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Untersucht die Politik des filmischen Shot-Designs und wie sich diese Metaebene des Filmemachens mit den beiden Epidemien der sexuellen Übergriffe und der Diskriminierung von Frauen in der A... Alles lesenUntersucht die Politik des filmischen Shot-Designs und wie sich diese Metaebene des Filmemachens mit den beiden Epidemien der sexuellen Übergriffe und der Diskriminierung von Frauen in der Arbeitswelt überschneidet.Untersucht die Politik des filmischen Shot-Designs und wie sich diese Metaebene des Filmemachens mit den beiden Epidemien der sexuellen Übergriffe und der Diskriminierung von Frauen in der Arbeitswelt überschneidet.
- Auszeichnungen
- 2 Gewinne & 5 Nominierungen insgesamt
Raja Bhattar
- Self
- (as Dr. Raja Bhattar)
May Hong HaDuong
- Self
- (as May Hong Haduong)
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Brainwashed: Sex-Camera-Power i s documentary that focuses on the male perspective to which becomes the narrative on 95-98 % of all films made. By men, seen by men and women seen as a object.
As a male I must say I am kinda baffled that I haven't seen that in all these movies. I have of course seen the obvious, but there's so many that I didn't see go into that narrative.
The fact that the male body is taboo in most movies, that you never see close up s of it i quite baffling.
A film to learn from, and be ashamed of, as a male? Yes, I'm sorry to say.
That is in fact the case. And it's really too much to handle.
We are almost always asked to see the male perspective, even in films made by women, because we are learned that's the way to do it.
Important stuff for any film school, and for any film buff.
As a male I must say I am kinda baffled that I haven't seen that in all these movies. I have of course seen the obvious, but there's so many that I didn't see go into that narrative.
The fact that the male body is taboo in most movies, that you never see close up s of it i quite baffling.
A film to learn from, and be ashamed of, as a male? Yes, I'm sorry to say.
That is in fact the case. And it's really too much to handle.
We are almost always asked to see the male perspective, even in films made by women, because we are learned that's the way to do it.
Important stuff for any film school, and for any film buff.
Authors and guests dive deep into every aspect of film making and history, to find "patriarchal" elements. There are a lot of axioms, which are not defined, but can be perceived through their comments. For example, predatory behaviour comes from men and patriarchy. They set very clear divide between two sexes with many generalisations, which might be true(statistically speaking), but same people would never accept the same treatment if real statistics were used as counter arguments. It's the cat and mouse game between generalisation and specialisation. They usually take whatever suits them best, for a particular situation. Authors don't want to discover, research, learn. They want to impose, in a very "patriarchal" way. Here lies the ultimate truth. Within is the answer they refuse to accept. Every person is a microcosmos. A combination of the worst and the best humanity offers and everything in between. We are biologically separated by combination of X and Y chromosomes, that govern our physical traits but all other characteristics fall into a spectrum. Some are very common and some fall generally more on one side. None of them is inherently good or bad. It's all about the context. Even when we use archetypes from psychology, like "tyrannical father" and "devouring mother", gender is used just as a description, not a permanent label. A man can behave as a "devouring mother". It's sad to see all these accomplished and grown people not being able to behave as adults.
It's interesting to see the different opinions from the comment sections. I saw someone made a comment and it goes something like "yes women are being objectified but they are also doing so on their own accord..."and they (sorry to assume but i guess there is 89% chances that they are a cis-gender heterosexual man) used examples if instagram influencer and models...
Utterly speechless, why so defensive? This is a desperate try to distract people and themselves from the actual issues at the core of this film which is extremely poignant. If we are talking about male gaze, and the objectification of men toward women, we are talking about an oppressive troupe which put women in a passive position, dehumanizing women, ignoring their subjectivity and voices while fragmenting their bodies, privileging the male gaze. Influencers and models are a different issue here, what they suggest that is women dont have autonomy and sense to empower themselves by displaying and posing their bodies on sns in their own way. Cuz whatever we do is to cater your gaze and perpetuate male oppression right?
