Als Norman Graysmith in das Haus eines aufstrebenden Serienmörders, Aidan Mendle, eingeladen wird, glaubt er, das Thema für den Dokumentarfilm zu haben, der seine Karriere begründen wird.Als Norman Graysmith in das Haus eines aufstrebenden Serienmörders, Aidan Mendle, eingeladen wird, glaubt er, das Thema für den Dokumentarfilm zu haben, der seine Karriere begründen wird.Als Norman Graysmith in das Haus eines aufstrebenden Serienmörders, Aidan Mendle, eingeladen wird, glaubt er, das Thema für den Dokumentarfilm zu haben, der seine Karriere begründen wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Yasen Zates Atour
- Jack
- (as Yasen Atour)
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Very obviously written, acted, and directed by local theater types, whose desire to act and be on stage or in film surpasses anyone's entertainment needs. The characters are cliche from conception to execution. Performances are competent, but nothing special. Very weak concept and the comedy is half hearted and middling. Hits every British sitcom comedy trope like knocking down bowling pins or checking boxes one at a time. Musical score is canned and intrusive. Just not funny or original. Works best at keeping the participants busy with their just barely on the right side of competent theater group aspirations, and worst at being engaging or entertaining, much less surprising or challenging an audience. Some of the ideas are not bad, and even get close to being interesting or clever, but the concept is so silly and underwhelming it gets in the way of scenes which on their own might be lightly amusing if not presented as part of such a weak, absurd and goofy concept.
There is one scene I love above all others. It caught me by surprise and I've watched it over and over again. I hope you love it too. It is set in a park and was totally unexpected. Yet, it provides the motivation for what preceded it. Yes, this next comment is out of context but I enjoyed the film's soundtrack. See the film and the forgoing will make sense.
The film starts out as a documentary. Aidan is the subject of Norman Graysmith's documentary. Graysmith explores the world of Aidan. Aidan is the man who approaches you in a pub and chats and you think ... I'll make an excuse and leave, with a mixture of pity and fear. The film follows the adventures of Aidan and his girlfriend and his 'family'. They form an eclectic mixture of the loveable through to the frighteningly scary. Okay, I thought the acting was superb. I imagine this was not the easiest film to direct with such a mixture of comedy and horror, yet, it is done masterfully.
One moment I was captivated by the humour of the interaction within the group ... the next hands shielding my face in terror. Get your popcorn and your choice of beverage, turn off the phone - this is a treat.
The film starts out as a documentary. Aidan is the subject of Norman Graysmith's documentary. Graysmith explores the world of Aidan. Aidan is the man who approaches you in a pub and chats and you think ... I'll make an excuse and leave, with a mixture of pity and fear. The film follows the adventures of Aidan and his girlfriend and his 'family'. They form an eclectic mixture of the loveable through to the frighteningly scary. Okay, I thought the acting was superb. I imagine this was not the easiest film to direct with such a mixture of comedy and horror, yet, it is done masterfully.
One moment I was captivated by the humour of the interaction within the group ... the next hands shielding my face in terror. Get your popcorn and your choice of beverage, turn off the phone - this is a treat.
When the screaming starts is a horror comedy film directed by Conor Boru.
When Norman Graysmith is invited to the home of aspiring serial killer Aidan Mendle, he thinks he has found the subject of a documentary that will save his failing career.
I have read some viewers in which the reviewers are praising the dark comedy of the film, there is no doubt that the film has some funny elements and to some extent entertains but can't be called as an outright dark comedy film.
The execution of the film is average and apart from some comedy here and there the film is largely flat. Although the plot is largely unpredictable and the actors did a great job.
The screenplay of the film is unpredictable and that's works in the favor of the film. Cinematography is good and climax of the film is superb. Overall an average entertaining film.
When Norman Graysmith is invited to the home of aspiring serial killer Aidan Mendle, he thinks he has found the subject of a documentary that will save his failing career.
I have read some viewers in which the reviewers are praising the dark comedy of the film, there is no doubt that the film has some funny elements and to some extent entertains but can't be called as an outright dark comedy film.
The execution of the film is average and apart from some comedy here and there the film is largely flat. Although the plot is largely unpredictable and the actors did a great job.
The screenplay of the film is unpredictable and that's works in the favor of the film. Cinematography is good and climax of the film is superb. Overall an average entertaining film.
This is something between a comedy/horror movie and a dark comedy. Unfortunately, not too funny for a comedy/horror, and not too witty for a dark comedy. My expectations were low either way, so i found it entertaining, at leat until the last 15 minutes. This is a low budget production with unknown actors, so you should lower your expectations too, and you might entertain yourself. It is not a bad movie, acting was ok and the story was kinda interesting. Of course, not original neither creative. I had fun watching this and i was gonna rate it higher, however the last 15 minutes were not good. I'd say it became dumb and made me lose my interest. So, you should watch it only if you are a big fan of this genre. Otherwise, there are far better movies, even in this time era.
This movie is sort of like a 90 minute rogue comedy skit with a group of fair-to-middling comedians. I did laugh at a few scenes and I thought Amy was well-played. I thought as a whole the film relied far too much on worn stereotypes; for example, the "after party" was just stupid with balloons, little kids party hats, cookies and chips, and champagne. They could have made it much funnier by taking it to an extreme of making it like a child's birthday party gone horribly wrong but it just comes across as a weak throng of basics toasting their college friends' third wedding anniversary. The end does get quite dark and the amorality of the attitude towards murder is creepy, I will give it that much. I also thought presenting one of the main characters as a LARPing nerd in over his head and demanding all the credit as a white man for doing very little was a nice touch.
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