The Vigil - Die Totenwache

A solid slow burn that really heats up. Dark and unsettling. The type of film that gets under your skin and stays with you. Jewish horror films are an untapped well. We need to see more!

Tense, atmospheric and at times, genuinely scary, the movie has a great emotional and essential story about trauma and its manifestation. Told from the perspective of a man traumatised, himself, the movie explores the dark history of anti-semitism. I felt invested in the emotionally resonant story about loss and hope. I would just complain about the lack of threat by the demon throughout second half, making the proceedings feel less impactful. And also, it is not a really scary film, per se, but there are moments of gold here that work.

Whilst this is a low budget film the tight story doesn't really need a big budget. It would have added nothing to what you will see here. Good script, acting, directorship and editing. It becomes quite clear, no spoilers here, that evils forces here feed on past guilt even if guilt should not be felt for events you had no control over. I was a bit unsure if the main character had been purposely offered the Vigil to deal with his mental trauma or if it was coincidental. I may have lost focus on whether it was as the film is unsettling and quite disturbing at times. I will not go in to the plot anymore in case of spoilers but being a Catholic it was very interesting to see this from a Jewish religion and culture perspective and the second I have recently the other being the 2012 film The Possession which I found excellent. The Possession was a more of a more frightening and big event film but this film is more gentle and disturbing story. I can't say how accurate the portraying of Jewish religion and culture is of either but for me from a different perspective as I am not an expert on their beliefs actually added to the effect and power of both.

I recommend this as a frightening, slow burning movie despite it not being overlong so overall a solid 7/10.

A good and original premise in a genre that recycles ideas to death. The problems were it was slow and hard to follow in spots. The other being the cinematography. The whole movie is very visually dark. Perhaps their attempt at film noir, but it was too much. It was distracting and again, made it hard to follow.

Set over the course of a single evening in Brooklyn's Hassidic "Boro" Park neighborhood. Having lost his faith, Yakov (Dave Davis - Greyhound) isn't eager to go back to the insular religious community he only recently fled. But when Reb Shulem (Menashe Lustig - Menashe), a rabbi and confidante, approaches Yakov after a support group meeting and offers to pay Yakov to be the shomer - a respected position of someone who watches over the body overnight to keep it from demons - for a recently deceased Holocaust survivor, he reluctantly accepts the job. Shortly after arriving at the dilapidated house, Yakov realizes that something is very, very wrong.

The concept of The Vigil looks good enough on paper to get excited about. The film could've explored territories that are fairly unknown for many of us who aren't part of the Jewish community, with stories that often involve the supernatural and afterlife. Instead of turning into a 21st century "Jewish Excorcist", it rather takes the easy route and goes for a more lighter version of 'The Autopsy of Jane Doe'. The film takes place in one extremely underlit house, where creepy knocks and creaks help build an ominous atmosphere. What starts off strong quickly gets annoying when rough sound design and annoyingly ineffective jump scares take over, unfortunately losing any emotional impact the story could have created by the end of this haunted night.

Director Keith Thomas seems lost in his own screenplay and never elevates what makes his first feature film stand out: the atmosphere. Those dark rooms sure raise questions, as to why Yakov doesn't turn on more lights and keep them on when he starts witnessing shadows in the corners of the room. The problem with the overpowering darkness is that at one point, that isolating feeling loses its effect and every shadow just becomes a blur. Luckily Davis knows how to handle himself, in what's basically a one-man show.

The Vigil never reaches for that light at the end of the tunnel, relying too much on clichés and overused scare tactics. By keeping it all a bit too vague, it loses any sense of terror it so successfully built up in the first half of the film, making it an unfortunate mishap that could've been an unforgettable original addition to the horror genre.