Ein sozial ungeschickter Teenager befreundet sich mit einer Gruppe von Außenseitern, die vorhaben das arrogante, reiche Kind der Schule zu entführen, bis der Entführungsplan tödlich wird.Ein sozial ungeschickter Teenager befreundet sich mit einer Gruppe von Außenseitern, die vorhaben das arrogante, reiche Kind der Schule zu entführen, bis der Entführungsplan tödlich wird.Ein sozial ungeschickter Teenager befreundet sich mit einer Gruppe von Außenseitern, die vorhaben das arrogante, reiche Kind der Schule zu entführen, bis der Entführungsplan tödlich wird.
Kych Minemoto
- Chuck's School Friend
- (as Kych Cyl Minemoto)
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Good to passable acting.
Cinematography is ok.
Cringy Dialogue.
The main character is supposedly a smart dude but almost everything is dumb.
What was even the point of Sue Ramirez's character? When you search for this movie you see her name on the list of actors first but for what?
She wasn't really a plot device or a 'Chekov's gun' in a sense. She was just there...
... gone wrong? Well you have to watch to know. Though I would recommend watching the trailer first or at least read about what this is ... about. Not everything is for everyone and those teenage boys can be quite annoying. And when you come to their "plan", you may be even more annoyed.
The movie tries to keep it as real as possible, but gets quite crazy at times. Coincidences and everything included that is. The resolution may make some mad too, but it is what it is ... I've seen worse movies and as bad as the characters are, the movie is decent (acting has some downfalls though)
The movie tries to keep it as real as possible, but gets quite crazy at times. Coincidences and everything included that is. The resolution may make some mad too, but it is what it is ... I've seen worse movies and as bad as the characters are, the movie is decent (acting has some downfalls though)
Honestly, I was really impressed the first time I watched this. I don't really watch Filipino movies anymore because of the cringefest we usually get from film festivals, but hey, I was randomly scrolling on Netflix and saw this, and the trailer was very compelling--I had to watch it.
And oh boy, slow clap for the production of this film-from the music/score, to the shots, color grading was aight-everyone's doing it so it was nothing new but it was right for the aim of the film.
The acting was actually really good, I was impressed, it was nothing like the ones I've seen in Philippine cinema/TV with all the over the top screaming, crying, and such. I hate to say this, but Sue Ramirez has that typical Filipino acting, but I guess they needed someone mainstream to invite audience into watching this film. I loved the scene at the car before they did the act, the silence was so intense, you could feel and see how nervous they were, which was only the natural thing to feel if it was your first time kidnapping someone, moreover, as a 19 y/o! I have nothing against with the conyos in this film, I know enough conyos in my life, so yeah, I thought they were natural.
The second time I watched this, I watched it with my fam, it suddenly became corny and cheesy. My parents didn't understand the movie, so I guess this one is for the youth. But still, props to Mikhail Red for doing a different take on the Philippine films. Hope this keeps going and reach wider audience.
And oh boy, slow clap for the production of this film-from the music/score, to the shots, color grading was aight-everyone's doing it so it was nothing new but it was right for the aim of the film.
The acting was actually really good, I was impressed, it was nothing like the ones I've seen in Philippine cinema/TV with all the over the top screaming, crying, and such. I hate to say this, but Sue Ramirez has that typical Filipino acting, but I guess they needed someone mainstream to invite audience into watching this film. I loved the scene at the car before they did the act, the silence was so intense, you could feel and see how nervous they were, which was only the natural thing to feel if it was your first time kidnapping someone, moreover, as a 19 y/o! I have nothing against with the conyos in this film, I know enough conyos in my life, so yeah, I thought they were natural.
The second time I watched this, I watched it with my fam, it suddenly became corny and cheesy. My parents didn't understand the movie, so I guess this one is for the youth. But still, props to Mikhail Red for doing a different take on the Philippine films. Hope this keeps going and reach wider audience.
Felt catfished by the trailer that promised an edgy, dark comedy and exciting heist movie with social commentary. The editing was fast paced and dialogue chosen was controversial.
The film had barely any of that. It fell flat and became this cliche melodramatic sob fest. You cannot feel sympathy for any of the characters because their choices are so illogical and just dumb. The characters are flat and stereotypes that aren't even comedic, it's just annoying. The underdog characters have no charm either.
The direction was bland. A lot of people sitting down and talking scenes for a supposedly exciting heist film. The color grading was interesting at least. It's basically a pretty and drawn out episode of MMK. This movie was a disappointment, especially with the screenplay and it's frustrating because the trailer showed what it could have been if it lived up to it's potential.
The film had barely any of that. It fell flat and became this cliche melodramatic sob fest. You cannot feel sympathy for any of the characters because their choices are so illogical and just dumb. The characters are flat and stereotypes that aren't even comedic, it's just annoying. The underdog characters have no charm either.
The direction was bland. A lot of people sitting down and talking scenes for a supposedly exciting heist film. The color grading was interesting at least. It's basically a pretty and drawn out episode of MMK. This movie was a disappointment, especially with the screenplay and it's frustrating because the trailer showed what it could have been if it lived up to it's potential.
The premise of a bunch of amateurs gathering together to pull off a great crime - robbery, kidnapping, murder, or something else - may have been done many time before in movies, but even then I always find the premise irresistible. When I sat down to watch this particular example, I was especially intrigued because it was not an American effort, but instead a Filipino effort. The new setting gave this some novelty, which did help sometimes when the movie was showing off its shortcomings. I'm not saying this is a BAD movie - it's not boring, and I admit that part of me was interested in seeing how things would be wrapped up in the end. And despite a fairly low budget, it never looks so cheap to be distracting. However, the movie has its downs as well as ups. It doesn't seem to find a consistent tone - sometimes it's goofy, and sometimes it's serious. Also, while I know the central figures are just teenagers, even then they seem really stupid and haven't taken the time to plan things out (it seems they make their plans in 48 hours or less.) Some viewers may also have a problem with the fact the characters are constantly changing between speaking English and speaking Tagalog (though I know this is how many Filipinos do speak.) I'd recommend it to viewers who don't have their expectations particularly high.
Wusstest du schon
- WissenswertesThis is the first Netflix original film from the Philippines.
- VerbindungenReferenced in Rental Reviews: Night Killer (2020)
- SoundtracksNo Money, No Honey
Composed by Juan Silos Jr.
Written by Levi Celerio
Performed by Sylvia La Torre
Arranged by Juan Silos Jr.
Under license from Villar Records International
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- Laufzeit
- 1 Std. 38 Min.(98 min)
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