IMDb-BEWERTUNG
3,1/10
1796
IHRE BEWERTUNG
Böse Geister, die von altem Zelluloid freigesetzt werden, führen dazu, dass ein Filmteam während der Produktion eines neuen Projekts langsam wahnsinnig wird.Böse Geister, die von altem Zelluloid freigesetzt werden, führen dazu, dass ein Filmteam während der Produktion eines neuen Projekts langsam wahnsinnig wird.Böse Geister, die von altem Zelluloid freigesetzt werden, führen dazu, dass ein Filmteam während der Produktion eines neuen Projekts langsam wahnsinnig wird.
- Regie
- Drehbuch
- Hauptbesetzung
Jack Dimich
- Romanian Grip
- (as a different name)
Empfohlene Bewertungen
I can see why some reviewers thought this film was a bit messy. But I can see how that adds to the, this person is loosing their mind and what is, and what is not actually real. I thought some of the ideas here were cool.
It's not the best work for this director, but I thought it was still a pretty interesting watch. It has some cool ideas, and the idea behind the story was pretty interesting too. Like finding out more depth behind the spirit the filming is meant to be about would have made this a better film.
The acting and script are pretty average, but overall I think the film is worth a watch.
It's not the best work for this director, but I thought it was still a pretty interesting watch. It has some cool ideas, and the idea behind the story was pretty interesting too. Like finding out more depth behind the spirit the filming is meant to be about would have made this a better film.
The acting and script are pretty average, but overall I think the film is worth a watch.
Here's a film which seems to be all over the place in terms of story, which is needlessly complicated and as a result feels rushed and unsatisfactory. This is apparently a remake of an Japanese ghost film, given a western twist and cast, and directed by Chinese director Fruit Chan (who made the sickening DUMPLINGS).
The story tells of a film crew attempting to shoot a tale about a cursed production, only for themselves to fall foul of the evil spirit of a witch inhabiting the set. The witchcraft/ghost angle is entirely predictable, although there are some cool CGI effects involving swarming flies, but that doesn't stop the film from feeling disjointed and more than a little unfocused.
There are familiar cast members here, from a cameoing Eli Roth as a Hungarian director to Henry Thomas and Shiloh Fernandez, but the actors fail to bring life to what is a very stale script. You can tell Chan is trying and indeed DON'T LOOK UP is unsettling in a few places thanks to his efforts, but as with most remakes I'd recommend checking out the original instead.
The story tells of a film crew attempting to shoot a tale about a cursed production, only for themselves to fall foul of the evil spirit of a witch inhabiting the set. The witchcraft/ghost angle is entirely predictable, although there are some cool CGI effects involving swarming flies, but that doesn't stop the film from feeling disjointed and more than a little unfocused.
There are familiar cast members here, from a cameoing Eli Roth as a Hungarian director to Henry Thomas and Shiloh Fernandez, but the actors fail to bring life to what is a very stale script. You can tell Chan is trying and indeed DON'T LOOK UP is unsettling in a few places thanks to his efforts, but as with most remakes I'd recommend checking out the original instead.
I may not be an expert in psychopharmocology, but I do know when it is time to take your medication.
The formula has been repeated so often you have to wonder why they don't just quit.
Take a good Japanese suspense film of the same name, which was directed by Hideo Nakata (The Ring Trilogy), and had a screenplay by Hiroshi Takahashi, who also wrote the screenplays for the Ring Trilogy. and bring in a big time director (Fruit Chan) and someone to adapt the screenplay to add gore instead of suspense (Brian Cox), add some American eye candy (Rachael Murphy), and you have a film that is a pale imitation of the original directed to teens.
Forget the eye candy, find the original.
Take a good Japanese suspense film of the same name, which was directed by Hideo Nakata (The Ring Trilogy), and had a screenplay by Hiroshi Takahashi, who also wrote the screenplays for the Ring Trilogy. and bring in a big time director (Fruit Chan) and someone to adapt the screenplay to add gore instead of suspense (Brian Cox), add some American eye candy (Rachael Murphy), and you have a film that is a pale imitation of the original directed to teens.
Forget the eye candy, find the original.
