Tove

This biopic about the artist Tove Jansson opens the Festival, which focuses on her relationship with her great love, not fully reciprocated. Leaving on a secondary plane other relationships that seem more interesting to us, such as the one she maintains with her father, this biopic is conventional. There is an unrequited double relationship, but the script unbalances her interest. Everything is in its place, but nothing stands out especially, except the work of the actress Alma Pöysti.

The Finnish film Tove (2020) was directed by Zaida Bergroth. It stars Alma Pöysti as Tove Jansson, "one of the most beloved Finnish writers/cartoonists/artists," according to a knowledgeable reviewer.

Tove was the creator of the Moomins, important characters in Swedish-language books and comic strips. (Jansson was a member of the Swedish-speaking minority in Finland.) She also wrote novels and children's fiction.

Alma Pöysti is a brilliant actor, and she makes Jansson's character come alive. This is important, because Pöysti is on the screen almost all the time. The movie rises or falls based on her skills.

The movie has two major plots. One plot revolves around the fact that Jansson wanted to be a recognized artist, not a cartoonist. Another plot involves Jansson's sexuality.

We saw this film at Rochester's wonderful Dryden Theatre, presented by ImageOut, the great LGBT film festival. (Of course, all safety protocols were in place.)

Tove has an IMDb rating of 7.2. I thought it was better than that, and rated it 8.

Simply made, yet well crafted, "Tove" tells the story of the author's life in the years directly following the second world war, and the relationships and influences that led her to fame.

Unfortunately (and it always feels rather mean to write this about a film based on real life), there simply isn't enough drama in the story to make it really engaging

It does somewhat fall into the "lesbian period drama" trope, but a little bit of gay scandal isn't a reason to seek out a film in 2022. And based on the reactions of characters in the film, it was entirely tolerated in Helsinki's "artistic" circles anyway.

Husbands don't seem to mind affairs, struggling artists still seem to have the means to visit Paris, and already-published authors of children's cartoons seem to make a big fuss about how they would rather be a painter.

People should be more upset by divorce and deceit and failure. "Tove" is just too nice.

Well I watched it, but as someone who was/is enchanted by the Moomins even into adulthood, I felt cheated. I personally have very little interest in most people's sex lives, but I am especially uninterested in the sex lives of people who would have So Much more interesting things to talk about. She obviously grew up inspired by the countryside, and there's a lot of that in the Moomins. This was unexplored. And then there was the delightful mother role, who obviously inspired the character of Moomintroll's mother, but whose character was shamefully unexplored. How anyone can make a film like this about something so fascinating and just focus on sex and longing for romance is TOTALLY BEYOND ME. I was quite disappointed. I am just not very interested in knowing about people's sex lives. Not even if they were gay in a time when it as frowned upon by some. I am far more interested in their intellect and ideas. I consider this film to be full of missed opportunities. They didn't even explore why Vivica, the lover/theatre director had the fantastic idea of making a children's play about the Moomins, which in itself must have been a new, breakthrough genre of theatre. That was genius. If I had made this film it would have been better, and I don't say that lightly.

The story focuses on Tove Janssons formative years as an artist, during which time she also developed her most known characters, the moomins a lot. The film is well made, acting is top notch (especially Alma Pöysti in the lead role) and left me with a warm feeling. Don't expect a dramatic epoch or an intense drama with unexpected twist and turns.