Babylon spielt in den 20er-Jahren, der goldenen Ära Hollywoods, in der die ersten Tonfilme den Stummfilm ablösen und eine neue Branche entstehen lassen.Babylon spielt in den 20er-Jahren, der goldenen Ära Hollywoods, in der die ersten Tonfilme den Stummfilm ablösen und eine neue Branche entstehen lassen.Babylon spielt in den 20er-Jahren, der goldenen Ära Hollywoods, in der die ersten Tonfilme den Stummfilm ablösen und eine neue Branche entstehen lassen.
- Für 3 Oscars nominiert
- 45 Gewinne & 158 Nominierungen insgesamt
J.C. Currais
- Truck Driver
- (as JC Currais)
Marcos A. Ferraez
- Police Officer
- (as Marcos Ferraez)
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This film felt like it was written and directed by a high school drama class kid with ADHD. It was exhausting to watch, and it was all over the place with too much filler, too many unnecessary sub-plots, convoluted scenes and dialogue, with horrible editing and scene start and cuts. In the hands of better more experienced filmmaker, this could've very easily been so much better and more enjoyable. Writer and director Damien Chazelle gave us a hack-job screenplay with overzealous and pointlessly outlandish scenes, that are all style with very little substance. The all star stellar cast were all amazing, especially Margot Robbie - who was the only reason I didn't stop watching 40+ mins into this utter disastrous nonsense. The critics got this one right. It's a very generous 6/10 from me, all going to the performances and decent cinematography.
Whether it be orgies, showcasing various bodily fluids, plot threads, or the runtime of the film, Damien Chazelle is fully unrestrained in his latest film. La La Land and Whiplash are some of my favorite films and I'm a big fan of Chazelle's directorial style. He shows flashes of that brilliance often throughout Babylon, but does indulge in his most extreme tendencies as well in this modern Hollywood epic.
There is a lot I liked here. The opening sequence is a sight to behold and had me mesmerized with its vibrant energy. The film chugs along at a good pace for the next two hours to the point I really didn't feel the runtime for most of it. It's the last hour or so where Chazelle loses the story a bit. There were several instances where I thought the film was over, but another scene would pop up next. The runtime really feels unnecessary and there's honestly whole plot lines that could be cut out that wouldn't affect the film.
Justin Hurwitz has composed another terrific score (with some nice hints of La La Land) and the photography, costumes, and production design are all stellar. Outside of some shoddy editing, especially a bizarre movie montage at the end that really did not gel, the technical aspects of the film are quite an achievement.
Chazelle really needed someone to tell him no with this film. Some better editing combined with some self-restraint and this would be much closer to the epic masterpiece status he's clearly aiming for. As it stands, it's a pretty entertaining tale of excess and fame in early years of Hollywood.
There is a lot I liked here. The opening sequence is a sight to behold and had me mesmerized with its vibrant energy. The film chugs along at a good pace for the next two hours to the point I really didn't feel the runtime for most of it. It's the last hour or so where Chazelle loses the story a bit. There were several instances where I thought the film was over, but another scene would pop up next. The runtime really feels unnecessary and there's honestly whole plot lines that could be cut out that wouldn't affect the film.
Justin Hurwitz has composed another terrific score (with some nice hints of La La Land) and the photography, costumes, and production design are all stellar. Outside of some shoddy editing, especially a bizarre movie montage at the end that really did not gel, the technical aspects of the film are quite an achievement.
Chazelle really needed someone to tell him no with this film. Some better editing combined with some self-restraint and this would be much closer to the epic masterpiece status he's clearly aiming for. As it stands, it's a pretty entertaining tale of excess and fame in early years of Hollywood.
Quentin Tarantino once said "hacks don't go that far." There are some filmmakers that have a creative confidence that delivers a film that many people will find repulsive, but some will find exhilarating because if it's creative audacity.
Yes this film is too long but there is so much talent and so much detail to admire in every frame of this film. Diego Calva has one scene where you feel so sorry for this man you wanna cry for him.
The moment when Brad Pitt is kissing a young woman before a perfect sunset and a butterfly lands on a shoulder is the moment that encapsulates exhilarating fun of filmmaking.
Yes this film is too long but there is so much talent and so much detail to admire in every frame of this film. Diego Calva has one scene where you feel so sorry for this man you wanna cry for him.
The moment when Brad Pitt is kissing a young woman before a perfect sunset and a butterfly lands on a shoulder is the moment that encapsulates exhilarating fun of filmmaking.
Babylon is a long, messy, repulsive, and magnetic spectacle. Unfortunately despite the great performances and set pieces it doesn't live up to Chazelle's previous work.
The movie wants to bring you down into the waste yard that is Hollywood then pull you out to see the beauty that grows out of the trash. The problem is the movie spends so much time in the mud, and goes so deep into it that by the time it tries to pull you out at the end it's too late.