Normally I don't write reviews... although after watching this movie, it marked my life in such ways I had to leave a comment and warn others. Just spare yourself the misery. This movie shows promise at the start, thinking of such urban legends as the filming of The Exorcist... yet sadly it fails to deliver. The plot is very poor to say the least, and the main character inspires as much empathy in his role as a mad director, that by the end of the movie you are actually rooting for something to happen to him. The movie ends, and ends again, then ends strangely... and I now have to find a way to wash my brain of this dreg...
A lot of the other reviews are kinda harsh and seem to come from the Uber-Film High-Brow Horror Critic's row of the theatre. Whereas I just wanted to see something. . .different.
What grabbed me was the notion of a ghost story set current day, in Transylvania, that didn't involve Vampires. Period.
I'm sick of Vampires: Old, Young, Teenagers, the black leather thing, suburban dark sex. . .whatever. Just sick of it all. And here was a story about a modern day haunting in Transylvania on a movie set.
Now I'll be honest, the plot is confusing. I'm not quite sure on exactly WHAT was haunted: The Movie Set, the Film, or the 'Set Specialist' himself, But I like the fact that you're not quite sure whether the 'Set Specialist' Marcus is hallucinating or really seeing things. The build-up of havoc on the filming set and the deaths here and there followed by the final send-up of the ghost/apparition at least did not follow the usual formula, so I was entertained. And to the Nay-Saying Aficionados who were expecting more linear, explainable plot, I say that the lack of an explainable plot was excusable because the action still drove towards a weird conclusion. And what held me was the fact that it wasn't a PREDICTABLE Plot. I STILL wanted to see what the End would be. And on that score, I say the movie scored a point.
The FX were nicely done and the flies were a nice touch. There's gore, but it's more Ick than Splatter. Warning: Girlfriends with weak stomachs or sensibilities may need you to cover their eyes a bit. Oh, and refrain from a genuine male desire to get some pizza out of the Microwave. . .the GF will NOT understand and will give you troublesome disgusted looks.
Nah, it's not Horror Movie Gold-- but it has it's own Honorable Mention Category and definitely a good passable Saturday Nite Horror Flick.
And when you watch, don't Siskel & Ebert it. This is Elvira material! Enjoy!
What grabbed me was the notion of a ghost story set current day, in Transylvania, that didn't involve Vampires. Period.
I'm sick of Vampires: Old, Young, Teenagers, the black leather thing, suburban dark sex. . .whatever. Just sick of it all. And here was a story about a modern day haunting in Transylvania on a movie set.
Now I'll be honest, the plot is confusing. I'm not quite sure on exactly WHAT was haunted: The Movie Set, the Film, or the 'Set Specialist' himself, But I like the fact that you're not quite sure whether the 'Set Specialist' Marcus is hallucinating or really seeing things. The build-up of havoc on the filming set and the deaths here and there followed by the final send-up of the ghost/apparition at least did not follow the usual formula, so I was entertained. And to the Nay-Saying Aficionados who were expecting more linear, explainable plot, I say that the lack of an explainable plot was excusable because the action still drove towards a weird conclusion. And what held me was the fact that it wasn't a PREDICTABLE Plot. I STILL wanted to see what the End would be. And on that score, I say the movie scored a point.
The FX were nicely done and the flies were a nice touch. There's gore, but it's more Ick than Splatter. Warning: Girlfriends with weak stomachs or sensibilities may need you to cover their eyes a bit. Oh, and refrain from a genuine male desire to get some pizza out of the Microwave. . .the GF will NOT understand and will give you troublesome disgusted looks.
Nah, it's not Horror Movie Gold-- but it has it's own Honorable Mention Category and definitely a good passable Saturday Nite Horror Flick.
And when you watch, don't Siskel & Ebert it. This is Elvira material! Enjoy!
Wusstest du schon
- WissenswertesThe name of the director of the original film is Bela Olt. One of Bela Lugosi's early stage names was Arisztid Olt.
- VerbindungenReferences Frankenstein (1931)
- SoundtracksGaze At Me
Performed by Doping Panda
Composed by Yutaka Furukawa
Published by Sony Music Artists, Inc. (JASRAC)
(p)2009 Sony Music Records, Inc.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Don't look up - Das Böse kommt von oben
- Drehorte
- Los Angeles County, Kalifornien, USA(Location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen