IMDb-BEWERTUNG
6,7/10
7624
IHRE BEWERTUNG
Eine schwerkranke Frau versucht mit Hilfe eines ausgebrannten Mannes und eines blinden Archivars ihr lange verschollenes Kind zu finden.Eine schwerkranke Frau versucht mit Hilfe eines ausgebrannten Mannes und eines blinden Archivars ihr lange verschollenes Kind zu finden.Eine schwerkranke Frau versucht mit Hilfe eines ausgebrannten Mannes und eines blinden Archivars ihr lange verschollenes Kind zu finden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 13 Nominierungen insgesamt
Michel Vuillermoz
- Le psy
- (as Michel Vuillermoz de la Comédie Française)
Laurent Stocker
- M. Tuttle
- (as Laurent Stocker de la Comédie-Française)
Empfohlene Bewertungen
French films are a world apart -for good- and this is problably one of the very best you could watch right now. Original, imaginative and very well shot. Outstanding casting.
I watched Au Revoir Là-Haut (See You Up There for the English title) followed by Adieu Les Cons (Bye Bye Morons for the English title), both movies by writer/director Albert Dupontel, in which he also plays the major role. I can only say I'm a fan from now on. Au Revoir Là-Haut was more artistic than Adieu Les Cons, but they are both very enjoyable to watch. Adieu Les Cons is something different from the rest, with an interesting engaging story that is easy to follow and that has nice inventive twists and turns, it's all well written, but also very well acted and that from the whole cast. It clearly deserves it's high rating on here. I can't see what people could dislike about this movie. It's certainly one of the better French movies I watched this decennia. You can't really compare it to Au Revoir Là-Haut which has a totally different story but you certainly recognize that typical vibe you get from Albert Dupontel.
Only 12 reviews on Imdb, for such a lovely, original, quirky, witty and endearing French comedy. Definitely an unknown gem!
The good: this story is hilarious. It simply is. And hilarious is all a comedy needs to be. But this movie is much more. It's an endearing tale of motherly love and of love in general. It's better to die young and have loved passionately than to haved lived long and never have felt TRUE LOVE.
The story is about a mother, who had to give away her baby at birth. Now the mother is dying, but she wants to find her lost son before her illness takes her last breath.
Of all people the mother asks (out of neccesity) the help of a suicidal deskclerk and a flirtatious blind man to find her lost son. It's completely bonkers, with suicide attempt, police chases and shootouts, but it is undeniably OH SO FUNNY.
Bless the French for making such HUMAN and PASSIONATE comdies!
The good: this story is hilarious. It simply is. And hilarious is all a comedy needs to be. But this movie is much more. It's an endearing tale of motherly love and of love in general. It's better to die young and have loved passionately than to haved lived long and never have felt TRUE LOVE.
The story is about a mother, who had to give away her baby at birth. Now the mother is dying, but she wants to find her lost son before her illness takes her last breath.
Of all people the mother asks (out of neccesity) the help of a suicidal deskclerk and a flirtatious blind man to find her lost son. It's completely bonkers, with suicide attempt, police chases and shootouts, but it is undeniably OH SO FUNNY.
Bless the French for making such HUMAN and PASSIONATE comdies!
What a delightful touching comedy !
Great casting !
Magical mix of unlikely allies !!
Recommend viewing.
Great casting !
Magical mix of unlikely allies !!
Recommend viewing.
Two characters on the edge, for different reasons, meet by chance, towards an inevitable end.
This could simultaneously be the summary plot of a romantic comedy written by Nora Ephon or a road movie written by Wim Wenders.
The result is a hybrid, written, performed and directed by Albert Dupontel, which, without ever claiming to be a work of author, the general tone is manifestly mainstream, in the rhythm, in the humor, in the glamor of the settings and characters, it does not leave to wink at the most creative universe of Monty Python, whether in the opening dedication to Terry Jones, or in Terry Gilliam's participation in a small but delicious role as a weapons salesman.
Adieu les Cons is not Monty Python, nor Nora Ephron, nor even Wim Wenders. It is Albert Dupontel, an experienced actor, director and screenwriter, who is well worth knowing, and signs a very interesting work here, on the most varied levels.
This could simultaneously be the summary plot of a romantic comedy written by Nora Ephon or a road movie written by Wim Wenders.
The result is a hybrid, written, performed and directed by Albert Dupontel, which, without ever claiming to be a work of author, the general tone is manifestly mainstream, in the rhythm, in the humor, in the glamor of the settings and characters, it does not leave to wink at the most creative universe of Monty Python, whether in the opening dedication to Terry Jones, or in Terry Gilliam's participation in a small but delicious role as a weapons salesman.
Adieu les Cons is not Monty Python, nor Nora Ephron, nor even Wim Wenders. It is Albert Dupontel, an experienced actor, director and screenwriter, who is well worth knowing, and signs a very interesting work here, on the most varied levels.
Wusstest du schon
- WissenswertesThe movie is dedicated to Terry Jones, former Monty Python member who died in January 2020, who had played in two of Albert Dupontel's movies: Le créateur (1999) (as God) and Enfermés dehors (2006) (as a homeless person). Incidentally, another former Monty Python member plays in the present movie: Terry Gilliam (as a hunter in the advertisement). Albert Dupontel has said that the Pythons are a source of inspiration for his work.
- VerbindungenReferences Brazil (1985)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Adieu ihr Idioten!
- Drehorte
- Avenue de la Poudrerie, Livry-Gargan, Seine-Saint-Denis, Frankreich(Suze searches her son, blind man driving, car accident)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 16.955.924 $
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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