On the upside the cast are great and almost completely carry the movie, especially Margot Robbie's enthralling performance as Nellie. And as with Chazelle's previous work the set pieces are well executed and (some) characters are memorable.
However, these positives could not completely overcome the movie's fundamental flaws which are -- going too far with trying to revolt the audience (to the point of childishness), not spending enough time with the characters or important scenes despite its decadent runtime, and the ending coming off as completely pretentious in the context of how practical/cynical everything leading up to it was.
In the end, Babylon does serve its purpose as an entertaining spectacle, but like the Hollywood it critiques, its self-indulgence prevents it from achieving greatness.
The movie wants to bring you down into the waste yard that is Hollywood then pull you out to see the beauty that grows out of the trash. The problem is the movie spends so much time in the mud, and goes so deep into it that by the time it tries to pull you out at the end it's too late.
On the upside the cast are great and almost completely carry the movie, especially Margot Robbie's enthralling performance as Nellie. And as with Chazelle's previous work the set pieces are well executed and (some) characters are memorable.
However, these positives could not completely overcome the movie's fundamental flaws which are -- going too far with trying to revolt the audience (to the point of childishness), not spending enough time with the characters or important scenes despite its decadent runtime, and the ending coming off as completely pretentious in the context of how practical/cynical everything leading up to it was.
In the end, Babylon does serve its purpose as an entertaining spectacle, but like the Hollywood it critiques, its self-indulgence prevents it from achieving greatness.
So I just finished watching Babylon.
I really liked it but I hated it. I was bored but I was entertained. It was an emotional rollercoaster and it was plain like the Great Salt Lake. It was clear but it was confusing. It was happy and it was sad.
OMG what a mess!! Not necessarily and not always a bad mess, just a mess - there's a lot going on in this movie, and throughout this complicated web of moving pictures and sounds comes through a story, I think, but I'm not sure.
The whole movie rests on a feeble script, and that's not good, but there's some decent acting, half-decent cinematography (kudos to the crew for managing to navigate through in tight closed quarters with hundreds of naked and clantily clothed people around) and some absolutely fantastic music! In fact, I rated this movie 4 stars, but added 2 for the score - it's mesmerizing! Just do me a favour and be patient through the entire credits, at the very end you'll hear Justin Hurowitz's New York!
Big budget, big actors, huuuge production, but really not much to write home about. Did I waste 3 hours of my life? Not really, yes for sure. Confusing.
I really liked it but I hated it. I was bored but I was entertained. It was an emotional rollercoaster and it was plain like the Great Salt Lake. It was clear but it was confusing. It was happy and it was sad.
OMG what a mess!! Not necessarily and not always a bad mess, just a mess - there's a lot going on in this movie, and throughout this complicated web of moving pictures and sounds comes through a story, I think, but I'm not sure.
The whole movie rests on a feeble script, and that's not good, but there's some decent acting, half-decent cinematography (kudos to the crew for managing to navigate through in tight closed quarters with hundreds of naked and clantily clothed people around) and some absolutely fantastic music! In fact, I rated this movie 4 stars, but added 2 for the score - it's mesmerizing! Just do me a favour and be patient through the entire credits, at the very end you'll hear Justin Hurowitz's New York!
Big budget, big actors, huuuge production, but really not much to write home about. Did I waste 3 hours of my life? Not really, yes for sure. Confusing.
Wusstest du schon
- WissenswertesThe character of Lady Fay Zhu is loosely based on Anna May Wong (1905-1961) the first Chinese-American actress in Hollywood whose career spanned both silent and sound films.
- PatzerA "Jackass Forever" billboard appears in the 1952 epilogue.
- Zitate
[Jack finds George crying with his head in the toilet]
Jack Conrad: Aw, Georgie. Who was it this time?
George Munn: [panting] Claire.
Jack Conrad: Claire. Well, Claire's a lesbian. That's an uphill battle for anyone.
- Crazy CreditsThe Paramount logo is the 1920s version, fitting the era the film is set in.
- Alternative VersionenIn Singapore, before the film could passed with an R21 classification for theatrical release, the distributor required to remove a scene depicting a deviant sexual act in which the authority felt it has exceeded the classification guidelines which states that "any material that is about or promotes deviant sexual behavior" would be refused classification.
- VerbindungenFeatured in WatchMojo: Top 10 Best Movies of 2022 (2022)
- SoundtracksMy Girl's Pussy
Lyrics by Harry Roy
Music and additional lyrics by Justin Hurwitz
Performed by Li Jun Li
Top-Auswahl
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Details
Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.658.225 $
- Eröffnungswochenende in den USA und in Kanada
- 3.603.368 $
- 25. Dez. 2022
- Weltweiter Bruttoertrag
- 65.267.446 $
- Laufzeit
- 3 Std. 9 Min.(189 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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