An einer renommierten Tanzakademie geraten die künstlerische Leiterin, eine ehrgeizige junge Tänzerin und eine trauernde Psychotherapeutin in den Sog düsterer Mächte. Einige werden dem Alptr... Alles lesenAn einer renommierten Tanzakademie geraten die künstlerische Leiterin, eine ehrgeizige junge Tänzerin und eine trauernde Psychotherapeutin in den Sog düsterer Mächte. Einige werden dem Alptraum erliegen. Andere werden endlich erwachen.An einer renommierten Tanzakademie geraten die künstlerische Leiterin, eine ehrgeizige junge Tänzerin und eine trauernde Psychotherapeutin in den Sog düsterer Mächte. Einige werden dem Alptraum erliegen. Andere werden endlich erwachen.
- Regisseur/-in
- Autoren
- Stars
- Auszeichnungen
- 28 Gewinne & 75 Nominierungen insgesamt
- Dr. Klemperer
- (as Lutz Ebersdorf)
- …
- Susie's Mother
- (as Malgosia Bela)
- …
- Miss Boutaher
- (as Clementine Houdart)
Zusammenfassung
Empfohlene Bewertungen
Stop comparing.. and do not judge this as a remake
Weird as...
Too Long. Too Slow. And Too Far Up Its Own Ass.
Unlike the 1977 original, this one employs muted colours, shrivelled set design, slow-burn approach, hypnotic score & an unnecessarily drawn out narrative that piles one needless segment on top of another, resulting in an overlong flick that exceeds the original's length by a considerable margin, and will test the patience of most viewers.
Aiming for more than a straightforward supernatural horror, Guadagnino retains the themes of the original but is more interested in exploring the political unrest of the depicted timeline, not because the plot calls for it but because he wants to. While some will admire his choice to not rehash the same story, others will argue that his reach far exceeds his grasp here.
On the plus side, the eerie mood & foreboding aura never leaves the room, some kills are downright terrifying, the earthy tones do fit its depressing tone, that Volk dance sequence is truly a highlight, Make-up is top-notch, and Thom Yorke's score just fits. As for the performances, Tilda Swinton steals the show by taking the role of not one, not two but three different characters, and she excels at all of them.
Overall, Suspiria does retain the original's title but everything about it is different. More a homage than a full-fledged remake, it is an abstract re-imagination that attempts to tackle themes & elements that it could've done without, and comes stuffed with an unwarranted subplot that's detrimental to the viewing experience. In short, Luca Guadagnino's Suspiria is too long, too slow & too far up its own ass.
Creepy, Bloody, Gory
Arthouse Horror
WTF Is 'Suspiria'? The Cast Call It a "Horr-epic"
WTF Is 'Suspiria'? The Cast Call It a "Horr-epic"
Wusstest du schon
- WissenswertesDakota Johnson completed 2 years of ballet training in preparation for her role in this film.
- PatzerThe film opens in West Berlin in 1977, with protesters chanting, among other things, "Free Meinhof!" However, Ulrike Meinhof was already dead by that point. She was found hanged in her prison cell a year earlier than the film is set, in May 1976.
- Zitate
Dr. Josef Klemperer: Love and manipulation, they share houses very often. They are frequent bedfellows.
- Crazy CreditsJust before the credits end, Susie reappears and makes a small gesture to the camera.
- VerbindungenFeatured in WatchMojo: Top 10 Best Horror Movies of 2018 (2018)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Suspiria: El maligno
- Drehorte
- Grand Hotel Campo dei Fiori, Varese, Lombardia, Italien(Dance Academy)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.483.472 $
- Eröffnungswochenende in den USA und in Kanada
- 184.037 $
- 28. Okt. 2018
- Weltweiter Bruttoertrag
- 7.957.721 $
- Laufzeit
- 2 Std. 32 Min.(152 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1





