IMDb-BEWERTUNG
7,5/10
1386
IHRE BEWERTUNG
Ein Blick auf die letzten Momente der Global Spirit Tour 2017 von Depeche Mode, mit intimen Geschichten von ausgewählten Fans.Ein Blick auf die letzten Momente der Global Spirit Tour 2017 von Depeche Mode, mit intimen Geschichten von ausgewählten Fans.Ein Blick auf die letzten Momente der Global Spirit Tour 2017 von Depeche Mode, mit intimen Geschichten von ausgewählten Fans.
- Regie
- Hauptbesetzung
Dave Gahan
- Self
- (as David Gahan)
Jenna Rose Robbins
- Self
- (Nicht genannt)
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10rdshows
This movie really gets into the depths of the power of music and especially Depeche Mode. Most of us take for granted that we can listen to anything we want any time we want. The people chosen for this film sometimes had to get to extreme measures just to listen to the awesome music of DM.
The stories told by the people in the movie really made this a lot better than "101", which I absolutely love.
I saw this tour in Dallas and it took me right back to that night with the concert footage.
The German crowd were amazing as well. The scenes with all their arms waving side to side above their heads was absolutely beautiful.
Loved it....GO SEE IT!!
I was a bit skeptical about the fan stories at the beginning, but I had to realize it made the movie much more special than just a concert film .
All the stories were unique and different from each other , some of them were really emotional, the others were inspiring.
The concert itself was obviously brilliant, Dave made an outstanding performance as always and so are the others. I really loved the entire build up of the movie, showing a bit of the fans, then showing a bit of the concert back and forth during the entire movie.
It's a must see to every Depeche Mode fan, wherever you're a hardcore fan or someone who just go into their music, because this movie will make you appreciate their music much better.
As a die hard fan up until Ultra I didn't expect much from their live performance but was pleasantly surprised and am very impressed with how much this band still gives. I found the fans' stories very moving and drove the story to feel more like a movie than just a concert film, beautifully shot by Anton Corbin. My friend who was more a casual fan before watching this absolutely loved it and is now an official Devotee
I enjoyed the movie a lot. It's a very strange experience to see your favourite band at the cinema. I'm used to seeing them in arenas playing live. The individual stories of the six fans picked from sea of devotees were touching. One criticism though is that I thought the film was too short. I think the whole audience was a bit surprised when it came to an end and the credits rolled. Everyone stayed in their seats, just in case there was more to come. I wanted to see more live footage (although I understand that the full show will be coming out next year in a physical format - dvd) and wanted to delve more into these people's lives. Each one different, each one simple in its own way, just reminding us that all stories are worth telling however big or small. They all highlighted what it is to be human, the emotions we feel through the turmoils we encounter in our lives, some more serious than others. And THAT is the connection to Depeche Mode. Their music depicts what it is like to be and feel human. No emotion is left behind. Their music covers pretty much the whole repertoire of emotions and that's why people relate to them. Their music tells us that it's ok to feel even the darkest emotions as they're all part of life. Through Depeche Mode one learns acceptance; of others, but most importantly of oneself. A lot like therapy, but so much more exciting.
November 21, 2019 may remain in history for several reasons. One of them is the fact that on this day, the premiere of the documentary 'Spirits in the Forest' took place simultaneously in many cities around the world, The event that inspired the film is the concert of the group Depeche Mode that took place in Berlin in 2017 as part of their Global Spirit Tour. The information provided by the event organizers indicates that these screenings are intended to be unique events with the public, so I can consider myself lucky because our local cinematheque was one of the locations where the documentary was screened. If indeed the public screenings will be limited, even for a while, this movie has a chance to become, at least for the Depeche Mode's enthusiastic fans audience, another item in the series of cult objects that support the band's fame, beyond its musical merits.
The film makers chose a structure different from that of other musical documentaries. They did not present the concert from start to end, and did not include behind the scenes information or expert comments about the musicians and their music. Instead they chose to focus on the lives of six fans of the band from six different places in the world - Mongolia, Colombia, United States, Romania, France and Germany - all coming to Berlin to see their idols. They went into their biographies and listened to testimonies about how Depeche Mode's music influenced their lives. One of the women had been suffering from cancer and the group's music accompanied her long and painful hours of treatment. The man in Colombia was separated from the two teenage children and part of their connection was to create music videos in which they played the band's music. The young woman from Mongolia had learned English using the texts of the group's songs. Of course it is only a sample, but it can also be a key to understanding why tens of thousands of spectators, sometimes coming from all over the world, gather in halls or stadiums to experience such events.
There is a risk that the fans of music documentaries and filmed concerts will be disappointed. For example, I'm not a fan of Depeche Mode, and I didn't find out much about the band in this movie. It seemed strange to me to subtitle the dialogues although all the interviewees spoke clear and impeccable English, but not the texts of the songs. The music of course eventually captivates and is well filmed, but it was not the focus. 'Spirits in the Forest' is a movie less about Depeche Mode and more about some of the fans of the group.
The film makers chose a structure different from that of other musical documentaries. They did not present the concert from start to end, and did not include behind the scenes information or expert comments about the musicians and their music. Instead they chose to focus on the lives of six fans of the band from six different places in the world - Mongolia, Colombia, United States, Romania, France and Germany - all coming to Berlin to see their idols. They went into their biographies and listened to testimonies about how Depeche Mode's music influenced their lives. One of the women had been suffering from cancer and the group's music accompanied her long and painful hours of treatment. The man in Colombia was separated from the two teenage children and part of their connection was to create music videos in which they played the band's music. The young woman from Mongolia had learned English using the texts of the group's songs. Of course it is only a sample, but it can also be a key to understanding why tens of thousands of spectators, sometimes coming from all over the world, gather in halls or stadiums to experience such events.
There is a risk that the fans of music documentaries and filmed concerts will be disappointed. For example, I'm not a fan of Depeche Mode, and I didn't find out much about the band in this movie. It seemed strange to me to subtitle the dialogues although all the interviewees spoke clear and impeccable English, but not the texts of the songs. The music of course eventually captivates and is well filmed, but it was not the focus. 'Spirits in the Forest' is a movie less about Depeche Mode and more about some of the fans of the group.
Wusstest du schon
- WissenswertesEach of the fan's stories includes a Depeche Mode motif from a previous band project: riding a horse and flinging open doors (Indra Amarjargal's segment, mirroring shots in Depeche Mode: Personal Jesus (1989)); underneath the Berlin U-Bahn (Daniel Cassus runs along roughly the same route as seen in Depeche Mode: Everything Counts (1983)); in a car at night in Los Angeles (Elizabeth Dwyer sings "A Pain That I'm Used To" and "But Not Tonight," in a shot similar to much of the video for Depeche Mode: Wrong (2009), shot in downtown LA); "the king" (much of Cristian Flueraru's segment is dedicated to his photography replicating shots from Depeche Mode: Enjoy the Silence (1990)); riding a Vespa (Carine Puzenat's segment, mirroring shots in Depeche Mode: Strangelove (1987)); and bumper cars (Dicken Schrader, Milah Schrader, and Korben Schrader ride these in a brief scene, just as the band does in the video for Depeche Mode: Get the Balance Right! (1983)).
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Box Office
- Bruttoertrag in den USA und Kanada
- 704.744 $
- Eröffnungswochenende in den USA und in Kanada
- 232.452 $
- 24. Nov. 2019
- Weltweiter Bruttoertrag
- 2.531.785 $
- Laufzeit1 Stunde 23 Minuten
- Farbe
- Seitenverhältnis
- 1.78 : 1
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