Megalomaniac

Beautiful surreal imagery, gruesome violence and dark atmosphere dominate the first and last ~5 minutes of the film.

I will not go into detail as to what happens inbetween but it would make your skin crawl in a different movie. Here, it is neither staged in gruesome detail nor cleverly implied, nor is the protagonist's emotional reaction to her mistreatment of particular interest to the film maker. The normalcy of it all and her overall numbness could in themselves be horrifying, but a thin plot about human pets, off-screen mass-murder and familial conflict keeps us from really getting to know Martha.

For the most part this was a disappointment and yet my interest in the work of Karim Ouelhaj is piqued. Those few minutes of genius bookending the film speak to a strong personal sense of style, the mark of a horror auteur.

On an overwhelmingly positive note: the noisy industrial soundtrack, especially the piece that plays during the end credits, is excellent. I do hope Karim embraces his more poetic tendencies and collaborates with Gary Moonboots on another film.

Wow. This movie is definitely not for everyone, but it is for me. Well acted, beautifully shot, and I could really feel what she was feeling. Looking at them both, I can understand how they got where they were in life, and partly, it shows nature and nurture coming together. I did not find it in anyway pointless or the violence glorified. More like a character study. No matter how much she tried, everything and everyone was against her so ultimately she found herself beside the rest of her family. I feel that the last 5 seconds of the film are quite symbolic.

If you like films that delve deep into the darkest depths of the human soul, don't mind a slow pace (which I think is deliberate) graphic violence, and are not adverse to a story that is utterly bleak, then give it a watch!

I read a review which compared this film to the Canadian version of Martyrs and so I took a shot at it.

I gave Martyrs a 9/10 and it is my #1 horror movie of all time. Megalomaniac does not come close. I was bored throughout the silliness of the story and the lack of clarity with flashbacks that made no sense to this viewer.

Felix and his sister Martha are the offspring of a notorious serial killer and the siblings carry on in the family tradition. Felix abducts women and murders them and then leaves them at the side of the road. His sister lives with him in their gothic house and works at a factory where she is harassed by her co-workers.

A social worker pays monthly visits to the home for unexplained reasons while a young woman is chained to a wall in a nearby room.

The ending is a bloody mess and I do not recommend this film.

It's not terrible, but a film about serial killers shouldn't be this boring for such a long period of time. It's also uncomfortable and keeps that line for the entire duration of the film which turns out to be repetitive and very single-note. I also need to mention the stupidity of some characters (I wouldn't see someone chained and stay in that place for even 5 seconds; I can't understand the mind of rapists but it's difficult to think they would accept that invitation too...).

I like some technical aspects of it. I like how artsy some shots and directional choices look. Great score too and good acting. It's just not enough in terms of storytelling, engagement, or what it is trying to say (besides trauma and influence).

Urgh. This year's seeking profundity by brutalising young women effort.

Clearly talent in front and behind the camera, all completely wasted on a tick box exercise in outrage - the aforementioned misogynist violence (and some of it is indefensible), rape, incest, auto cannibalism and so on and so forth.

Striving for the heights of Kieslowski or Haneke and falling down because everything it does has been done before and can only be that shocking once or twice but here we are 20 years later with people attempting to pull the wool with the same old shtick.

I didn't hate it but it profoundly bored me.