My Heart Can't Beat Unless You Tell It To
- 2020
- 1 Std. 30 Min.
IMDb-BEWERTUNG
6,0/10
3571
IHRE BEWERTUNG
Zwei geheimnisvolle Geschwister streiten sich um die Pflege ihres gebrechlichen und kränklichen jüngeren Bruders.Zwei geheimnisvolle Geschwister streiten sich um die Pflege ihres gebrechlichen und kränklichen jüngeren Bruders.Zwei geheimnisvolle Geschwister streiten sich um die Pflege ihres gebrechlichen und kränklichen jüngeren Bruders.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 8 Gewinne & 8 Nominierungen insgesamt
Moises L. Tovar
- Eduardo
- (as Moises Tovar)
Jon Rhoads
- AJ
- (Synchronisation)
Mary Toscano
- Bonnie
- (Synchronisation)
Jesse R. Brown
- Scrawny Guy
- (as Jesse Brown)
Empfohlene Bewertungen
It is a unique original horror film that is very beautifully written and shot. It has a really catchy idea that is both creepy and heartbreaking. It is so simple yet it has a very creepy atmosphere without any forced efforts. Performances are superb. If you're into indie horrors then My Heart Can't Beat Until You Tell It To is a must see.
Three thrifty siblings have a special need that forces them into a gruesome trade in society's cast-offs.
Downbeat drama of troubled co-dependency that kept me engaged all the way. There are many quiet scenes, with the characters sometimes barely responsive to each other, but directed and edited with expertise so that the whole thing flows, with help from excellent cinematography and score. Performances too are excellent, so a toast all round - a beaker of blood, my good man!
But it's a light-touch horror, and tending more to the survivalist genre, which I think is a peculiarly American phenomenon, one I don't really get. I prefer a horror to have a weird narrative that maps onto common struggles and fears, so that the extravagance leads to a hidden truth about our place in life. This is too straight a story, and even with its unanswered questions seems strangely plausible in the lonesome alienation of the mid-west.
Overall: Quality production, but not sure horror was the right way to go.
Downbeat drama of troubled co-dependency that kept me engaged all the way. There are many quiet scenes, with the characters sometimes barely responsive to each other, but directed and edited with expertise so that the whole thing flows, with help from excellent cinematography and score. Performances too are excellent, so a toast all round - a beaker of blood, my good man!
But it's a light-touch horror, and tending more to the survivalist genre, which I think is a peculiarly American phenomenon, one I don't really get. I prefer a horror to have a weird narrative that maps onto common struggles and fears, so that the extravagance leads to a hidden truth about our place in life. This is too straight a story, and even with its unanswered questions seems strangely plausible in the lonesome alienation of the mid-west.
Overall: Quality production, but not sure horror was the right way to go.
This is a well made small indie film, but overall plotting is minimal with only one thing possible to happen, and there is slow movement to get there at the end of the film. The production expertly captures this very small confined family well. And the three main actors do well with embodying the opposing motivations inherent in the situation of their family. The failure of this film how small overall focus of the film is. The stage is set for progression on the one point, and ultimately this is very small point foreshadowed by the nature of the film itself. I was disappointed with the outcome being given the potential it has.
So, viewers seem to either despise or love this offering. I come down somewhere in the middle. The idea here is interesting: a "realistic" family of siblings that have a special circumstance within their midst; and dealing with that circumstance becomes a practical and emotional burden that is increasingly intolerable for everyone.
This is a low budget offering. To that end, the acting is (mostly) suitable for a film that is more about rumination than explanation or action. The camera work is also suitable for a film that takes place (mostly) inside.
However, I also agree that pacing is a major issue here. The pregnant pauses, the controlled meter and inflection of the dialogue, the lingering camera shots - at times each of these can seem excessive. My other complaint was that, for a realistic-style movie, there were some real television-style cliches here (for example, two of the potential victims escape only to be found again under circumstances that can only exist on celluloid).
I think the director may have been aiming for something like "A Girl Walks Home Alone" or "Martin" or maybe even Herzog's 1979 "Nosferatu the Vampyre." It never quite gets up to that level; but if you enjoy a more psychological or emotional approach to the vampire genre, this might work for you.
This is a low budget offering. To that end, the acting is (mostly) suitable for a film that is more about rumination than explanation or action. The camera work is also suitable for a film that takes place (mostly) inside.
However, I also agree that pacing is a major issue here. The pregnant pauses, the controlled meter and inflection of the dialogue, the lingering camera shots - at times each of these can seem excessive. My other complaint was that, for a realistic-style movie, there were some real television-style cliches here (for example, two of the potential victims escape only to be found again under circumstances that can only exist on celluloid).
I think the director may have been aiming for something like "A Girl Walks Home Alone" or "Martin" or maybe even Herzog's 1979 "Nosferatu the Vampyre." It never quite gets up to that level; but if you enjoy a more psychological or emotional approach to the vampire genre, this might work for you.
My Heart Can't Beat Unless You Tell it To (2020) is a movie my wife and I recently watched on Prime. The storyline follows a brother and sister with a sick younger brother who needs to drink blood to survive. They'll go to extreme measures to find and extract the blood; meanwhile, the brother feels his world is too small and wants to expand his circumstances...
This movie is directed by Jonathan Cuartas in his directorial debut and stars Patrick Fugit (Gone Girl), Ingrid Sophie Schram (Phantom Thread), Owen Campbell (Super Dark Times) and Katie Preston (Vagina Town).
This is a very unique and well done movie. The characters and circumstances draw you in and Campbell does a fantastic job of being eccentric. His mannerisms were perfect and every time he drank blood I cringed a little bit. The cast really does a great job depicting the characters inner struggles with the circumstances. The action scenes in this are very good. The screwdriver scene was well done and you find yourself feeling worse and worse for Campbell the entire film. The ending was smart and I loved how the film concluded.
Overall this is a well put together picture that's worth your time. I would score this an 8/10 and strongly recommend it.
This movie is directed by Jonathan Cuartas in his directorial debut and stars Patrick Fugit (Gone Girl), Ingrid Sophie Schram (Phantom Thread), Owen Campbell (Super Dark Times) and Katie Preston (Vagina Town).
This is a very unique and well done movie. The characters and circumstances draw you in and Campbell does a fantastic job of being eccentric. His mannerisms were perfect and every time he drank blood I cringed a little bit. The cast really does a great job depicting the characters inner struggles with the circumstances. The action scenes in this are very good. The screwdriver scene was well done and you find yourself feeling worse and worse for Campbell the entire film. The ending was smart and I loved how the film concluded.
Overall this is a well put together picture that's worth your time. I would score this an 8/10 and strongly recommend it.
Wusstest du schon
- WissenswertesIn one scene the front exterior of the home is shown and the house number is shown below the roof line leading up to the porch. The house number is 1138 which is likely referential to George Lucas' debut film THX 1138.
- Zitate
Homeless Man: I thought you said this was a shelter.
Dwight: It is.
Homeless Man: Looks like a house.
Dwight: It used to be...
- SoundtracksI Am Controlled By Your Love
Written by Willie Clarke, Clarence Reid
Performed by Helene Smith
Courtesy of The Numero Group
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- 我的心跳你做主
- Drehorte
- Salt Lake City, Utah, USA(location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Seitenverhältnis
- 1.33 : 1
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