Dune: Prophecy

All of my knowledge of Dune comes from the two recent movies, both of which are amazing. With that out of the way, one thing that is missing from the TV show, which both films have, is a good score or at least good use of a good score. I feel like the score or music of the films was used in such a way to emphasize the larger-than-life characterization of the Dune world or universe, so to speak. We are talking about a species that spans the universe in space after all. On the other hand, the score is barely perceptible in the TV show. This does ensure we able to hear the dialogue clearly, but also makes the TV show feel claustrophobic in spite of some of its sets or settings in comparison and therefore out-of-character. Without this, the TV show feels much less epic and engaging than the movies, unfortuantely. I am hoping they will fix this in upcoming seasons.

It's nice to see the other side of Dune Universe. Visually beautiful for a TV Show although we know this is nothing compared to Denis Villeneuve movies. Here we can see the city, the bar, etc that feels cyberpunk-ish and we don't see it in the movies.

The story itself was good and again it's nice to know more about Bene Gesserit. But I don't know why this show potrayed the main character (Bene Gesserit) looks 'evil'. Despite that I enjoyed it still.

What I hate about this show is too short. I mean comeon why only 6 episodes? I hate modern TV shows. They gave us 6 episodes and then we need to wait another 1-2 years to watch the next season. 10 Episodes is the standard unless you make it limited series with no continuation. I understand that maybe this show has big budget knowing the visual was very good.

Another uninteresting about this show is bad casting. Almost all the acolytes was so bland knowing they still had good amount of screen time. I always love Travis Fimmel as Ragnar zlothbrok in Vikings since it's my favorite show but in here he also act like Ragnar the way their bodyand eye moves was very sinilar acting

Overall I love this show since we rarely had scifi cyberpunk-ish tv show.

First of all, when talking about this series, you have to know that it is not for everyone.

If Villeneuve's films seemed boring to you, this series is not for you; if they seemed slow to you, this series is not for you; if you expect to see a lot of action and effects in battles, in short, this series is not for you.

However, if the lore of Dune makes you curious and/or fascinates you, if you like the palace intrigues of GOT set in a distant future and if you like Travis Fimmel playing Ragnar (again like in Raised by Wolves), this series is definitely for you.

Perhaps a series that nobody asked for but that greatly enriches this universe and makes us think that perhaps there is more future after Dennis Villeneuve.

Dune: Prophecy introduces us to a prequel set 10 thousand years before Paul Atreides and everything we saw in the cinema.

We are 30 years after the Butlerian Jihad and the events of Dune, the Machine Crusade. It is a point where the Bene Gesserit have just begun their large-scale genetic plan and program in search of creating that super-being that would be the Kwisatz Haderach through hybridization and connections of couples with potential.

We have several points of view that are interesting, the Bene Gesserit referred to, the intrigues of Emperor Corrino, the plan of the rebels led by Keiran Atreides.

Although, as I said, the series is slow, it takes its time to develop characters: we understand the motivation of Mother Valya and Tula Harkkonen, we understand Emperor Corrino and how he was manipulated. We are even able to understand Desmond Hart and how he manages to survive the Shai-Hulud.

We have the right and necessary dose of flashbacks, the fights, although few, are well choreographed and credible in the style of the movies.

Clearly, some questions have been answered and many more remain, which I hope will be addressed in the next season.

Great bet by HBO, let's hope they continue down this path and become even more massive in later seasons. I don't think they will become the new television phenomenon like GOT was, but it does have a lot of potential to be a period series.

I wanted to be brief and to the point, but felt compelled to expand my thoughts. So here it goes. There was a time when writers knew how to weave exposition into narrative without it feeling forced and contrived. I get that it's a first episode, but do they have to spell everything out like they aren't common knowledge.

Watson(Valya), Mark Strong(Emperor), Travis Fimmel(Hart) and Sarah-Sofie Boussnina(Princess) deliver good performances. I feel like the show is in good hands. The rest of the characters left me uninterested. They move the story but are forgettable. I guess we'll see how it evolves.

I found it hard to stay focused on the first episode. It seemed to be part of a whole that can't be divided. I will wait for the full season before consuming more episodes.

They did a marvelous job on the visuals. The CGI is high quality, the costumes are perfect, the tone from Villeneuve's vision is maintained and expanded from. The art dept should get awards for how beautiful it looks.

The first episode of Dune Prophecy, HBO Max's new foray into the world of Frank Herbert's universe, unfortunately feels drab and uninspired. Despite its ambitious source material, the episode struggles to capture the charm and depth that make Dune so beloved.

The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.

Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.

Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.

In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.