Bones and All

Two birds of a feather with a common appetite, living in the shadows with a curse they try to fight, struggle to give in, to temptations that spellbind, an addiction of the mind that leaves them hamstrung and confined; finding others with dependencies more practiced and distilled, whose lives have little meaning, all alone and unfulfilled, helpless and exposed by the hand they've all been played, the promised life and expectations, all diminished and betrayed.

Some great performances but all eclipsed by Taylor Russell who is outstanding as the conflicted Maren struggling to come to terms with who she is and what she can and cannot do about it.

I had high expectations for this film given some of the cast, especially Timothée Chalamet, who never disappoints. I was really excited to see this movie given the controversial and disturbing topic that attempts to combine romance with its horror. I am so frustrated by the fact that I truly believe this could've been "a win for cinema", as a famous critic has stated the movie was. I felt like all the pieces of the puzzle were there, but they didn't make a picture. Like others have said, there were so many plot holes, build-ups that lead to nothing, and cramped scenes with little time to involve yourself in the characters. The connection between Maren and Lee didn't feel believable, nor did it feel like they were given enough screen time to make that happen.

It felt like the director tried to capture too much in 2 hours and it ended up being a scattered slideshow of artsy scenes with gore and confusion. The 5/10 stars I give is for the acting, mainly on the part of Chalamet and Rylance. My other 5 is lost to the direction, editing, and script of the film.

The trailer and hype was 10x better than the movie itself, so all you need to watch is that. This could've been a true masterpiece, and I desperately wanted it to be. I found myself trying to be convinced it was good, but ultimately faced the honesty that it fell through. A chance for beauty, lost to the wind.

I saw it for Timothée Chalamet. And his work is just admirable. But the great job is offered by absolutely impressive Mark Rylance, giving a version of evil absolutely fantastic.

No doubts, Taylor Russell represents the perfect option for role of Maurene.

One of virtues - the atmosphere of Reagan United States. In same measure, the touch, especially in the meetings, of South Gothic. Another virtue - the gentle poeetry, the travel becoming, in some measure, scene by scene, yours. The exploration of family, in the perspective of young adults is another good point.

The sin - maybe, the paradoxal hurry, the characters remaining more sketches .

But , indeed, a beautiful film, deserving the atention each minute from its two hours.

Fair to say I went in to this with pretty high expectations (considering I'm a genuine admirer of director Luca Guadagnino, since he made one of my favourite films "Call Me By Your Name") & sadly, as much as it physically pains me to say it, they just weren't met here. You could argue my disappointment is therefore my own fault - because the film endeavoured to achieve something I had not initially anticipated - (& that is a valid countenance to make, to a degree, as I'm judging it from a biased perspective, basing my opinions on what I'd originally envisioned etc.) but quite frankly, upon much rumination... After trying to consider what it was actually trying to do instead - other than tell a frustratingly shallow & simplistic tale about 2 cannibals falling in love - I still remain nonethewiser? Hence, the lack of any discernible purpose (that could justify the gruesome subject matter) irked me somewhat by the time I'd reached the end, as I'd assumed the theme of cannibalism would at the very least be allegorical & used to convey a deeper message to the audience. Alas, it wasn't - as far as I could decipher.

Yes, the movie is shot in a very intimate way, capturing the rawness of the emotions which are experienced between the two leads & the resultant primal nature of their bond - sealed by a forbidden urge neither can control - so I understand the filmmaker's desire to capture a stripped back depiction of "love", mirroring how primitive it is, ironically at its heart... But there's nothing linking that to the viewer (in a developed world) which could result in anything clear or relatable, so the meaning (if there is one?) feels sadly lost. The creative team at the helm therefore may have benefitted, drawing comparisons between the fictional reality & our own, portraying the romance as LGBT+ (immediately drawing parallels, using one controversial behaviour - rightfully - frowned upon by society as an extreme example to contrast it against another, which still isn't completely accepted - perhaps showing how ostracism results in deep connections being made between soulmates who share the same trauma / outlook?) but again, that potential is squandered frustratingly, despite the fact that briefly, it does seem to be headed in that direction - funnily enough, when it works most effectively.

Plus, it doesn't help that Timothée Chalamet's on screen chemistry with the aforementioned male (who has a fleeting role) is ten times stronger than that of which features alongside Taylor Russell; confounding the problem by acting as an immediate reminder of a more fruitful path this could've easily been taken in.

I see a lot of potential here & the possibilities for what could've been are enticing (a commentary on male entitlement, the destructiveness of addiction, or maybe showing how the worst of us have a chance at redemption if we're willing to commit to the idea of our own betterment?) but nothing is ever clear enough to feel satisfying or fulfilling, upon completion... So ironically, we do not enjoy this "Bones & All."

As a massive admirer of Luca Guadagnino's work, it saddens me to say that Bones & All is disappointing.

Even though the cinematography and atmosphere are beautiful and what you would expect from the visual master, the film suffers from tonal shifts and a very talky script that is only saved by a fantastic turn by Mark Rylance. His menacing presence is the feature only redeeming quality.

The narrative is overstretched by a terribly slow pace reinforced by wooden dialogues between lovers that don't have much chemistry to begin with. Timothée Chalamet is clearly miscast as his sweet and soft demeanor don't match with the supposed danger and inner violence of his character.

Star of the show, Taylor Russell is beautiful and haunting. She also carries much of the movie on her frail shoulder. But the underdeveloped family moments and repetitive travel adventures don't help to build much of her personality. So when we get to the core horror aspect of the movie it mostly fails. Most "gory" moments are contrived, shoehorned inside the romance. They are too few, tonally all over the place and end up underwhelming.

After the masterful Suspiria, I was really expecting Guadagnino to deliver on the horror front but I think he got sucked away by the gorgeous landscapes and forgot to build up tension or fear. Bones & All ultimately ends up being a tiresome teen romance road trip interrupted by bizarre gory scenes. I will just rewatch Kathryn Bigelow's masterpiece "Near Dark" which I think would have been the perfect inspiration.