Shepherd - Fluch der Vergangenheit

Every frame was intentional. Although some may find the film too slow, I enjoyed and appreciated every minute. Beautifully done in EVERY area!!

From the gorgeous open stark and rugged landscapes, to the reflections on water puddles and window.....this movie was done with intent behind every millisecond!!

The camera shots were smooth and varied and came from unexpected angles and views.

The score or music added significantly to the atmosphere seamlessly without over riding the other expressions.

The acting was superbly understated and there were some wonderful symbolism within this story.

The actual screenplay was just a little less tight than everything else for me. Perhaps (I'm guessing here) that it was a cultural/national subtlety that didn't translate as clearly.... But, again, It was SUBTLE and everything else was so generously and perfectly executed that it didn't effect my enjoyment or appreciation for this film.

After his adulterous wife dies in an accident, a grieving husband decides to take a job shepherding sheep on a remote island nearby to process the situation only to be tormented by a seemingly malicious spirit intent on unearthing a hidden truth about the incident.

Overall, there's not much to this one. The fact that it manages to evoke a mysterious and generally eerie atmosphere here is about all that works as this one generates some impressive atmosphere due to the situation. The sense of isolation here with his physically being stranded on the remote island as well as mentally with the ghosts of his past rendering him incapable of anything other than taking a job on this island offers a fantastic building block to work The supernatural sequences off of. From strange behaviors by his dog forcing him to look around the house, eerie bowling in the distance that no one else can respond to or the strange discoveries around the island he keeps making, this one manages an effectively chilling scenario that may or may not be in his mind. However, while this creates a fantastic starting point the film never does much else with it. That's due to the dreary and depressing tone that carries on throughout here as the quiet, slow-burn setup keeps the overt scares away in favor of a more unnerving series of psychological mind games involving a person not ready to accept their fate. This offers up a highly puzzling setup that might not work for most out there which gets this one off to a rather underwhelming beginning point. Less troublesome but also detrimental is the somewhat overlong running time for this kind of genre effort which does make this one somewhat of a challenge to get through. Otherwise, these are the only flaws here.

Rated R: Violence and Language.

We know, we know...lighthouses and loneliness make you crazy. When you've recently lost a wife, it's not a good idea to take a job herding sheep in the middle of nowhere. Bound to be some ghosts.

I was pleasantly surprised by this film since I did not go in expecting much due to the low ratings and negative reviews.

If you like old-style, cerebral, slow-building horror I urge you to give this film a look. The cinematography is luscious, the location is stark and beautiful (Scottish Hebrides) and the acting is great. The imagery is profound.

No, it isn't a thrill-a-minute scare-fest but it is a worthy well-crafted film.

Give it a shot.

Shepherd is a quiet focused film on the tragedy and grief of a man (and his dog) who leaves his home taking residence on an isolated island to tend to sheep. He's mourning the death of his wife, but given the reticence of this character, all we know is that she died. The woman who instructs him on his duties, and who will bring supplies, takes on a meancing nature as the lead starts his descent into isolation reacrion. Is it psychosis or supernatural? The film continues with elements increasing in their bizarre nature and displays some surreal visions. At the end, we find one piece of the puzzle from the lead character, helping to have some satisfaction at the end without full clarity given.

Tom Hughes does well in carrying this film as he is largely alone on screen. He portrays the numbness of grief expertly, and he manages a realistic depiction of that descent into Hell or madness without falling into stereotypical behaviors or characterizations. His performance makes the resolution and uncertainty credible for the film's end.