IMDb-BEWERTUNG
5,9/10
3580
IHRE BEWERTUNG
In Paris wird ein junges Mädchen tot auf einem Platz aufgefunden, das ein Abendkleid trägt. Kommissar Maigret wird versuchen, ihn zu identifizieren und dann zu verstehen, was mit dem Opfer p... Alles lesenIn Paris wird ein junges Mädchen tot auf einem Platz aufgefunden, das ein Abendkleid trägt. Kommissar Maigret wird versuchen, ihn zu identifizieren und dann zu verstehen, was mit dem Opfer passiert ist.In Paris wird ein junges Mädchen tot auf einem Platz aufgefunden, das ein Abendkleid trägt. Kommissar Maigret wird versuchen, ihn zu identifizieren und dann zu verstehen, was mit dem Opfer passiert ist.
- Regie
- Drehbuch
- Hauptbesetzung
Hervé Pierre
- Docteur Paul
- (as Hervé Pierre de la Comédie Française)
Empfohlene Bewertungen
Slow pacing, gloomy atmosphere, linear plot, nothing original in a crime story.
Yet, it's a beautiful movie, perfectly executed.
Depardieu has a presence, seemingly effortless. Patrice Leconte has an entire career to show for.
All in all, a good movie.
Yet, it's a beautiful movie, perfectly executed.
Depardieu has a presence, seemingly effortless. Patrice Leconte has an entire career to show for.
All in all, a good movie.
Maigret doesn't take shortcuts to solve cases. He takes his time and mostly watches and listens. He needs to understand the victim, the suspects and the witnesses to bring out their motivations and their deeds.
In the same way, director Patrice Leconte avoids action scenes, sub-plots, narration twists. His elegant editing, use of zoom and close-ups follow Maigret's eye and make us "enter" the characters. We feel what they feel.
We experiment the magic of cinema and this is what matters, way more than the actual solution of the puzzle. Leconte quotes Hitchcock ("Vertigo" and "Rear Window") and let Depardieu give us an unforgettable performance.
In the same way, director Patrice Leconte avoids action scenes, sub-plots, narration twists. His elegant editing, use of zoom and close-ups follow Maigret's eye and make us "enter" the characters. We feel what they feel.
We experiment the magic of cinema and this is what matters, way more than the actual solution of the puzzle. Leconte quotes Hitchcock ("Vertigo" and "Rear Window") and let Depardieu give us an unforgettable performance.
From the director of the excellent Monsieur Hire - still one of the best Simenon adaptations - you certainly expect more than this tired, geriatric and rather pedestrian treatment. It's all very dark bluish, with unsteady camera, listless performances and general air of fatigue (it opens with Maigret's visit to the doctor).
It's a pity Lecont and Depardieu couldn't make Maigret sooner, in their better years (the novel was filmed before - much more lively if not particularly excitingly - with Jean Richard in 1973).
It's a pity Lecont and Depardieu couldn't make Maigret sooner, in their better years (the novel was filmed before - much more lively if not particularly excitingly - with Jean Richard in 1973).
The story is good enough to be invested in the movie, actors are great too but I don't know why there are so many shots with weird little zoom and shaky cam. It doesn't seem to evoke anything, just a terrible way to shoot and direct..
Methodical, old-fashioned whodunit, with perhaps the no 1 icon of French cinema for the past 4 or so decades finally playing perhaps the most iconic French detective in film history. And he is perfect as an old, down but not out Maigret; capturing his weariness from the passage of time, but also his determination to see justice done one more time. The mystery is short on suspects, but I liked the script's step-by-step structuring, with each small clue leading Maigret to the next one. Leconte does a fine, atmospheric job; with him at the helm, Depardieu in the main role and a more complicated script, the next Maigret movie (assuming it gets made) should have real potential. *** out of 4.
Wusstest du schon
- WissenswertesMaigret's comment "But this is not a pipe ... That's a Belgian joke to cheer us up." (from English subtitles) refers to René Magritte's painting, 'The Treachery of Images' (aka 'This Is Not a Pipe' or 'Ceci n'est pas une pipe').
- VerbindungenFeatured in Rembob'Ina: Maigret (2022)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Мегрэ и таинственная девушка
- Drehorte
- Le Vésinet, Yvelines, Frankreich(Clermont-Valois' manor, 52 Av. G. Clemenceau)
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Box Office
- Weltweiter Bruttoertrag
- 5.942.128 $
- Laufzeit
- 1 Std. 29 Min.(89 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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