Die Bewohner eines abgelegenen Wüstentals im Inneren Kaliforniens werden Zeugen eines unheimlichen und erschreckenden Phänomens.Die Bewohner eines abgelegenen Wüstentals im Inneren Kaliforniens werden Zeugen eines unheimlichen und erschreckenden Phänomens.Die Bewohner eines abgelegenen Wüstentals im Inneren Kaliforniens werden Zeugen eines unheimlichen und erschreckenden Phänomens.
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- 42 Gewinne & 179 Nominierungen insgesamt
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It would have been a good, suspenseful horror movie, leaving you wondering what on earth is happening... IF it hadn't been for the most over-the-top exaggerated extroverted Keke Palmer filling EVERY SINGLE silent moment where you otherwise COULD have been finding out what's going on yourself.
Mysterious things finally start happening, and while you otherwise would have been left with your own thoughts looking at the mystery through Daniel's perspective, the bubble of mystery is instead burst by Keke's SHRILLING vocal outbursts through the entire ordeal.
The exaggerated, comical accent and tone just ENTIRELY kills the otherwise eerie suspense for me.
Every single attempt of horror moment, she manages to kill. No pun intended.
Mysterious things finally start happening, and while you otherwise would have been left with your own thoughts looking at the mystery through Daniel's perspective, the bubble of mystery is instead burst by Keke's SHRILLING vocal outbursts through the entire ordeal.
The exaggerated, comical accent and tone just ENTIRELY kills the otherwise eerie suspense for me.
Every single attempt of horror moment, she manages to kill. No pun intended.
I can honestly say I have never had any movie grip me with so much curiosity and excitement in the first 30 minutes only to end with so great a weight of disappointment at it's close.
As others have pointed out, it's difficult to understand why - given the plethora of avenues that were available and sure to be imagined by so talented a mind as Jordan Peele - this is where the film was taken.
There was boundless opportunity for storylines that could have classed in the same category of special and original as Get Out and Us - Peele's previous works, but the film became bizarre. No other word for it.
Peele's characters are usually so believable, and it is one of the cornerstones of his work that has best enabled audiences to feel so enraptured and immersed prior to Nope. That convincing forming of character is missing in more than a few here. Not - it should be noted - in the two main characters played by Daniel Kaluuya and Keke Palmer, but when surrounding and still important characters fall so flat and insincere in the majority of the film, it takes a lot away from the strong work Daniel and Keke produce.
I don't know whether I'm more disappointed at the execution of the film, or that so valuable an opportunity for alternative and haunting plot lines was wasted.
It was generally not good - and it really pains me to say that.
As others have pointed out, it's difficult to understand why - given the plethora of avenues that were available and sure to be imagined by so talented a mind as Jordan Peele - this is where the film was taken.
There was boundless opportunity for storylines that could have classed in the same category of special and original as Get Out and Us - Peele's previous works, but the film became bizarre. No other word for it.
Peele's characters are usually so believable, and it is one of the cornerstones of his work that has best enabled audiences to feel so enraptured and immersed prior to Nope. That convincing forming of character is missing in more than a few here. Not - it should be noted - in the two main characters played by Daniel Kaluuya and Keke Palmer, but when surrounding and still important characters fall so flat and insincere in the majority of the film, it takes a lot away from the strong work Daniel and Keke produce.
I don't know whether I'm more disappointed at the execution of the film, or that so valuable an opportunity for alternative and haunting plot lines was wasted.
It was generally not good - and it really pains me to say that.
The credits have just rolled, and despite running for two hours, it's felt as if it's been on for about four hours.
I can't remember the last time I was so conflicted about a film, the good elements were great, the bad elements were painful, I'll try to be as concise as I can.
I'll start with the great elements, first off, production values are terrific, this is one gorgeously produced film, it looks terrific.
The second aspect that stood out, the acting, Daniel Kaluuya and Keke Palmer were terrific, and I really enjoyed Brandon Perea's performance too.
The storyline itself was a good one, if nothing highly original, I liked that whole monkey scenario, and the way it developed was very satisfying, the sci fi fan in me appreciated several of the key elements, I loved not knowing exactly what was behind that cloud, that aspect worked well.
Unfortunately, it lacked scares, listed as a horror, this was anything but, I wanted thrills and spills, this was more a casual prod. Pacing was definitely an issue, it was just way too slow in parts. Many scenes simply didn't make any sense.
It reminded me of The Cloverfield Paradox, definitely some interesting elements, but too slow and just felt too cobbled together.
Not bad, but it should have been so much better.
5/10.
I can't remember the last time I was so conflicted about a film, the good elements were great, the bad elements were painful, I'll try to be as concise as I can.
I'll start with the great elements, first off, production values are terrific, this is one gorgeously produced film, it looks terrific.
The second aspect that stood out, the acting, Daniel Kaluuya and Keke Palmer were terrific, and I really enjoyed Brandon Perea's performance too.
The storyline itself was a good one, if nothing highly original, I liked that whole monkey scenario, and the way it developed was very satisfying, the sci fi fan in me appreciated several of the key elements, I loved not knowing exactly what was behind that cloud, that aspect worked well.
Unfortunately, it lacked scares, listed as a horror, this was anything but, I wanted thrills and spills, this was more a casual prod. Pacing was definitely an issue, it was just way too slow in parts. Many scenes simply didn't make any sense.
It reminded me of The Cloverfield Paradox, definitely some interesting elements, but too slow and just felt too cobbled together.
