IMDb-BEWERTUNG
5,7/10
2700
IHRE BEWERTUNG
Basierend auf den Leben von June und Jennifer Gibbons, real.Basierend auf den Leben von June und Jennifer Gibbons, real.Basierend auf den Leben von June und Jennifer Gibbons, real.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 16 Nominierungen insgesamt
David Bujoczek
- Schoolboy from Haverfordwest
- (as Davic Bujoczek)
Jan Polovnikow
- Schoolboy from Haverfordwest
- (as Yan Polovnikov)
Empfohlene Bewertungen
Greetings again from the darkness. Twins often have their own language or way of communicating. However, sisters June and Jennifer Gibbons of Wales took this to a new level, creating a mysterious dark connection that no one else every understood. Andrea Siegel has adapted the screenplay from Marjorie Wallace's book, and Polish director Agnieszka Smoczynska (THE LURE 2015) delivers the style and creep factor, while missing out on answering the questions raised with the story.
The young sisters are seen giving a fake radio broadcast, and we get a glimpse of their awkward behavior during childhood ... behavior that left their parents and siblings feeling helpless. Letitia Wright (BLACK PANTHER, 2018) and Tamara Lawrance (KINDRED, 2020) take over as teenage June and Jennifer, respectively. While the young ones are well cast, it's the work of Ms. Wright and Ms. Lawrance that keep this one watchable despite the meandering. The awkward behavior of adolescents evolves into bizarre behavior of teens, and ultimately criminal behavior and some type of mental illness.
Pure elation of a new typewriter is all too quickly erased by irritation and anger that leads to fighting, or worse. Director Smoczynska does well to use stop motion animation periodically in helping to explain what's happening with the two girls. Child psychologists have no luck breaking through and the sisters are ultimately separated and locked away at Broadmoor psychiatric hospital by age 19. By this time, it's difficult not to view them as psychopaths.
It's interesting to watch as these two survive on the fringes of society in near mental isolation, and use writing as a creative outlet to unleash their inner thoughts. We never really know if we should have empathy for the girls, and that becomes even more difficult given their later behavior. Journalist Marjorie Wallace (played here by Jodhi May) documented her interactions with the sisters, but we can't help but wonder if this story is better told in documentary form - despite the strong work from Letitia Wright and Tamara Lawrance.
Opens in theaters on September 16, 2022.
The young sisters are seen giving a fake radio broadcast, and we get a glimpse of their awkward behavior during childhood ... behavior that left their parents and siblings feeling helpless. Letitia Wright (BLACK PANTHER, 2018) and Tamara Lawrance (KINDRED, 2020) take over as teenage June and Jennifer, respectively. While the young ones are well cast, it's the work of Ms. Wright and Ms. Lawrance that keep this one watchable despite the meandering. The awkward behavior of adolescents evolves into bizarre behavior of teens, and ultimately criminal behavior and some type of mental illness.
Pure elation of a new typewriter is all too quickly erased by irritation and anger that leads to fighting, or worse. Director Smoczynska does well to use stop motion animation periodically in helping to explain what's happening with the two girls. Child psychologists have no luck breaking through and the sisters are ultimately separated and locked away at Broadmoor psychiatric hospital by age 19. By this time, it's difficult not to view them as psychopaths.
It's interesting to watch as these two survive on the fringes of society in near mental isolation, and use writing as a creative outlet to unleash their inner thoughts. We never really know if we should have empathy for the girls, and that becomes even more difficult given their later behavior. Journalist Marjorie Wallace (played here by Jodhi May) documented her interactions with the sisters, but we can't help but wonder if this story is better told in documentary form - despite the strong work from Letitia Wright and Tamara Lawrance.
Opens in theaters on September 16, 2022.
This is a film inspired by true events and is not a documentary to many people's dismay. Most people have the wrong expectations about the style of this film and give it a bad review. I accepted the filmmakers choice to use non-twins for this film. Telling a story like this with this type of artistic creativity could be confusing for people that can't tell twins apart. What this film does bring to the viewer is highlights of some of the bigger moments in the twins lives while occasionally using some art and claymation to emphasize parts of the story being told, and I accepted the use of claymation as a dramatic effect that could resemble the imaginations of the twins, and the inspiration for the music and scoring was quite acceptable and appropriately sets the tone for your emotions. I did think the acting was very good, and when they were silent they easily were able to covey the right expressions to keep me engaged and aware of each twin's reactions and emotions.
