearby. Would I not be able to see Roman legions clashing with native armies in Briton? Answer; no. So, I looked up at the list of films, saw "Why did I Get Married", and made a blind ticket purchase for a film I had never heard of, nor had any notion of what it was about.
I've never seen the stage-play upon which this film is based, but, having seen many a stage play adaptation to the big screen, and having been thoroughly disappointed with every one of them, I can say that this one did a fairly good job.
The revolves around several couples whose marriages are teetering in varying degrees of distress. Secrets that have been held tight by husband and wife are eventually thrust into the open, testing the couples' fortitude.
Visually the film is warm and intimate, and keeps a good amount of zest by way of fine emoting. There are some ever so brief lulls, but the story content and delivery by the actors keeps the viewer's attention.
The one "antagonist" in the film (if he can be called that) was almost a little too obvious. The boorish husband character was barely disguised as to his true intentions. So much so that I was wondering if the character wasn't supposed to be putting on some kind of act. But alas, that wasn't the case. It was a shortcoming of the creative team.
Most of the film is light, but there is one segment that came out of left field to break up wit bound dialog. The more dramatic scenes were respectable, but weren't always given the same amount of care to the lighter scenes.
My one real complaint about the story is that I felt somewhat lost as to who was suffering from what history. There's a lot implied, and the more relationship-savvy viewer can probably puzzle out the nuances and idiosyncrasies of marital secrets and scandal. But I have to admit that I just didn't get a lot of the situations until they were spelled out for me. Ah well :-) Some light entertainment that delivers an abridged version of a play with fairly good aplomb. It is a film marketed for an African American audience, but marital situations are universal to all, and as such this film can be enjoyed by all audiences (though your theatre's audience may vary). Definitely a good rent when it comes out on DVD.
I've never seen the stage-play upon which this film is based, but, having seen many a stage play adaptation to the big screen, and having been thoroughly disappointed with every one of them, I can say that this one did a fairly good job.
The revolves around several couples whose marriages are teetering in varying degrees of distress. Secrets that have been held tight by husband and wife are eventually thrust into the open, testing the couples' fortitude.
Visually the film is warm and intimate, and keeps a good amount of zest by way of fine emoting. There are some ever so brief lulls, but the story content and delivery by the actors keeps the viewer's attention.
The one "antagonist" in the film (if he can be called that) was almost a little too obvious. The boorish husband character was barely disguised as to his true intentions. So much so that I was wondering if the character wasn't supposed to be putting on some kind of act. But alas, that wasn't the case. It was a shortcoming of the creative team.
Most of the film is light, but there is one segment that came out of left field to break up wit bound dialog. The more dramatic scenes were respectable, but weren't always given the same amount of care to the lighter scenes.
My one real complaint about the story is that I felt somewhat lost as to who was suffering from what history. There's a lot implied, and the more relationship-savvy viewer can probably puzzle out the nuances and idiosyncrasies of marital secrets and scandal. But I have to admit that I just didn't get a lot of the situations until they were spelled out for me. Ah well :-) Some light entertainment that delivers an abridged version of a play with fairly good aplomb. It is a film marketed for an African American audience, but marital situations are universal to all, and as such this film can be enjoyed by all audiences (though your theatre's audience may vary). Definitely a good rent when it comes out on DVD.
First of all I must say that I don't understand the low ranking, it is truly an underestimation of this film. I must admit that while I am a Tyler Perry fan I have been underwhelmed by his previous box office offerings. This film for me was a welcomed departure from his other films, it just seemed more professional, well directed, and the casting was phenomenal. Evan though it was rather preachy it seemed much less "after-school-specialish" than his initial movies. Jill Scott was amazing, Tasha Smith was Hilarious, and Janet Jackson wasn't as boring as she usually is. I hope this film is a precursor of more to come from Tyler Perry.
The film touches on some heavy points, but never really digs very deep. It's light weight, but that's fine.
The acting on the whole is good.......... Janet Jackson is a tad weak..... she was not that convincing.
I did like Jill Scott though.
I did like when the guys were just chatting, it felt really real and made me smile.
It's not ground breaking, it won't change your life, but it's fun in parts and some parts made me laugh out loud.
I think this a solid 5/10.
The acting on the whole is good.......... Janet Jackson is a tad weak..... she was not that convincing.
I did like Jill Scott though.
I did like when the guys were just chatting, it felt really real and made me smile.
It's not ground breaking, it won't change your life, but it's fun in parts and some parts made me laugh out loud.
I think this a solid 5/10.
Wusstest du schon
- WissenswertesJanet Jackson was originally sought for a role in Das verrückte Familienfest (2006), but was unavailable. Tyler Perry was very keen to work with her so asked her to be in this film.
- PatzerDiane wouldn't be a defense attorney in a criminal/murder case if she were a top litigator at her law firm.
- Crazy CreditsSpecial Thanks to: Bishop T.D. Jakes (for the "80/20 Rule")
- SoundtracksColor Me Blue
Written by Jay Weigel
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Why Did I Get Married?
- Drehorte
- Pemberton, British Columbia, Kanada(Village of Pemberton)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 55.204.525 $
- Eröffnungswochenende in den USA und in Kanada
- 21.353.789 $
- 14. Okt. 2007
- Weltweiter Bruttoertrag
- 55.862.886 $
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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