Not bad, but it should have been so much better.
5/10.
The biggest praise I can give is the cinematography and camera work. I really enjoy looking at wide shots of landscapes and the slow or sudden movements of the camera pushing the tension and anxiety of the scene without having to rely on dialogue or even any acting.
I think the film will be divisive among its audience though. I think this is due to a couple of reasons. First, the story progression feels confusing at times to what we are used to seeing in a thriller or horror. I think labelling it as horror will automatically steer away some people while those that enjoys horror may be disappointed that it lacks enough scares to be called a horror. The trailer I feel also gives away too much and puts the film in a box that might detract viewers. Ultimately, you really have to be open-minded going to this movie. In respect to the genre, Nope really isn't a horror, but more of a blend of some sci-fi, some mystery, some comedy, and luckily, no romance.
Nonetheless, I enjoyed the film. I think for movie lovers this will generally be a good experience. Peele seem to focus more on our shared love for films more than sticking to a particular formula of a single genre. There are many small things you'll enjoy if you already love movies, but it will probably have a visibly different experience to a casual movie goer.
The themes of the film is also a good one, I feel. It feels like a cautionary modern fairy tale and the somewhat real dangers of chasing fame and disrespecting nature.
Jordan Peele is shaping out to be a director whose name alone will generate an audience and I would put Nope as a more captivating experience than Us, and around the same level as Get Out despite being two very different stories. His vision and creativity continues to remain highly interesting and I'm so curious to find out what he goes to work on next!
I think the film will be divisive among its audience though. I think this is due to a couple of reasons. First, the story progression feels confusing at times to what we are used to seeing in a thriller or horror. I think labelling it as horror will automatically steer away some people while those that enjoys horror may be disappointed that it lacks enough scares to be called a horror. The trailer I feel also gives away too much and puts the film in a box that might detract viewers. Ultimately, you really have to be open-minded going to this movie. In respect to the genre, Nope really isn't a horror, but more of a blend of some sci-fi, some mystery, some comedy, and luckily, no romance.
Nonetheless, I enjoyed the film. I think for movie lovers this will generally be a good experience. Peele seem to focus more on our shared love for films more than sticking to a particular formula of a single genre. There are many small things you'll enjoy if you already love movies, but it will probably have a visibly different experience to a casual movie goer.
The themes of the film is also a good one, I feel. It feels like a cautionary modern fairy tale and the somewhat real dangers of chasing fame and disrespecting nature.
Jordan Peele is shaping out to be a director whose name alone will generate an audience and I would put Nope as a more captivating experience than Us, and around the same level as Get Out despite being two very different stories. His vision and creativity continues to remain highly interesting and I'm so curious to find out what he goes to work on next!
The amount of reviews calling this pointless and terrible clearly didn't read much into what happens here. Peele is pointing a mirror up to you and the most ironic part is a lot of don't even seem to notice. No, this isn't a typical horror movie. It's more of a Spielbergian blockbuster satire with some amusing moments sprinkled throughout. The "entity" is creative and can be quite terrifying. The cinematography is top notch and probably the standout feature of the film, while Kaluuya can say an immense amount without even speaking a word. The screenplay is odd to say the least, but it hits more than it misses.
While I still think this is a lesser film than Get Out or Us and it ran a little too long, you have to commend its originality in a summer sea of IP-based films. Peele attempts something profound and unique here, which should be respected regardless of your thoughts on the film.
While I still think this is a lesser film than Get Out or Us and it ran a little too long, you have to commend its originality in a summer sea of IP-based films. Peele attempts something profound and unique here, which should be respected regardless of your thoughts on the film.
Wusstest du schon
- WissenswertesThe very early clip of a jockey riding a horse, which Emerald claims features her and OJ's ancestor, is a real 1878 animated series of photographs, one of the first moving images ever, which has come to be called Sallie Gardner at a Gallop (1878). Sallie Gardner is the name of the horse; the two jockeys were listed as being named "C. Marvin" and "G. Domm." Neither of their identities are known, though they very well could have been black as Emerald claims. In those days many jockeys were black, such as thirteen of the fifteen jockeys racing at the first Kentucky Derby in 1875.
- PatzerAfter the horse Clover is found wandering out in the field, the character O.J. begins to escort the horse back to its home. But once they start walking, the horse's mane changes colors between black and white (indicating two different horses were used). This happens about 45 to 46 minutes into the film.
- Zitate
Antlers Holst: This dream you're chasing, where you end up at the top of the mountain, all eyes on you... it's the dream you never wake up from.
- Crazy CreditsAt the very end of the credits, a cartoony image/advertisement appears: "Come ride through Jupiter's Claim, as seen in Nope, at Universal Studios Hollywood, only on the World-Famous Studio Tour."
- VerbindungenFeatured in Super Bowl LVI (2022)
- SoundtracksLa Vie c'est Chouette
Music by François d'Aime
Lyrics by Pierre Billon
Performed by Jodie Foster
Courtesy of Cinemag Bodard
By arrangement with Editions Montparnasse
Top-Auswahl
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Details
Box Office
- Budget
- 68.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 123.277.080 $
- Eröffnungswochenende in den USA und in Kanada
- 44.366.910 $
- 24. Juli 2022
- Weltweiter Bruttoertrag
- 171.235.592 $
- Laufzeit2 Stunden 10 Minuten
- Farbe
- Sound-Mix
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