Let Them All Talk

Please. Don't. Watch. This is like a Woody Allen movie without the comedy. I can't imagine anything more boring than this. I would like to corner the writer and director and demand my money back plus a fine for wasting my time. I feel sorry for the actors who will be vilified for foisting this mess on the public.

A film like a tent. You recognize the director and the art of actors, the meaning of improvisation and the realism of message. And, scene by scene, you discover the freshness of honest perspective about family, friendship, duties and jealousies, expectations and live. A cruise travel and livra, secrets, vulnerabilities of three people. Their connections. And, no doubts, Meryl Streep and Lucas Hedges.

I'm not sure if I liked the movie as much as I wanted to. The story sounded more interesting than it actually is. I catched myself a little bored at moments, waiting through the whole movie for something really exciting to happen.. but nope. It could have been better though if it wasn't for Lucas Hedges' annoyingly-forced acting.

This film is very human, very touching and real, and oh so Steven Soderbergh. Except for his most commercial efforts, all of Soderbergh's films are experimental in some way or another and many have also used improvisation, like this film. If you've lived a life and have had strange changes in your friendships with groups of people over the years, you will get a lot from this film and be able to relate to it and all the interesting characters. People's ideals and motivations change throughout their lives, and it's reflected here. The past is remembered differently by different people. While some can move on from the past, others cannot. Some people grow and change while others remain the same. The story in the film reflects all of this beautifully. Maybe if you're still very young, relatively inexperienced, and haven't done much, or lived, or traveled, this isn't the movie for you. But if you are okay with a film that takes its time and sometimes meanders to strange places, but is always fascinating, like a life well lived, watch, rate and review!

How much you like this will depend on how well or how little you think the ways Soderbergh and Eisenberg develop the characters (apparently from what Ive read it was semi improvisation, Altman but with locked-down Soderberghian angles and mis en scene instead of long lenses and wandering pans). I would have loved to see how much the actors just came up with dialog on their own (usually not what we expect seasoned pros like these women to do), but over this story of a storyteller and her friends and what stories and romance inform the fictions we create is compelling and interesting, and the setting makes for these characters to have literate, thoughtful exchanges about how bloody difficult it is to be emotional with one another (or you can *confide* in others, but depending on the company).

In other words, I can see how this is an "experiment" in some part of the form, but it's so satisfying to see that this direct or made sure to craft it into a film and not just a bunch of ramblings that don't come to a head (and this does). It's really about something, about how we reconnect or make new connections and how tenuous those can really be based on what's happened in the past and trust issues or just how much a planetarium can bring a man and woman together, and all the while it feels like the setting and style and music are closer to a Golden Age Hollywood movie (but with a Soderbergh twist).