Armored

The war veteran Ty Hackett (Columbus Short) is hired to work as security guard by the Eagle Shield Security where his old friend Mike Cochroone (Matt Dyllon) works. Ty is having financial difficulties after the death of his father and is raising his brother Jimmy (Andre Jamal Kinney) alone. He teams up with Mike's brother-in-law Baines (Laurence Fishburne) and their coworkers Quinn (Jean Reno), Palmer (Amaury Nolasco) and Dobbs (Skeet Ulrich). One night, Mike invites Ty to robber the two armored trucks that will transport forty-two million dollars. The reluctant Ty accepts after the promise of Mike that nobody would be hurt in the heist. They bring the trucks to an old mill and hide the money in a hole; however their operation is witnessed by a tramp. Baines shots the man with his shotgun and Ty decides to help him; but when Mike executes the homeless man, Ty locks himself inside a truck with half the amount.

"Armored" is an action movie about an almost perfect plan to heist two armored trucks by the security guards that should protect the transported money. The key character is the ambiguous Ty, a man that is facing financial difficulties in his private life that accept to participate in the heist but betrays his friends. Therefore, the hero of "Armored" is actually a traitor that is rewarded in the end. This unlikable character should have been better developed in the screenplay to give a better explanation for his despicable attitude (the betrayal). On the other hand, the naiveness of the five experienced men inviting a newcomer on the eve of the scheduled date of a heist sounds very unreasonable. It is impressive how fat Laurence Fishburne is. My vote is six.

Title (Brazil): "Assalto ao Carro Blindado" ("Heist of the Armored Car")

Sandwiched between his VACANCY and PREDATORS, ARMORED is director Nimrod Antal's best film, although to be fair that isn't saying much. It's one of those single-location action movies with a relatively low budget (by Hollywood standards), most of which has been spent on assembling an ensemble cast of tough-guy actors. Matt Dillon, Jean Reno, Laurence Fishburne and Fred Ward, all of whom have appeared in great movies, are in supply here, albeit in supporting roles.

It's also a chance to find out what happened to SCREAM's Skeet Ulrich, if anybody cares these days. Sadly, there are two problems with ARMORED; the first is the no-name lead Columbus Short, a guy whose acting skills are pretty insipid, so you don't really care much about whether his character wins or loses. The second is the PG-13 rating, which eliminates the kind of hard-hitting violence of the early DIE HARDs that this film so desperately needs.

Saying that, it turns out to be a pretty entertaining little thriller. The storyline is basic in the extreme, but I'm a sucker for these single-location movies and in some ways the simplicity of the plot is more appealing than something in which the plotting is overdone, like MAN ON A LEDGE. The narrative is lean, pared-down and propelled by some good, surprising twists thrown into the mix. All of the big names give solid performances, and if it does get a little cheesy at times then that's par for the course. I'd rather a film be cheesy and entertaining than realistic and dull!

I went to see this movie today, with hopes that it would involve an at least half-intelligent story. I was extremely disappointed, as it did not. The plot, and the decisions by the main character, were so far-fetched. I was hoping for a "Dog Day Afternoon"-type movie, but instead got something totally unacceptable. I actually found myself totally hoping for the "hero" to be knocked off, and I nearly walked out of the theater on several occasions when this should have happened but didn't. Heist movies are notmeant to be feel-good flicks, and this one tried to be just that. Every couple of minutes during the second half of the movie, I found myself saying, "no way". Without giving the whole story away, it revolved around an armored car guard who was financially down and out, and whose house was going into foreclosure. He was invited in on a heist, and accepted, only to back down once the action began. Weak.

I had been amazed by director Antal's Kontroll back in 2003. His first American project, Vacancy, was less impressive but a decent start. Armored is his second feature and while the visual signature is recognizable, the film never rises above the level of a B movie.

It's a shame because the main premise has all the ingredients for twists and turns and the ensemble cast featuring many quality actors should be able to deliver. Antal could have made a great heist film but instead goes for an action flick. Then again he could have shot a cool action flick but it doesn't really deliver in that department either.

What you are left with is one implausible situation after another, a group of poorly sketched characters bicker and fight over a sum of money. If you look past the sharp cinematography, cast and the tight music score, you're left with what could have been a below average direct-to-video featuring Van Damme or Seagal.

This was probably the most disappointing movie for me in quite some time.

I'm not here to tell you "Armored" is Kubrickian, Hitchcockian or Fellini-esquire. Nope. Referenced directors are more like Don Siegel ("Charlie Varrick") and Walter Hill ("The Warriors"). Those two helmers didn't fool around with niceties like putting women in their movies. No skirts need apply. They unapologetically made guy movies. Guns, lots of guns. Men met violent death with a twitch of the jaw. Their movies were like a sap to the head. You want a friend? Get a dog.

"Armored" is so a guy movie. Dueling armored trucks? Bloody gunshot wounds? Exploding money? If that doesn't get the lizard part of your brain excited, then stay away.

At 88 minutes, "Armored" is all muscle without an ounce of fat. We meet six security guards who drive armored trucks, three per truck. The six, led by Matt Dillon, scheme up a fake hijack involving two trucks. Their mission one day is to deliver $42 million from the federal reserve (I think). The idea is to drive both trucks to a warehouse, stash the cash, then stage a hijack. Sure, the cops will suspect them, but if they stick together they'll get through it.

Trouble is, one of the six, played by Columbus Short, is a holdout. At first. But he faces eviction. And he's the guardian for his messed up younger brother. He needs cash bad.

Matt Dillon cajoles, pleads, persuades the holdout. No blood on anyone's hands. A clean getaway. All good, no bad. You'll be rich forever. Blue skies smiling at you ...

Right.

Everything goes to hell, of course. It's one damned thing after another and the stakes keep going up. And it almost all happens claustrophobically inside an abandoned warehouse somewhere in Los Angeles. In fact, the movie goes out of its way to project a backdrop of industrial urban decay. I happen to like industrial urban decay.

Kudos to Matt Dillon, who plays the top bad dog. He goes from charming to disappointed to frustrated to outraged to totally effing insane in the course of the movie. Love that guy.

Also, credit is due to the menacing, throbbing, blistering and totally sinister electronic soundtrack by John Murphy. I am guessing he's heard a few Tangerine Dream records.

Also, it's surprising that this is a PG-13 movie. I caught one — one! — f-bomb in this entire movie about violent tough-guy robbers. On some level, I like that. Take the kids.

The director is Nimrod Antal, a Hungarian who made a fine noir set in the Budapest subway system called "Kontroll." Screenwriter is an out-of-nowhere guy called James V. Simpson.

A lot of the people in this movie are just starting out. I am willing to bet the esteem given to this movie will rise as time goes on and these filmmakers advance in their careers.