Come on, Come on

I was wondering while I was watching this, what title I would have given it. And while the title will appear as something a character is saying, the one I used in my summary headline is also working wonders. I wrote so of course I am going to say that right? But let's get into the movie.

Joaquin Phoneix is an incredible actor. And as an uncle he seems to be the one Dude you'd love to have. Even more so for someone like me - having this dream of New York being an awesome city to live or at least experience.

The movie is in black and white by choice, but it's not something that should bother you. It may even help you concentrate on the relationships. The biggest being the one between uncle and nephew, but you also have the sister and her husband. And how they relate to each other ... the most important thing though: how kids or young adults are viewing the world.

This really may be able to make you dream again - to make you question certain things that you may not have questioned before. Not in a conspiracy kind of way - but out of curiosity. Why can't we spread more love amongst each other? And other things that might entirely go along with your moral views (hopefully). I know one of the kids really hit the spot with their quote.

It is hard to describe this other than tell you it is about life. About overcoming small and big changes ... about trying to make the most of it, while still being respectful to one another. About listening ... oh so much about listening ... trying to absorb as much as possible. And trying to remember what you went through, but also making new memories for yourself. Treat others the way you want to be treated - talk to children like you would to an adult. Be open to them ... let them tell you what to do. Maybe even look up what to do on the internet when there is an issue.

There are so many great things going on here ... and all are done in a subtle yet quite convincing way ... effortless. Maybe the Oscars are getting it right when it comes to best picture nominees after all ...

Don't know about you, but i can only say "i love cinema" after watching movies like this. Mike Mills, whom i loved with 20th Century Women, is now one of my favorite directors. Joaquin Phoenix is back to his roots after Joker. Well done. Robbie Ryan has done an amazing cinematography. Woody Norman isn't just a good actor, he's like God's gift to Hollywood. I hope A24 releases this movie on 4K Blu-ray.

"There will be so much for you to learn, and so much for you to feel. Sadness, joy, disappointment, and wonder."

Mike Mills' newest feature film C'mon C'mon follows a radio journalist, Johnny, that embarks on a cross-country trip with his young nephew, Jesse. If you've seen anything by Mike Mills, you know what you're in for. My first of his was 20th Century Women, a film I adore. His district style of making films about ideas and not story either works for you or doesn't. Once he has the idea down, and they're always well thought out ideas, he creates characters from there and they interact with the world around them as is to create a slice of life story. Once again, slice of life either works for you or doesn't. Depends if you want a heightened reality or see the world for how it is everyday. C'mon C'mon takes the idea aspect very literally. Johnny's current project is going around the states and interviewing children and preteens how they see the world and what they want out of it. I do have a Q&A link that I have yet to watch, but I believe Joaquin Phoenix and the crew actually went out and interviewed actual kids. Otherwise the screenplay is that amazing and these kids are masters at acting. The part was talked about in the Q&A so I guess I'll find out. Strewn throughout the film and the entirety of the credits is audio and video recordings of these interviews. It's a really down-to-earth idea that reminds us what we should be looking at when we see our future and the future for the next generation. The screenplay is truly incredible. Yet again, does Mills write in a way that comes off so natural that you don't even know if this is scripted or not. And he directs it so intimately. The use of black and white works well in its favor, capturing the rich tones we usually don't see with the naked eye. We're close to our characters at all times. Everything feels comforting. Even the way he captures each city makes it feel like a wonderful new experience. As usual, he references many texts and songs throughout for us to remember and search for ourselves.

Joaquin Phoenix finally won his Oscar for Joker almost two years ago. Personally, I think he got even better with this. Maybe it's me being one on subtle performances, but I felt a genuine human being that has found warmth and struggle in this newfound connection with his nephew. Being with him is cozy and calm, even in the most challenging moments. I think the real standout, though, is Woody Norman. When it comes to child performances, I think he just set a new standard. Not only is he British and you couldn't even tell if you tried, but he manages to embody this character to perfection. He's irritating, lovable, and all of those qualities you see within an eccentric child. His relationship with Johnny will make you laugh (he's absolutely hilarious) and cry at the best of times. Gabby Hofmann plays Viv, Jesse's mother, and though her role may be smaller, she's very good. All of the acting hits in a genuine way where you forget they're acting. This film is incredibly pleasing and has this unexplainable feeling that entranced me. Even in the slower moments and parts that felt insignificant to the plot, I enjoyed them. Every moment is meant to be cherished (yes that sounds like a Hallmark card). The very end, we have a grand monologue from Phoenix. I swear to you, it's one of the most beautiful things ever written. My eyes were dripping with tears and I was holding it together. Then, the last line hit and I just about started sobbing right there. A few other people in the audience lost it. But the screen went to black and the credits rolled. I managed to hold it together, but even half an hour after it was done (and even now), when I think about that moment I could just start crying. That's how you end a movie. C'mon C'mon captures emotion and life around us in a way like no other. I felt incredibly connected to the story and didn't want it to end. I'd love for most everybody to see this and hopefully feel as strongly as I do, because it's a visceral experience that everyone should have.

A sweet, sad movie about a single man who learns a bit about how tough it is to be a parent when he takes charge of his nephew for a while.

Joaquin Phoenix is the uncle, and he's good, but it's Gaby Hoffmann, playing his sister, and especially little Woody Norman, as the nephew, who steal the show. It's the rare movie that takes children and their thoughts about the world seriously, and it also taps into the anxiety of raising children into a very uncertain future.

People are really responding very emotionally to this film if Internet film sites are any indication, and I can understand why, though it didn't personally resonate with me that much. It's the kind of movie that people bring a lot of themselves to and I imagine any one person's response to it will be greatly affected by their own circumstances in the moment. Though I guess that can be said of any movie anytime.

I did find it weird that, in a movie that's so about the anxiety of the times, there isn't a single mention of Covid. You never see people wearing masks, no one talks about it. This year I've really noticed the disconnect between movies set in present day and the world the way it actually looks right now. It's strange that filmmakers are completely ignoring something that is so dominating every single person's life and has changed the world as much as it has.

Grade: A-

Nicely made, with a sweet and mellow story. Very much a slow burning movie, but not uninsteresting at the slightest. Great acting, good kid actor, and good execution. All in all a nice story and film

7/10: great.