IMDb-BEWERTUNG
6,2/10
10.406
IHRE BEWERTUNG
In diesem in den 1970er Jahren angesiedelten Kriminaldrama ist eine Frau gezwungen, auf die Flucht zu gehen, nachdem ihr Mann seine Partner betrügt und sie und ihr Baby auf eine gefährliche ... Alles lesenIn diesem in den 1970er Jahren angesiedelten Kriminaldrama ist eine Frau gezwungen, auf die Flucht zu gehen, nachdem ihr Mann seine Partner betrügt und sie und ihr Baby auf eine gefährliche Reise schickt.In diesem in den 1970er Jahren angesiedelten Kriminaldrama ist eine Frau gezwungen, auf die Flucht zu gehen, nachdem ihr Mann seine Partner betrügt und sie und ihr Baby auf eine gefährliche Reise schickt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Empfohlene Bewertungen
No idea where this movie was going from it's placid opening and then it takes off with a female twist on the usual crime gone wrong movie and keeps on hurtling to the end. Standout performances from the leads and great art direction.
I understand why many people have reviewed this film negatively. It's not for everyone. If it were meant to be for everyone, the producers would have dug up another comic book character and we'd have another steaming piece of Marvel to stare at for 2 hours. With great production value, I'm sure.
This is a slow burn. I like that. I want to care about the characters before I know (or I am left to determine) their fate. I want to see Jean's transformation-especially since she is simply Eddie's woman for the first part of the story. She starts off purposeless. Maybe a pretty face he didn't marry for her cooking.
Anyway, the plot moves soon enough and we are presented with a crime movie not dissimilar from most crime movies. Except for the transformation of Jean. And the humanity. The kindness of strangers along the way. The touch of a stranger at a laundromat. Some good people.
There are a couple of events in the film that cannot be overlooked. Maybe these events will cause some viewers to find one or two of the heroes irredeemable. (I'm being vague to avoid spoilers.) But at least it gives you something to think about as you watch it.
Also, I love the two Aretha songs (covers) in this film: Natural Woman and The Weight. (Sorry, I had to throw that in.)
If you like independent films, I think you'll like this one. Personally, I am glad I watched it and enjoyed seeing Jean's arc.
This is a slow burn. I like that. I want to care about the characters before I know (or I am left to determine) their fate. I want to see Jean's transformation-especially since she is simply Eddie's woman for the first part of the story. She starts off purposeless. Maybe a pretty face he didn't marry for her cooking.
Anyway, the plot moves soon enough and we are presented with a crime movie not dissimilar from most crime movies. Except for the transformation of Jean. And the humanity. The kindness of strangers along the way. The touch of a stranger at a laundromat. Some good people.
There are a couple of events in the film that cannot be overlooked. Maybe these events will cause some viewers to find one or two of the heroes irredeemable. (I'm being vague to avoid spoilers.) But at least it gives you something to think about as you watch it.
Also, I love the two Aretha songs (covers) in this film: Natural Woman and The Weight. (Sorry, I had to throw that in.)
If you like independent films, I think you'll like this one. Personally, I am glad I watched it and enjoyed seeing Jean's arc.
Love Rachel Brosnahan and couldn't wait to see this. I don't need lots of action to find a movie satisfying but this one was just too slow, ponderous, and unnecessarily long, for my taste, though it did pick up toward the end. Guess I will just stick to Mrs. Maisel for my Rachel Brosnahan fix.
With a phenomenal Rachel Brosnahan performance and a powerful story I'm Your Woman is a visually beautiful and emotionally thrilling movie with some amazing scenes. Great direction, very smart screenplay, beautiful aesthetic and great supporting roles. At times it feels like is going no where, especially in the middle where it feels kind of messy. But still, this is a a phenomenal experience that will keep you at the edge of your seat, and it really is one of a kind.
I loved this film. Amazed to see so many bad reviews, likely due to a Michael Mann audience not knowing what to make of Kelly Reichardt stylings. Excellent period design, cinematography, and superb performance by Brosnahan, with a subtle script, heavy on interiority, that allows most of the action to enter without much explanation.
I loved the way it left so much of the chaos and violence off stage, and brought just enough in to validate the terror of the characters, and the way it managed to play on some strong ant-racist and feminist themes without ever commenting on them. If you're looking for Heat, walk on by, if you're patient and motherhood thrills you, you might love this as well.
I loved the way it left so much of the chaos and violence off stage, and brought just enough in to validate the terror of the characters, and the way it managed to play on some strong ant-racist and feminist themes without ever commenting on them. If you're looking for Heat, walk on by, if you're patient and motherhood thrills you, you might love this as well.
Wusstest du schon
- WissenswertesThe same early '60s Pontiac 4 door is used repeatedly through out the film. Also the same goes for a '67 - '69 Chevelle.
- PatzerDuring the chase scene, the same Volkswagen Beetle can be seen 3 times (driving and parked).
- SoundtracksI Wouldn't Be Surprised
Written by Larry Henley & Marcus Mathis
Performed by Bobbie Gentry
Courtesy of Capitol Records Nashville
Under license from Universal Music Enterprises
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