Shadow Force: Die Letzte Mission

I had high hopes for Shadow Force, but it really fell flat. One major issue was the constant switching to French-don't get me wrong, I love the French language, but using it every five minutes felt unnecessary and forced. It disrupted the flow more than it added anything meaningful. The acting was weak across the board, and the storyline felt like an afterthought-disjointed and clearly aimed at viewers who don't care if the plot ever ties together. Occasionally, it even felt like they were trying to sell products rather than tell a story, which made it feel more like an ad than a movie. By the end, I was just waiting for it to be over. Not recommended.

3/5 STARS - Is this going down as the best movie of 2025? No. Did I enjoy it? Yes, despite its flaws. I liked the story and the characters, though at least one actor (Da'Vine Joy Randolph) was terribly miscast. Shadow Force tells the story of a married couple on the run from the secret agency they'd worked for and then escaped from. Now they're being hunted by the leader of the agency (played by Mark Strong). There's action, heartwarming moments, romance, and a touch of comedy. It doesn't break the mold, but it was a fun watch and the audience I was with seemed to enjoy it a lot. I'm happy it was something I could walk away from not feeling angry or hugely disappointed. Maybe it helped that I went into it with rather low expectations (based on the film's generic, uninspiring trailer). And maybe it also helped that it was directed by Joe Carnahan (Boss Level, The A-Team and other films I've liked a lot). Video review available on my YouTube channel.

Revised Critique:

"This film is a staggering disappointment-a haphazard collage of clichés with no discernible vision or originality. From its wooden, over-the-top performances to its lifeless, predictable plot, it reeks of amateurish execution, more akin to a rough draft than a finished product. The story plods along with zero tension or surprises, anchored by dialogue so stilted it borders on self-parody. What a waste of Sy's talent, shackled here to a script devoid of depth or nuance!

Even the antagonist feels lifted from a 1980s Saturday morning cartoon-complete with bald man twirling theatrics and a script so hackneyed you half-expect him to growl "Well, well, well..." before monologuing about worldly revenge. The gratuitous multilingual flourishes add nothing but confusion, further exposing the film's tonal inconsistency.

Releasing this alongside Thunderbolts * (Marvel's New Avengers ) only magnifies its flaws all the way to its PR.

Every element-from the clunky direction to the shockingly inept pacing-screams of a rushed, passionless production. It's a Frankenstein's monster of studio notes and market-driven cynicism, lacking even the charm of a so-bad-it's-good flick.

Some films stumble; this one faceplants. A masterclass in how not to make a movie-shallow, tedious, and utterly forgettable." When its sucks... its sucks.

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This movie has a good premise, a very good and capable cast, and even had a decent script. However, the directing was absolutely terrible, making many B movies look Oscar-worthy. It took forever to get going. In fact, it was so slow getting going that I nodded off - twice - during the first half hour. A perfect example of a production suffering from a writer who should stick to writing and leave the directing to someone else. Kerry Washington is good and even believable as an action star, with moments of Olivia Pope shining through. Da'vine was a great surprise, too.

My suggestion is wait to watch it when it starts streaming - for free.

There are some good ideas floating around in SHADOW FORCE, and the film has its laudable moments. However, the plot is a barely-comprehensible mess, and the action scenes are often poorly-staged. Jahleel Kamara is the standout performance of the film, and all scenes with him work better than the others. This film feels like it was sabotaged by a production problem (running out of money, argument over final cut, footage lost, cast member becoming ill, or something similar) that necessitated cobbling together something perhaps different from what was intended. It might also be something cobbled together to fit business needs (Colombian production incentives, career goals of Kerry Washington, Da'Vine, Method Man), but the end result feels compromised and unworthy of an audience's time.