I went into this movie thinking it would be a story of triumph and redemption after a hard isolated life, and it was in a way... This story is much darker than I'd anticipated. These two girls had clear struggles and no one seemed to be able to help them. They lived in their own world of beautiful fantasy, while the world around them was cold and at many times disturbing. I almost stopped watching because I had not been ready to feel the strange unsettling nature of this film, but I'm very glad I didn't.
This story will stay with me for a good while.
Hard to watch at times. Fascinating. Heartbreaking. True.
This story will stay with me for a good while.
Hard to watch at times. Fascinating. Heartbreaking. True.
In a world that's alien and quite distressed, two girls decide how their time will invest, shunning prejudice and hate, they are the masters of their fate, no matter how hard others push and poke and press. In a world that they create to hide and shelter, they're each other's guardian, trustee, curator; but fighting against the tide, just brings torrents that collide, with the damage acting as a separator.
What an incredible piece of filmmaking with two outstanding leads by two incredible actors. For me, I'm happy for the director to have used some poetic licence, if I want the facts verbatim I'll watch a documentary or read a biography, but I'm a lot more engaged with a presentation that allows some interpretation and inspires me to investigate further. Those two performances are top drawer!
What an incredible piece of filmmaking with two outstanding leads by two incredible actors. For me, I'm happy for the director to have used some poetic licence, if I want the facts verbatim I'll watch a documentary or read a biography, but I'm a lot more engaged with a presentation that allows some interpretation and inspires me to investigate further. Those two performances are top drawer!
I can't believe that the IMDb rating is so low on this film, I think it will become a cult classic in a few years. The two young girls in this were amazing. The way they got across how these girls invested their time in this secrecy blanket - to keep themselves same from a White supremacy world full of prejudice and hate, they were truly the masters of their fate. No matter how hard others push and poke and press, they did not crack - they are an icon for resistance.
In a world that they created to hide and shelter, each other - my tears poured down.
What an incredible piece of filmmaking and the two older Gibbon's girl/women were outstanding leads and these two incredible actors deserved the BAFTA's they received. For me, the director did a fantastic job, which was really quite poetic. I was very engaged with this presentation and the interpretation of the twins lives, which used their own creativity, this is truly an inspiring film and needs more love than its currently getting.
In a world that they created to hide and shelter, each other - my tears poured down.
What an incredible piece of filmmaking and the two older Gibbon's girl/women were outstanding leads and these two incredible actors deserved the BAFTA's they received. For me, the director did a fantastic job, which was really quite poetic. I was very engaged with this presentation and the interpretation of the twins lives, which used their own creativity, this is truly an inspiring film and needs more love than its currently getting.
Wusstest du schon
- WissenswertesThe movie portrays June Gibbons and Jennifer Gibbons as fraternal or "dizygotic" twins, "non-identical twins", "dissimilar twins" or "biovular twins"; Around two in three sets of twins are fraternal. Two separate eggs (ova) are fertilised by two separate sperm, resulting in fraternal or 'dizygotic' (two-cell) twins. These babies will be no more alike than siblings born at separate times. The babies can be either the same sex or different sexes. Or the 'third-twin type' may play its part here too; Some researchers believe there may be a third type of twin, although medical opinion is still divided. It is proposed that the egg splits in two, and each half is then fertilised by a different sperm. This theory is an attempt to explain why some fraternal twins look identical: June and Jennifer were identical twins.
- PatzerAt about 31 minutes the girls are asked for social security numbers. In the UK they have National Insurance numbers not SS numbers.
- Zitate
Jennifer Gibbons: [writing in her diary] One of the best days of my sweet life. I had sex before marriage. There was a lot of blood. Sorry, God. Your friend, Jen.
- SoundtracksBliss
Lyrics by Zuzanna Wronska
(Inspired by the writing of June Gibbons and Jennifer Gibbons (as June and Jennifer Gibbons))
Performed by Zuzanna Wronska, Marcin Macuk and Grzegorz Jablonski
Vocals: Lucy St Louis
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Мовчазні двійнята
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 205.135 $
- Eröffnungswochenende in den USA und in Kanada
- 103.860 $
- 18. Sept. 2022
- Weltweiter Bruttoertrag
- 298.207 $
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Farbe
- Seitenverhältnis
- 1.66 : 1
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