Missing

Now this gonna have all girlfriends thinking they private investigators 🙄

Usually, I'm not a big fan of screen-life movies, but Missing effectively displays scenes that don't make it feel like the typical one.

June Grace ( Storm Reid), a teenage girl, investigates her mother's ( Nia Long) disappearance through various technological means, Such as Ring, FaceTime, and Instagram.

The movie gets better as it progresses, building an entertaining sense of thrill as the mystery comes alive with two refreshing plot twists. The film does an adequate job of misdirection. I enjoyed the different perspectives and angles used through various camera approaches, which didn't allow me to focus on the fact that this is viewed through a screen. The movie was active. The portrayal of online activity always being traceable was displayed well.

Verdict: If you like crime mysteries, then you'll enjoy this movie; enjoyable and has a decent enough plot twist to make you feel like it is worth your time. Storm Reid did well!

Grade: C+ Thrill: B Plot: B Execution: C.

I had to pause the movie at one point, and thought about 45 minutes had passed. I was actually at the 68-minute mark when I paused, so I think that's a sign it was doing something right as a fast-paced and engaging mystery/thriller film.

It's the kind of thing that almost has too many twists, but you kind of just have to go with it, and they never frustrated me too much. It was a tiny bit exhausting, but I respect how hard they committed to making things as unpredictable as possible.

Like with Searching, the presentation in Missing is mostly fun. As far as negatives go, though, I can't really go into details without spoilers, but the presentation in the final act felt a bit off to me at points. The filmmakers had certain limitations to deal with thanks to the modern-day found footage format, but they stretched it a bit near the end there. You go from one big twist to "oh, I guess they have to show everything this way now," and it's a bit much.

Otherwise, this is pretty good stuff.

June becomes concerned when her mother Grace doesn't return home from a trip to Colombia with her new partner Kevin.

First off, if you've seen Searching, you'll be very aware that it was made by the same people, I loved that, I loved this one.

What a clever plot, it's just a good old fashioned mystery, but one with a twist, this time it's the child searching for the parent, and instead of physically searching, she does it all with technology, makes a change to see tech given a positive spin.

Edge of the seat viewing, it is full of twists and surprises, you never know what is coming next, it doesn't follow any of the usual conventions. It didn't bore me for a second, what a triumph in writing.

Storm Reid was excellent as June I thought, a convincing performance, you really did get a sense of June's desperation and frustration.

9/10.

This is in the same vein as "Searching", a first person mystery/thriller, where almost every scene is of a person sitting at a computer or looking at a phone. If this alarms you, don't let it. It is very well put together, enough notes are put on the "screen" so even the very computer illiterate should be able to follow.

The story is a young girl, who loses her beloved father, and is raised by her now single mother without any other family. The mother disappears while on vacation and the daughter uses her computer skills to find clues. There are many twists and turns which will keep your interest. Not sure if all of the computer navigation is terribly realistic, but it's easy to suspend your disbelief, and I advise you to.

Directors Nicholas Johnson and Will Merrick return to the big screen with Missing, a similar albeit much improved rendition of their 2018 film Searching. This time around, they excel at building up tension, allowing the audience to breathe momentarily, and then plunging you right back into the drama with a new discovery. The script demanded plenty from Storm Reid, playing the protagonist June, but the lead actor holds her own, often able to dig deep for the emotionally rich scenes, which tend to come regularly in a movie depicting a voracious girl in a race against time to find her missing mother. But just as important as any actor on the silver screen is the score in the background, and Julian Scherle's score quickly caught my attention and brilliantly helped develop the atmosphere. Although there are aspects of the film that can be considered implausible, I find it difficult to hold that against it. The main character is virtually a Sherlock Holmes-level sleuth, not to mention her uncanny ability to operate a computer at the speed of light. Yet the movie requires those two plot devices in order to move forward. I went into this film with tempered expectations, but I think Johnson and Merrick are starting to get the hang of this fully computer-based movie subgenre.