Mat Kilau

Don't get me wrong. I love the spirit and I know what kind of message that SY has been trying to deliver. But man... it is badly made.

1. Script

• One guy throw a line and not even a 0.01s, another guy throws his line almost cutting the first line. No momentum, no space to feel anything. Give them some time. You're not rushing. Though the pronunciations are clear, I already forgot the first guy's line 3 seconds ago.

2. Action Scenes.

• Love the superb choreography. But the camera work? It's not helping. Yes, we can see them punching and yes, we can see them flying but does the camera work helps? Oh I kid you not, it does not work. The intention of shaky cameras is to make the audience feel like you're there in a fight. Not in a 4x4 back seat heading towards Sabah rural school.

3. Editing Sequence.

• Jump cuts, here and there. Cutting the screen time for the sake of intensity? This is no KL Gangster.

4. Background Music.

• Oh my God, loud here and there. Over 95% of the film are filled with soundtracks. This is a Malay epic film and how come there's no Malay-feel soundtracks? Rembat Hollywood's soundtrack is it? At least go full silence on 'supposedly intense' fight scene. Make people feel engaged to the fight.

5. Ending.

• Believe there are 5 stages in storytelling structures, no? Bla bla bla, silat this and that, Adi Putra gave his speech after a fight and it ends. That's it? Even iklans by agency have an ending, man.

Overall, I'd say this is a good try la. Take this comment as a feedback into account and consider.

Theres a whole debate in a movie fan group over this film. Believe or not you can't give any negative opinion over this film because people regarded this as a sort of masterpiece and people will tell you in the face that you have to make your own movie before you can give any criticism for Mat Kilau.

Tbh im never a fan of SY's works. He's like Zack Snyder except that he is way worse than him. He's all about style no substance but he got lot of fans that backed him up.

I still paid the tickets to see this. Hoping that Syamsul will surprise me because the trailer and the hype is kind of promising. But no. This is like KL Gangster except that now Jai is Mat Kilau. I wouldn't call Mat Kilau as a historical film or biography. It's more like Syamsul only use the name to deliver his own ideology or message just like he did in his movies before. The formula doesn't work here, it really doesnt. The actors kept shouting motivational quotes to your ear from beginning to end. Are there even real script here? This is the best he can do? I heard that the writers wrote the script with the messsage comes to their mind first. This is where the problem begins. The writers didnt even bother to create something that normal person would say.

Did any of the cast and crew watch the movie before release it on cinema? Did any of them even realise how disjointed the movie feels? The transition is freakin awful. It felt like some kind of rough cut that supposed to sit in editing room.

This is literally the worst film from the Director, his previous films were watchable and enjoyable. This one fails so badly till you legit have to force yourself to watch till the end. Could've improved a lot of things but they've decided to leave it that day!

Overall watch at your own risk, skip this if you want to.

The storyline is very straightforward and thin, without much depth. It is about the exploitation of British colonisers, and how the people stand up to fight for their land.

The pacing is weak. It moves too fast from one scene to another (jumping scenes), making the story hard to breathe or digest at times.

There are plenty of action scenes. BUT they are mostly "repetitive", e.g. Fighting with the soldiers and the same "villain" again and again, making the actions flat. Perhaps a real super-villain shall be saved for the very END, so that audiences could be impressed by the REAL FIGHT! However, it's just made fights for the sake of fighting!

Besides, the camera movement is just too shaky that I give up on the action scenes, or rather feel uncomfy towards the action scenes (headache and dizzy). It's alright to have "shaky camera" technique at times, like some Hollywood movies, BUT NOT overdone throughout the entire movie from the beginning to the end.

The character development is seriously weak. There is NOTHING about Mat Kilau, other than he is a leader and good in silat. Also, we could hardly understand much about the characters of the FIVE 'brother fighters'. The emotional and sentimental value is just NOT there enough to touch anyone. As such, I could hardly feel anything, even though TWO of them died or anyone died in the movie.

There is a scene whereby the villagers (at last) came to defend the land and fight against the British. I supposed the director wanted to make an "Avengers Assemble" kind of goose-bump scene, BUT it failed badly. And perhaps due to budget constraints, everything just ended abruptly.

It leaves room for improvement in many aspects, as said above. Oh ya, it's kind of violent with slaughtering and bloody scenes, so pls beware if you were to bring children to the movie.

After I watched this movie, I needs more happiness. I FEEL THERE'S LESS FACTOR TO CHEERS!

Some people like this movie, but others criticised the tone and its presentation. To me, I felt the movies have many things that make me leap into the cliff. But I don't blame the director and audience, but I blame myself for watching this action flick. The story is okay, and the action sequences are exemplary yet cool, but those need some improvement like music, camera angle, dialogues and casting. Before I watched this flick, I wonder how the majority of Malay friends flock to the cinema, maybe eagerly supporting the movie industry to thrive to the highest standards. My point is, why this flick is the currently highest Malaysian film of all time? Oh, perhaps it's the message, the history, the Malays pride, and some religion's messages. Maybe I was wrong, by the way.

Malaysian films like Ola Bola, Sepet, movies of P. Ramlee etc, give me hope and excitement, on the other hand, this film feels weird and kind of out of place. The film is pretty good actually, but when it comes to the message and the target audiences, the director needs to consider himself to unite the nation.

Mat Kilau: Kebangkitan Pahlawan is surely a milestone for local creators, but I hope I could watch some more creative and cheerful films to deal with the problemata. To those people who want to try, I'd say: Frater et Sorrores, quidam veritas verba sanat.