Eine Gruppe von Überlebenden des Wutvirus lebt auf einer kleinen Insel. Nach dessen kämpferischer Initiation durch seinen Vater schleicht ein Junge mit der kranken Mutter auf das Festland, u... Alles lesenEine Gruppe von Überlebenden des Wutvirus lebt auf einer kleinen Insel. Nach dessen kämpferischer Initiation durch seinen Vater schleicht ein Junge mit der kranken Mutter auf das Festland, um einen dort lebenden Arzt aufzusuchen.Eine Gruppe von Überlebenden des Wutvirus lebt auf einer kleinen Insel. Nach dessen kämpferischer Initiation durch seinen Vater schleicht ein Junge mit der kranken Mutter auf das Festland, um einen dort lebenden Arzt aufzusuchen.
- Auszeichnungen
- 3 Gewinne & 14 Nominierungen insgesamt
- Jimmy's Sister
- (as Darcie Summer Smith)
- Jimmy's Father
- (as Sandy Bachelor)
Empfohlene Bewertungen
Unfortunately, the momentum doesn't last. As the film transitions into its second half, it shifts gears into a more melodramatic human drama. The focus moves away from the infected threat and toward a lackluster subplot involving a mother and a doctor. The characters at this point make some questionable decisions which really doesn't help the film's validity.
The final act unfortunately teetered on lacklustre and borderline comedic, completely changing the tone of the first act.
I stand by saying the directing, camera work, editing and cinematography were the highlight. The landscapes and post apocalyptic setting was beautiful to look at. These elements made the film worth watching. There were some plot elements that were interesting enough but were never explored to the full potential.
However a weak plot, even weaker characters and a lacklustre ending prevent this instalment from being memorable.
It looks pretty fantastic (strangely the colouring reminded me of Garland's Men) and, contrary to what a lot of reviews claim, the acting is solid, particularly from Jodie Comer and Alfie Williams. The mixing in of archive clips isn't a particularly groundbreaking move, but it's effective.
It's hard to define exactly what subgengre this film belongs to, but there are strong folk horror vibes throughout, and that plays well with the satirical edge to the film (what is it about zombie movies and satire?). As a political statement about 21st century British decline it isn't as over egged as I feared it might be- it's subtle to the point where I wonder whether it can be fully appreciated viewers who aren't familiar with our strange little island.
It's easily as tense and bloody as the other two films (although this one is rated 15 which shows you how times have changed). There are some genuinely tense moments throughout.
The ending. All I'll say is that however you imagine the last 5 minutes will go, you're wrong. If this is to be the first part of a trilogy, it's going to get batshit crazy (although again, anyone not familiar with British pop culture will not appreciate quite how bizarre the ending is).
My biggest "why" is this movie being attached to the 28 series. Completely unnecessary and misleading. It was probably done to attract a wider audience; otherwise, it would have fallen into the unpopular indie horror film category with little financial success.
As a 28 fan, I was disappointed, however, in the first 15 minutes I realised I should forget I'm watching a 28 movie to have a chance of enjoying it.
The cinematography and art direction were out of the box in a good way. The cast and acting were good.
Super boring second half where movie switches tone to comedy drama and predictable scenes were dragged too much.
Completely stupid ending, nothing like what you would expect from this movie series.
28 days later was such an amazing movie with constant tension throughout, great ending and awesome camera work showing aggressiveness of zombies that you felt through screen. This movie however is disappointing. Alphas just look like Jason Mamoa with makeup. Would have been nice if they kept rest of the movie similar to the first half with focus on horror and intense tension to keep viewers edge of their seat instead of making viewers fall asleep.
New and Upcoming Sequels, Prequels, and Spin-Offs
New and Upcoming Sequels, Prequels, and Spin-Offs
Wusstest du schon
- WissenswertesThe trailer features a distinctive recording of the poem "Boots" by Rudyard Kipling, read by the actor Taylor Holmes in 1915. The poem's repetitive rhythm imagines the march of British soldiers during the Boer War, and this recording of the poem is used by the U.S. military to simulate the psychological distress of being held captive.
- PatzerSpike and Isla see the Angel of the North sculpture shortly after leaving Holy Island. The sculpture is over 60 miles away in Gateshead, much farther than they are shown to have traveled.
- Zitate
Dr. Kelson: Spike, momento mori, what did it mean?
Spike: Remember we must die.
Dr. Kelson: And it's true. There are many kinds of death. Some are better than others. The best are peaceful where we leave each other in love. You love your mother?
Spike: I love her.
Dr. Kelson: And Isla you love Spike?
Isla: So much.
Dr. Kelson: Memento amorous. Remember you must love.
- VerbindungenFeatured in Midnight Screenings: 28 Years Later (2025)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- 28 Năm Sau: Hậu Tận Thế
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 70.010.239 $
- Eröffnungswochenende in den USA und in Kanada
- 30.002.966 $
- 22. Juni 2025
- Weltweiter Bruttoertrag
- 150.010.239 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.76 : 1