Maos letzter Tänzer

Diane and I saw this excellent movie at Paradiso in Northbridge two days ago and we both were entranced by the beauty and sensitivity of Mao's Last Dancer. I admit that I was none too anxious about seeing this film about dancing but after the opening scenes in rural China and a quick cut to Li Cunxin and early dance years and I had become a total fan of the movie. Beresford's direction married to the acting and dancing ability of Chi Cao result in a movie about dance but that theme is only the canvas upon which this moving and quite dramatic story unfolds. The resulting movie is far, far more complex than I thought as I entered the theatre. Yes, of course, the ballet sequences are glorious to watch but this film, as I said, is not just about dancing. The script explores international politics, domestic trauma, family bonds, interpersonal tension and these are only my random memories. At the start of the film, I could not believe that so many hugely dramatic instances could flow from the life of a young man born into less than salubrious circumstances in rural China. There are many different scenes; Beresford edited the film in fast sequences and the total is amazingly complicated; I am in awe of such a complex life so richly lived. Put Mao's Last Dancer on your must-see list!

My husband and I went to see this movie yesterday and thought the acting was great from relatively unknown, at least to us, actors. I had some idea of what the movie was about prior to going to see it but it was even better than my expectations, and the lead actor was a truly magnificent dancer, as were the others.

The story was moving with a few humorous moments, and showed how disciplined a person must be in order to become a great dancer. I have to say it has been my experience that people generally leave before the credits but, like myself, they stayed, which says something for the acting and the movie itself.

I would recommend this movie to everyone, even those who are not fans of ballet.

A charming, stirring, visually and emotionally stirring film. The best I've thus far seen in '10. The story of a mainland Chinese 11 year old boy,supposedly forever indoctrinated by daily school- taught commie propaganda garbage,is chosen to attend a special school to be trained for ballet. He does well and in due time, is sent to the USA to the Houston Ballet Company. Then and there he awakens to not only his manhood but to the realization that all he's been taught about the "glory of Chairman Mao's communist revolution, was the furthest thing from the truth. Not only is the lead a wonderful danseur but his acting ability could win him a Best Actor nomination as well. A film NOT TO BE MISSED.

In a village of China, the eleven year-old Li Cunxin is selected by the Comunist Party to study ballet at the Madame Mao's Dance Academy in Beijing. Years later, he travels to Houston in a cultural exchange program invited by the artistic director Ben Stevenson (Bruce Greenwood) and he is promoted to principal dancer of the Houston Ballet. Meanwhile he secretly dates and falls in love with the dancer Elizabeth Mackey (Amanda Schull).

When the China's government asks Li Cunxin (Chi Cao) to return to his country, he marries Liz and defects to USA. He is forbidden to return to China and has no news of his parents and family. Meanwhile, his marriage with Liz ends and he misses his parents. But five years later, he has a great surprise during a performance.

"Mao's Last Dancer" is a film about the true story of the Chinese ballet dancer Li Cunxin. The engaging biography of Li Cunxin is an example of discipline and strength associated with courage to make the right decisions, and it is amazing how a boy from a poor village in China could have become a great ballerino in the West.

Bruce Greenwood, Kyle MacLachlan and Joan Chen are well known actors and are fantastic, but Chi Cao, Chengwu Guo and the rest of the cast and dancers have also top-notch performances. Everything is perfect in this film, from the direction of Bruce Beresford to the cinematography and art direction. My vote is ten.

Title (Brazil): "O Último Bailarino de Mao" ("The Last Ballerino of Mao")

I don't normally watch many movies about ballet, I respect it as an art form but as a guy, just don't "get it". This movie however, transcends the ballet aspect because it involves a personal and true-to-life story. I think the film captures well post-revolutionary China and the US in the early 1980's.

Even though the story is based on a actual events and you know actors are portraying these real people, the acting is quite believable (both Chinese and Western) . The dancing scenes are quite good, this coming from a layman. Chi Cao's acting was a bit forced as it was apparent that though he was Asian, probably was probably well versed in Western culture. (Being an Westen cultured Asian myself) it takes one to know one. This very slight oversight can be forgiven, given that Chi Cao's dancing is obviously authentic.

The early relationship of Li Cunxin and Elizabeth is very well portrayed, capturing the cultural differences which were a bit more pronounced 30 years ago. There were some very touching family scenes that made me cry.

I had not heard of Bruce Beresford before, but I see by his filmography that he has had a long and distinguished career and may check out more of his films. Yet another underrated and unappreciated gem of a film which deserves more exposure, squeezed out by the big studios and their big marketing budgets churning out inferior, self gratifying fare.