IMDb-BEWERTUNG
6,2/10
10.417
IHRE BEWERTUNG
In diesem in den 1970er Jahren angesiedelten Kriminaldrama ist eine Frau gezwungen, auf die Flucht zu gehen, nachdem ihr Mann seine Partner betrügt und sie und ihr Baby auf eine gefährliche ... Alles lesenIn diesem in den 1970er Jahren angesiedelten Kriminaldrama ist eine Frau gezwungen, auf die Flucht zu gehen, nachdem ihr Mann seine Partner betrügt und sie und ihr Baby auf eine gefährliche Reise schickt.In diesem in den 1970er Jahren angesiedelten Kriminaldrama ist eine Frau gezwungen, auf die Flucht zu gehen, nachdem ihr Mann seine Partner betrügt und sie und ihr Baby auf eine gefährliche Reise schickt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Empfohlene Bewertungen
I laughed when I saw Michael Mann thanked in the end credits. Aspects of the this film reminded me of Thief (1981), Michael Mann's first film starring James Caan and Tuesday Weld. I am guessing that Brosnahan's character continues where Tuesday left off in the film when she was sent off with a guard and a bag of money by Frank, who had a whole syndicate after him. Same situation, Frank met Jessie who could not have children and because the former had a criminal record, they could not adopt either. A child was delivered from a syndicate connection. Thus, a pretty hefty nod to an earlier film classic (and one of my all-time favorites). I think Frank would have been nicer and more competent than Eddie in this film. Same with Jessie and Jean, as in Jessie from Thief would be more competent than Jean, but maybe the former might not have the courage to use a gun, as jean does. Speaking of which, is 'I'm you're Woman' any good? Yeah, it's alright. Not great but not bad either. Sorta dark, not-so-feel-good trying to be a feel-good, but plot sort of T-bones all that. I was chuckling throughout, but I like dark humor. Not bad, it's okay. As for those who complain about the crying kid, eventually he does stop and the story picks up.
I loved this film. Amazed to see so many bad reviews, likely due to a Michael Mann audience not knowing what to make of Kelly Reichardt stylings. Excellent period design, cinematography, and superb performance by Brosnahan, with a subtle script, heavy on interiority, that allows most of the action to enter without much explanation.
I loved the way it left so much of the chaos and violence off stage, and brought just enough in to validate the terror of the characters, and the way it managed to play on some strong ant-racist and feminist themes without ever commenting on them. If you're looking for Heat, walk on by, if you're patient and motherhood thrills you, you might love this as well.
I loved the way it left so much of the chaos and violence off stage, and brought just enough in to validate the terror of the characters, and the way it managed to play on some strong ant-racist and feminist themes without ever commenting on them. If you're looking for Heat, walk on by, if you're patient and motherhood thrills you, you might love this as well.
Love Rachel Brosnahan and couldn't wait to see this. I don't need lots of action to find a movie satisfying but this one was just too slow, ponderous, and unnecessarily long, for my taste, though it did pick up toward the end. Guess I will just stick to Mrs. Maisel for my Rachel Brosnahan fix.
8/10 for me. Great acting and kept me on my toes. The crying kid wasnt that annoying...some of you just have low tolerance I guess.
With a phenomenal Rachel Brosnahan performance and a powerful story I'm Your Woman is a visually beautiful and emotionally thrilling movie with some amazing scenes. Great direction, very smart screenplay, beautiful aesthetic and great supporting roles. At times it feels like is going no where, especially in the middle where it feels kind of messy. But still, this is a a phenomenal experience that will keep you at the edge of your seat, and it really is one of a kind.
Wusstest du schon
- WissenswertesThe same early '60s Pontiac 4 door is used repeatedly through out the film. Also the same goes for a '67 - '69 Chevelle.
- PatzerDuring the chase scene, the same Volkswagen Beetle can be seen 3 times (driving and parked).
- SoundtracksI Wouldn't Be Surprised
Written by Larry Henley & Marcus Mathis
Performed by Bobbie Gentry
Courtesy of Capitol Records Nashville
Under license from Universal Music Enterprises
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- Laufzeit
- 2 Std.(120 min)
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- 2.39 : 1
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