IMDb-BEWERTUNG
5,1/10
2857
IHRE BEWERTUNG
Ein Junge geht mit dem Verlust seiner Mutter um, indem er eine gefährliche Beziehung zu einem Monster aufbaut, das angeblich im Wald lebt.Ein Junge geht mit dem Verlust seiner Mutter um, indem er eine gefährliche Beziehung zu einem Monster aufbaut, das angeblich im Wald lebt.Ein Junge geht mit dem Verlust seiner Mutter um, indem er eine gefährliche Beziehung zu einem Monster aufbaut, das angeblich im Wald lebt.
- Auszeichnungen
- 3 wins total
Michael David Thurston
- AirBnB Friend
- (as Michael Thurston)
Empfohlene Bewertungen
This horror allegory has a unique premise that unfolds in a fresh, realistic way, but the execution is very poor.
The premise is that the boy protagonist has a monster who helps him to deal with his struggles--an animalistic, witchlike ogre who behaves something like a trained attack dog, willing to play along with her companion but always ready to viciously attack. The boy faces numerous struggles--grief, puberty, poverty, bullying--and the impulsive violence manifested by his monster represents the only method he knows for confronting those problems. This is a horror of stunted emotional development. The screenplay, acting, and on-location filming present this premise in a way that is refreshingly free from cliches. There seems to be an autobiographical core breathing life into this film.
Nevertheless, I found it extremely tedious. For a movie that's less than 90 minutes, it seems like quite a slog. Something about the editing and pacing of the film is disorienting in an unintentional way: one scene ends, the next begins, the tone and setting abruptly shifts, and it isn't quite clear how much time has passed in between. Cause and effect become ambiguous, the flow is extremely choppy, and none of that clunkiness seems to contribute anything to the film. The end result is that my husband and I were consistently confused about how the movie's themes were progressing and how the events of the scenes related to each other.
The filmmakers have potential and this film certainly has something meaningful to say, yet I wouldn't recommend trying to sit through it.
The premise is that the boy protagonist has a monster who helps him to deal with his struggles--an animalistic, witchlike ogre who behaves something like a trained attack dog, willing to play along with her companion but always ready to viciously attack. The boy faces numerous struggles--grief, puberty, poverty, bullying--and the impulsive violence manifested by his monster represents the only method he knows for confronting those problems. This is a horror of stunted emotional development. The screenplay, acting, and on-location filming present this premise in a way that is refreshingly free from cliches. There seems to be an autobiographical core breathing life into this film.
Nevertheless, I found it extremely tedious. For a movie that's less than 90 minutes, it seems like quite a slog. Something about the editing and pacing of the film is disorienting in an unintentional way: one scene ends, the next begins, the tone and setting abruptly shifts, and it isn't quite clear how much time has passed in between. Cause and effect become ambiguous, the flow is extremely choppy, and none of that clunkiness seems to contribute anything to the film. The end result is that my husband and I were consistently confused about how the movie's themes were progressing and how the events of the scenes related to each other.
The filmmakers have potential and this film certainly has something meaningful to say, yet I wouldn't recommend trying to sit through it.
The actors weren't all that great. The storyline was very sloppy. The "witch" wasn't an IT factor. It was just not a solid film..very sloppy from the jump. Found tiktok more entertaining than the beginning of this film.
The movie seems very interesting at start but then the story starts to become boring..some artists seems poor in acting..it had potential and could be a uch better movie.
Ambiguous, it lacks something but, overall, a positive experience.
I like the atmosphere created, I like thar it tries to encapuslate so many necessary themes - grief, isolation, sadness, memories, bullying, relationships, family - and I like that is a very dark film unafraid to shock and do the most unexpected things.
Even if I like some grey areas, I think Slapface exaggerates a bit on that, being a bit frustrating at times. This - and the fact that the horror moments aren't really terrifying- doesn't let the film be much more than it is, but it's a strong and meaningful piece of art.
I like the atmosphere created, I like thar it tries to encapuslate so many necessary themes - grief, isolation, sadness, memories, bullying, relationships, family - and I like that is a very dark film unafraid to shock and do the most unexpected things.
Even if I like some grey areas, I think Slapface exaggerates a bit on that, being a bit frustrating at times. This - and the fact that the horror moments aren't really terrifying- doesn't let the film be much more than it is, but it's a strong and meaningful piece of art.
The plot was going good until the police station catastrophe. It is easy to see that there was no way that boy could have done that kind of damage. The director/writer should have at least revealed the "why or who" .Like the movie "Hitcher". Where the main character portrays separately.
Wusstest du schon
- WissenswertesLukas Hassel reprises his role as the monster, now called the Virago Witch, from the 2017 short film.
- VerbindungenRemake of Slapface (2018)
- SoundtracksMade It
Written by Michael Harris Jr. and Samuel James Moses
Performed by McCall
Courtesy of Soundstripe Productions
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Slapface: Woher kommen Monster
- Drehorte
- Produktionsfirmen
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Box Office
- Weltweiter Bruttoertrag
- 70.680 $
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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