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Explota Explota

  • 2020
  • 1 Std. 56 Min.
IMDb-BEWERTUNG
5,7/10
1247
IHRE BEWERTUNG
Ingrid García-Jonsson and Fernando Guallar in Explota Explota (2020)
Tráiler Final [OV] ansehen
trailer wiedergeben1:48
2 Videos
31 Fotos
Jukebox MusicalKomödieMusikalischRomanze

Füge eine Handlung in deiner Sprache hinzuA movie based on the hit songs by the popular italian singer Raffaella Carrà.A movie based on the hit songs by the popular italian singer Raffaella Carrà.A movie based on the hit songs by the popular italian singer Raffaella Carrà.

  • Regie
    • Nacho Álvarez
  • Drehbuch
    • Eduardo Navarro
    • David Esteban Cubero
    • Nacho Álvarez
  • Hauptbesetzung
    • Ingrid García-Jonsson
    • Verónica Echegui
    • Fernando Guallar
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,7/10
    1247
    IHRE BEWERTUNG
    • Regie
      • Nacho Álvarez
    • Drehbuch
      • Eduardo Navarro
      • David Esteban Cubero
      • Nacho Álvarez
    • Hauptbesetzung
      • Ingrid García-Jonsson
      • Verónica Echegui
      • Fernando Guallar
    • 10Benutzerrezensionen
    • 11Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 12 Nominierungen insgesamt

    Videos2

    Tráiler Final [OV]
    Trailer 1:48
    Tráiler Final [OV]
    Tráiler [OV]
    Trailer 0:31
    Tráiler [OV]
    Tráiler [OV]
    Trailer 0:31
    Tráiler [OV]

    Fotos31

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 26
    Poster ansehen

    Topbesetzung99+

    Ändern
    Ingrid García-Jonsson
    Ingrid García-Jonsson
    • María
    Verónica Echegui
    Verónica Echegui
    • Amparo
    Fernando Guallar
    Fernando Guallar
    • Pablo
    Natalia Millán
    Natalia Millán
    • Rosa
    Giuseppe Maggio
    Giuseppe Maggio
    • Massimiliano
    Fran Morcillo
    • Lucas
    Ainhoa Aierbe
    • Mabel
    Pedro Casablanc
    Pedro Casablanc
    • Celedonio
    Carlos Hipólito
    Carlos Hipólito
    • Ismael
    Fernando Tejero
    Fernando Tejero
    • Chimo
    Ainara Arizu
    • Azafata Roma
    Sara Martín Aparicio
    • Azafata 1…
    Eva Conde
    • Azafata 2…
    Malala Díaz
    • Pasajera
    Joaquín Serrano
    • Pasajero Español
    Olga Mattos
    • Pasajera Inglesa
    Estela Theus
    • Pasajera Italiana
    Jorge Fierman
    • Pasajero Italiano
    • Regie
      • Nacho Álvarez
    • Drehbuch
      • Eduardo Navarro
      • David Esteban Cubero
      • Nacho Álvarez
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    5,71.2K
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    Empfohlene Bewertungen

    10florenciavillar-78474

    A shot of hapiness!!

    A film for fun, singing and dancing. Very good art, good actors and very good music. You leave the cinema happy and motivated.
    9jasonjbryan

    Fun and enjoyable

    A nice fun little musical with cute people and crazy plot.
    10florenciarodriguez-57305

    A great time

    The kind of movie that will leave a smile in your face and make your day. Super fun and enjoyable, exactly what you want from a musical.
    1keithkhan

    An utter disappointment

    With such rich material that this film has to call upon- Spain in a heavily censored Franco era; the kitsch glory of Rafael Cara's music, fashion and architecture of the 1970's, this film recklessly rides rough through all, and we gain little pleasure in either a visual or text narrative.

    The censorship storyline could be fascinating- but Franco's Spain is not explained. There is no context- or no comparison made between what people saw in the rest of Europe. "Hilda" the Rita Hayworth film, where she removes her gloves was considered too racy in Spain, and was censored. Instead, we see an old man, measuring skirts, and wielding scissors- but no explanation as to why he might be so important in a tv studio. And it's just slapstick- resulting in live Janet Jackson "nipplegate" moment, being broadcast on "nochebuena".

