The Estate

Greetings again from the darkness. I'll admit that during the pandemic, I haven't been as selective on the movies I choose to watch as during "normal" times. Heck, I have more available time and I enjoy watching movies, so why not relax the standards a bit? This approach has worked out just fine. Until now. This is the first one to bite me and have me questioning why I agreed to watch and review it.

For most of those involved, it's their first foray into a feature film, or at least their first in a primary role. Director James Kapner's resume is filled with music video shorts, and writer Chris Baker has previously only written for his own video shorts. This is also Mr. Baker's first starring role in a feature film. He plays George, a spoiled, young gay man willing to go to any lengths to ensure his life of luxury. Eliza Coupe ("Happy Endings") co-stars as Lux, George's stepmother, who is equally spoiled and also willing go to any lengths to ensure her own life of luxury.

The film begins with a title card stating, "This is a true fable". It might best be described as a parody of the elite rich and their self-centeredness. George's father and Lux's husband is the target of their animosity. Played by Eric Roberts, Marcello has little energy for either son or wife, though he allows them to live in one of his many mansions. As a movie lover of many years, I have my own 'Eric Roberts Rule'. It states that there is a 98% chance that any movie featuring Mr. Roberts will be overboard cheesy, and likely to generate multiple eye-rolls. Eric Roberts is the best thing about this movie. You should know that the Eric Roberts rule only kicked in about 30 years ago (prior to that he was legit), and he currently has more than 60 new projects in various stages of production. The man is nothing, if not prolific.

Things get twisted pretty quickly as Joe (Greg Finley) teams up with Lux and George in a plot to kill Marcello, and reap the rewards of his estate. There are also a couple of quick scenes featuring the always quirky Heather Matarazzo as Mary, the office clerk at Marcello's Attorney's office. More of Ms. Matarazzo would certainly have helped. Instead, Joe and George dominate the screen, as Lux is pushed from center stage. A TV interview with George is used as a framing device, which is unfortunate, as it destroys any hope of mystery throughout.

As a parody of rich, white privilege, it's somehow lacking in outlandish moments - which seems incredulous to even write, given the premise. The humor is sparse, but a couple of lines really connect. As Joe is discussing his background, he states "Assassin is too political. I'm a hitman." Lux, with all sincerity states, "We are white and rich. We can kill one guy." It's this type of commentary and dark humor that the film needed more of. Still, we can't miss the obvious ... families can go sideways and life goals can go wrong. But if we are going to enjoy watching, it requires more than the Eric Roberts Rule.

Imagine if Lifetime tried to make a comedic thriller... This is what that movie would be. Low budget, the writing seems a little off, nothing is quite natural... but for some reason, you sort of like it?

Let's start with the good. Some of this is funny. Like, laugh out loud funny. It seems to waver between over the top, ridiculous satire and legitimate humor thriller. It works a lot better when it sticks to the former. The funny moments are when the movie doesn't take itself seriously.

Now, the bad- everything else. It's objectively not good. It would've been better if it just committed to being a parody. Personally I wouldn't waste your time with it, but there are some fun moments.

But no more than that. It like reviewer ferguson said, a charade, that easily couldve made a million on a broadway scene, but they took it to the movies, with partial success. Its a harrasment of the rich old men divorcing and marrying young lassies, about infidelity, about step moms and sons, and secret children of dead mistresses, and last but not least the typical fashion of rich young gay men.

Its made in a lifetime style, where every opportunity to get rich is made,and everything is twinkling and shining like a colgate smile so when the sleazy, bored wife and stepson joins force and hires a hitgay to murder the old rich womanizer, things go balluba.

Its a small cast, average production, shallow but witty story and plot, if spanish or french it wouldve been even broader and sharper than this, but its a try, and a small recommend from the grumpy old man.

This glitzy yet dark comedy never lets up. The main characters are completely depraved, but somehow likable. The performances are great and the film looks beautiful! Worthy of you time!

The combination of satirical dialogue, romance and murder make this a really entertaining film about the horrors of the 1% with a twist you won't see coming.

For as thrilling as this premise is--a son and stepmom plot to kill their rich father/husband-I found myself laughing throughout this campy, fun film that is unapologetically queer. The over-the-top characters from the gay son with daddy issues to the seemingly stupid trophy wife turned calculated murderess turn basic stereotypes on their head in a way that felt really refreshing. I also thought the film's social commentary on victim narratives is ahead of its time. The tone reminded me of a lot of Jennifer's Body. When I heard "We're white and we're rich, we can kill one guy," it reminded me of the iconic line, "You're killing people! No, I'm killing boys!" There's not a lot of movies with this specific kind of dark humor so I really appreciated that.

Also worth mentioning how great the cast was! Chris Baker was phenomenal, Eliza Coupe was hilarious, and the Lala Kent cameo was superb!