Women have the freedom to choose whatever the way the want to celebrate and display their bodies, its about being comfortable in one's own skin.
And also why not think of why women feel the need sometimes to cater or as they suggest perpetuate the objectification? Its patriarchal pedagogy and propaganda which a lot of us have to unlearn. Its structural, still pinpointing to the cultural of female objectification. Stop being defensive, look inward. Or else you are not getting any point of this documentary.
Utterly speechless, why so defensive? This is a desperate try to distract people and themselves from the actual issues at the core of this film which is extremely poignant. If we are talking about male gaze, and the objectification of men toward women, we are talking about an oppressive troupe which put women in a passive position, dehumanizing women, ignoring their subjectivity and voices while fragmenting their bodies, privileging the male gaze. Influencers and models are a different issue here, what they suggest that is women dont have autonomy and sense to empower themselves by displaying and posing their bodies on sns in their own way. Cuz whatever we do is to cater your gaze and perpetuate male oppression right?
Women have the freedom to choose whatever the way the want to celebrate and display their bodies, its about being comfortable in one's own skin.
And also why not think of why women feel the need sometimes to cater or as they suggest perpetuate the objectification? Its patriarchal pedagogy and propaganda which a lot of us have to unlearn. Its structural, still pinpointing to the cultural of female objectification. Stop being defensive, look inward. Or else you are not getting any point of this documentary.
Coming here to read the reviews after finishing the documentary and seeing so many angry men labelling the director obnoxious, "bpd feminist", etc etc, just proves the point that this documentary was NEEDED in the field of filmmaking.
The documentary is a window towards a new perspective in filmmaking, where women directors (and anywhere in the movie industry) are empowered by having equal opportunities to express their creativity while having it valued justly by the industry.
The director Nina Menkes raises some essential questions which are upon the future generations of creatives to answer. She has a way of engrossing the viewer to what is being presented, while also making them an active part of it.
I hope this documentary sparks a new era in the filmmaking industry and beyond.
"The first feminist act is looking. To say, "Ok, you're looking at me, but I am looking right back." Agnes Varda.
The documentary is a window towards a new perspective in filmmaking, where women directors (and anywhere in the movie industry) are empowered by having equal opportunities to express their creativity while having it valued justly by the industry.
The director Nina Menkes raises some essential questions which are upon the future generations of creatives to answer. She has a way of engrossing the viewer to what is being presented, while also making them an active part of it.
I hope this documentary sparks a new era in the filmmaking industry and beyond.
"The first feminist act is looking. To say, "Ok, you're looking at me, but I am looking right back." Agnes Varda.
Once you see this movie, you can't unsee what it clearly demonstrates.
Brainwashed is a giant step in bringing awareness to the subtle and not-so-subtle ways women are treated as second class citizens through cinematic process and technique. Brainwashed shows how consistent camera angles, lighting, and other shot design elements are applied exclusively to women, such that women are almost exclusively presented as objects of other's (men's mostly) desires rather than as their own subjects in the characters they portray.
This below awareness process inculcates patriarchal codes! "If the camera is predatory, then the culture is predatory."
This is a meta-level awareness game changer of a film! Must see!
Brainwashed is a giant step in bringing awareness to the subtle and not-so-subtle ways women are treated as second class citizens through cinematic process and technique. Brainwashed shows how consistent camera angles, lighting, and other shot design elements are applied exclusively to women, such that women are almost exclusively presented as objects of other's (men's mostly) desires rather than as their own subjects in the characters they portray.
This below awareness process inculcates patriarchal codes! "If the camera is predatory, then the culture is predatory."
This is a meta-level awareness game changer of a film! Must see!
Wusstest du schon
- VerbindungenFeatures La fée aux choux (1896)
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- Budget
- 1.550.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 28.826 $
- Eröffnungswochenende in den USA und in Kanada
- 7.409 $
- 23. Okt. 2022
- Weltweiter Bruttoertrag
- 46.077 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
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What is the Brazilian Portuguese language plot outline for Brainwashed - Sexismus im Kino (2022)?
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