    Rafaela's fun music is treated to a bunch of truly average dance routines- in planes, on boats, in telephone boxes. Ms Cara's dance ability is outstanding, and I am sure there are great dancers in Spain. But clearly they were all busy that day. Her dance is sexy and raunchy but performed within a vocabulary of 70's disco. Why they choose to make a pastiche of that "pulp fiction/ Saturday night fever moves" instead of exploring or referencing some of the crazy moves that existed in late 70's Spain?

    And the design. Well, yes, it's bright and colourful. And all the anachronisms could be forgiven if it had a style. Rafaela Cara had a magnificent wardrobe- amazing catsuits. But the wardrobe department have gone to a bunch of party shops and stitched some digitally printed graphics onto some vaguely old fashioned garments. All the men seem to have a vaguely period jacket bought in Zara that someone thought looked right. The 70's, as encapsulated by Ms Cara was a spandex and sequinned sensation. It certainly wasn't all floppy collars and green eye shadow. Look at how chic "Baccara" are. This film is merely bright. No indication of social class, or background that we should see in a properly designed film. And several times the architecture and the graphics are just crass and wrong.

    And I really felt no empathy with the lead character. She's neither a dancer, nor an actress. The role seems to call for a charismatic sexiness, a coquettishness of movement. This poor lead has an on button which is "cry" which she seems to do in every single scene. And somewhere she is meant to ooze a sensuality though the TV that she really lacks. Luckily, the second actress( for no narrative reason) seems to have most of the songs. At least she has an energy and vivacity!

    I'm not sure why anyone would want to make an old fax paper copy of "Mama Mia", but the script writers obviously were locked in a room with that playing. It's really a tele novela of a script. A fluffy afternoon script you might vaguely watch when you are ironing. In comparison to some really well made popular cultural offerings coming from Spain- the very polished " La llamada" or "veneno" this film is a complete mess. I was so disappointed, because the source material is so rich.
    7abisio

    Rafaella Carra songs in Spanish and lot of dancing

    If you see MAMMA MIA the movie; you should remember how bad singers and dancers were the main actors. The movie succeeded because of the fine integration of songs, history and views.

    Something similar happens with this one. While Ingrid García Jonsson can dance but not so much sing Veronica Echegui can sing but is far from a dancer; however the catchy songs and some good acting make the thing works.

    As HAIRSPRAY use the black/white integrations in the 1960s as a background to the story; My Heart goes Boom uses the last year of Franco's government and the fight to end censorship in Spain in 1973.

    Other than that is basically a love story resolved quite fast and simple and with some simple dance numbers and songs.

    In brief; is not on the level of Hairspray but is entertaining and the music is catchy.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      The two boats in the musical number of El Retiro are the 19 and 43, the year of birth of Raffaella Carrà (1943).
    • Patzer
      The boats in El Retiro Park are blue and in 1973 they were white.
    • Zitate

      Amparo: ¡Ole... Como una señora, muy bien dicho!

    • Verbindungen
      References Pulp Fiction (1994)
    • Soundtracks
      Adiós amigo
      Written by Honorio Herrero & Luis Gómez Escolar (as Luis López-Escolar)

      Performed by Valentina Sessini, Veronica Largiu & Rachel Lui

    Top-Auswahl

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    FAQ16

    • How long is My Heart Goes Boom!?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 2. Oktober 2020 (Spanien)
    • Herkunftsländer
      • Spanien
      • Italien
    • Sprache
      • Spanisch
    • Auch bekannt als
      • My Heart Goes Boom!
    • Drehorte
      • Plaza de Olavide, Madrid, Madrid, Spanien(Phone Booth's Musical Number)
    • Produktionsfirmen
      • El Sustituto Producciones
      • Indigo Film
      • Radio Televisión Española (RTVE)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 2.900.000 € (geschätzt)
    • Weltweiter Bruttoertrag
      • 589.672 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 56 Min.(116 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.39 : 1

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