Sugar

Baseball movies are often deemed cliché in today's world of cinema. You have a team or a player the film focuses around, they're usually underdogs or feel good stories, they have an improbable season and the end result is usually a championship for the team, or a life altering moment for a player. The movie, Sugar goes completely against this modern day norm.

As a baseball movie, Sugar won't stand-alone. What does set it aside is the cultural quantum leap the main character endures. The films main character, Miguel Santos, whose nickname is the movies namesake, is the hero of his small, Dominican Republican village, as a pitcher with lively arm, an ideal build, and terrific upside. He receives mounting pressure from his family and the community to become the next Dominican baseball star, and eventually gets his shot. It's a reminder for every Sammy Sosa and Pedro Martinez who makes it from the Dominican Republic; hundreds of others burn out and are never heard from again.

It's the off the diamond aspects of the opportunity he gets that makes the movie an interesting character piece. Short, and seemingly innocuous scenes help build the movie, and show the struggle that Santos endures in his assimilation to Americanized life, which ultimately correlates to his performance on the field. As mentioned, as a baseball movie it goes away from the norm, Hollywood cookie cutter of a sports movie, but as an allegory of the struggle that millions of Latino baseball players go through, it couldn't be more spot on.

For a person with virtually zero prior acting experience, Algenis Perez Soto gives a noble performance as the films protagonist. He's never really asked to go outside his main personality, which is stoic and monotonous, but he has a few moments where he breaks off, and his ability to act at emotional pinnacles are shown. Surely this won't be the end of his acting career, as he virtually won the acting lottery by randomly being selected for a lead in a semi-major motion picture. Most of the actors don't have enough of a part in the movie to shine, as no other character was given enough screen time to even be considered a strong supporting actor.

The writing and story is thorough in its sports detail, which a baseballs junkie would enjoy, but the average moviegoer might not understand. The subplots in the movie like the love story and the conflicts surrounding the supporting characters lack substance. Those subplots, along with the characters involved in it seem to just disappear abruptly. The story is somewhat episodic, divided into a few large parts, with none of those parts supporting characters carrying on through the movie. As a whole, the movie takes on a slow pace, and sometimes struggles to keep the interest of the viewer.

If you plan on seeing Sugar, don't go in expecting a team to pull in a superstar to save the day in the last second, or for the main character to pitch a World Series no-hitter, or you'll be disappointed. Mainly, don't go into the movie expecting a baseball movie, or you won't be satisfied. In the end, the movie lacks a punch that would make it stand out, but gets my praise for tackling a plot that usually will end with a cold dose of reality.

Rating: 7/10

Sugar is an important Hispanic film. And yes, two Americans made it, Fleck and Boden, but they do so without compromise, without an agenda, and without patronising - and what we get IS an Hispanic film - it is not a film about America, it really is a superb Hispanic (Spanish in America) perspective - and it just blew me away. 100% convincing, valid, justified - and simply a great film.

The story of the baseball player Sugar, played with consummate skill by Soto, has all the elements of a good sports movie plus the added dimension of a very well thought through arc and development.

This is without a doubt one of the better films of the year; it captures both baseball and the alienation of the Hispanic experience in the US with alacrity and a light touch. The characters have real depth and emphasis is placed on the internal rather than simply the external.

Strongly recommended as a breakthrough film for Hispanic film in the US, both in the quality of the story and acting and for excellence in film making.

"Sugar" is simply one of the best sports movies ever and it does so avoiding every sports movies cliché ever made. The story of the main character is simply a composite of the story of the majority of people who go to play the game professionally. Not only that, but also reflects the story of the immigrant who comes to America pursuing a dream.

Spoken mostly in Spanish, the movie almost qualifies as a foreign language film. The filmmakers do an excellent job capturing the contrast in atmosphere of the Dominican Republic -a poor country, rich in happiness- to the heartland of America, and back to the Bronx -a Dominican stronghold outside of the island, also stricken by poverty.

As in "Friday Night Lights" you can feel the constant stress these young players endure to make it big. It's every bit as tense and if you like baseball, and are interested a little bit about these foreign superstars now playing the game, this movie is going to be a treat.

One of the best films of 2009.

If you are looking for another "sports" film, this isn't it. Sure, it's about Dominican baseball players trying to make it in the United States, and get some money for their families, just as African-Americans use the NBA to get out of the ghetto, but it is so much more.

Baseball isn't the story here. It is just a backdrop. The story is immigration.

It was funny watching Miguel 'Sugar' Santos (Algenis Perez Soto) put up with an Iowa farm family when he went to play "A" ball. They didn't speak Spanish, and he didn't speak English. The daughter (Ellary Porterfield) seemed interested, but couldn't take the big step.

He left for New York when he felt his game go. He managed to find a new life. Not completely without baseball, but without making it to the majors. Life is like that. It's what happens when you make other plans.

Greetings again from the darkness. Filmed in quasi-documentary style, the film appears on the surface to be about the Latino dream of making it to the major leagues. Upon closer review, the family and friends of Sugar only ask "Are you going to the states?". The crux of the film lies not so much in the long odds of making it to the show, but moreso, simply escaping the homeland ... it's just that baseball is viewed as the quickest ticket out.

The "Half Nelson" writer/director team of Anna Boden and Ryan Fleck score again with "Sugar". What really hit home with me was how many people miss out on their real chance because they just have a simple shortage of passion for their talent. When Sugar bashes the water cooler, it's not because he pitched poorly, but rather because he fears he will be shipped back home.

There are many fine moments in this and the final act twist is not just terrific story telling, but fitting as well. It does what a final act should do ... connect the dots. Think back to the domino scene when one guy spouts that he once hit 98 in spring training. The recognition that he is back home playing dominoes is the real story. Good stuff.

First time actor Algenis Perez Soto perfectly captures the charm and innocence of Sugar and finally the harsh reality of the situation. This is one to see.