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Mat Kilau

Originaltitel: Mat Kilau: Kebangkitan Pahlawan
  • 2022
  • TV-MA
  • 1 Std. 57 Min.
IMDb-BEWERTUNG
5,4/10
1887
IHRE BEWERTUNG
Adi Putra, Yayan Ruhian, Beto Kusyairy, Johan Asari, Geoff Andre Feyaerts, and Fattah Amin in Mat Kilau (2022)
Official Trailer ansehen
trailer wiedergeben1:43
1 Video
79 Fotos
Abenteuer EpischAktion EpischEpischHistorisches EposKampfkünsteAbenteuerAktionDramaGeschichteThriller

Füge eine Handlung in deiner Sprache hinzuThe film is inspired by the epic Malaysian historical figure Mat Kilau who had fought against the British colonists in Pahang before independence.The film is inspired by the epic Malaysian historical figure Mat Kilau who had fought against the British colonists in Pahang before independence.The film is inspired by the epic Malaysian historical figure Mat Kilau who had fought against the British colonists in Pahang before independence.

  • Regie
    • Syamsul Yusof
  • Drehbuch
    • Shahruddin Dali
    • Syamsul Yusof
  • Hauptbesetzung
    • Adi Putra
    • Beto Kusyairy
    • Fattah Amin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,4/10
    1887
    IHRE BEWERTUNG
    • Regie
      • Syamsul Yusof
    • Drehbuch
      • Shahruddin Dali
      • Syamsul Yusof
    • Hauptbesetzung
      • Adi Putra
      • Beto Kusyairy
      • Fattah Amin
    • 66Benutzerrezensionen
    • 33Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 4 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 1:43
    Official Trailer

    Fotos79

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 74
    Poster ansehen

    Topbesetzung24

    Ändern
    Adi Putra
    • Mat Kilau
    Beto Kusyairy
    • Wahid
    Fattah Amin
    • Awang
    Johan Asari
    • Yassin
    Ali Karimie
    • Brahim
    Yayan Ruhian
    Yayan Ruhian
    • Toga
    Geoff Andre Feyaerts
    • Captain Syers
    Wan Hanafi Su
    Wan Hanafi Su
    • Tok Gajah
    Khir Rahman
    • Usup
    Farid Amirul
    • Goh Hoi
    A. Galak
    • Pak Deris
    Zarina Zainoordin
    • Rokiah
    Farah Ahmad
    • Yang Chik
    Jalaluddin Hassan
    • Haji Muhammad
    Rahim Razali
    • Imam Bottoqh
    Namron
    Namron
    • Haji Sulong
    Shaharuddin Thamby
    • Datuk Bahaman
    Ellie Suriaty Omar
    • Ibu Yassin
    • Regie
      • Syamsul Yusof
    • Drehbuch
      • Shahruddin Dali
      • Syamsul Yusof
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen66

    5,41.8K
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    Empfohlene Bewertungen

    5zelomatobap

    Syamsul needs a better writer

    The thing about Syamsul is he's a visionary directory, talented but he clearly needs to focus more on the writing department or just get someone who's better at this.

    Mat Kilau has its moment that you can truely feels its sheer epic scale and heightened your spirit of nationalism. The fight sequences were fairly good and really embodied the greatness of Silat. To summarize, Mat Kilau is fast, action packed and straightforward formulaic biography that able to cater most Malaysians taste.

    Now the writing... The script is just lackluster and have Syamsul's trademark all over it. It's very preachy and loud telling you "Get up and fight for your country and religion!". Is that bad? No, not at all. I understand the intention of sending some messages to the viewer (and it clearly worked). But the gripe of having this kind of script is that it makes the character seems unnatural and very one dimensional.

    The pacing problem . It moves from scene to scene way too fast that makes me lost the sense of time. And leaves the story unable to breath on its own. This is likely a screenplay issue than editing.

    Mat Kilau, the titular role is very one dimensional and there isn't any interesting arcs to this character even though Adi Putra nails the character well enough. Even the character played by Beto Kusyairi has more depth to it.

    Some side plots and minor characters are hugely underdeveloped that they suddenly appeared near the end of the film. I don't understand if Syamsul intended it to be a surprise or something but the outcome are meh without any of those build up.

    Overall, its a decent watch. Good effort by the team. Go watch and support Mat Kilau at the theatres.
    4thejimming

    Funny flow, funny camera work, funny everything.

    Don't get me wrong. I love the spirit and I know what kind of message that SY has been trying to deliver. But man... it is badly made.

    1. Script

    • One guy throw a line and not even a 0.01s, another guy throws his line almost cutting the first line. No momentum, no space to feel anything. Give them some time. You're not rushing. Though the pronunciations are clear, I already forgot the first guy's line 3 seconds ago.


    2. Action Scenes.

    • Love the superb choreography. But the camera work? It's not helping. Yes, we can see them punching and yes, we can see them flying but does the camera work helps? Oh I kid you not, it does not work. The intention of shaky cameras is to make the audience feel like you're there in a fight. Not in a 4x4 back seat heading towards Sabah rural school.


    3. Editing Sequence.

    • Jump cuts, here and there. Cutting the screen time for the sake of intensity? This is no KL Gangster.


    4. Background Music.

    • Oh my God, loud here and there. Over 95% of the film are filled with soundtracks. This is a Malay epic film and how come there's no Malay-feel soundtracks? Rembat Hollywood's soundtrack is it? At least go full silence on 'supposedly intense' fight scene. Make people feel engaged to the fight.


    5. Ending.

    • Believe there are 5 stages in storytelling structures, no? Bla bla bla, silat this and that, Adi Putra gave his speech after a fight and it ends. That's it? Even iklans by agency have an ending, man.


    Overall, I'd say this is a good try la. Take this comment as a feedback into account and consider.
    7SyafiqTheWanted

    Syamsul Yusuf need a better screenwriter

    The storyline needs to be improved again, what I see in this movie is that there is no continuity from scene to scene, it's like there is nothing to do between the scenes. Secondly, the main hero character, Mat Kilau, has no backstory and character development and that needs to be improved. Third, the use of the Malay language needs to be further improved and the script needs to be further improved. Finally, the camera movement needs to be improved again and what I saw in this movie, the camera movement is a bit chaotic, and shaky.

    What i like from this movie is Cinematography and action sequence also THIS MOVIE IS GOOD BUT IT CAN BE BETTER. THANK YOU.
    4ajleong-98725

    There is still room for improvements in many aspects!

    The storyline is very straightforward and thin, without much depth. It is about the exploitation of British colonisers, and how the people stand up to fight for their land.

    The pacing is weak. It moves too fast from one scene to another (jumping scenes), making the story hard to breathe or digest at times.

    There are plenty of action scenes. BUT they are mostly "repetitive", e.g. Fighting with the soldiers and the same "villain" again and again, making the actions flat. Perhaps a real super-villain shall be saved for the very END, so that audiences could be impressed by the REAL FIGHT! However, it's just made fights for the sake of fighting!

    Besides, the camera movement is just too shaky that I give up on the action scenes, or rather feel uncomfy towards the action scenes (headache and dizzy). It's alright to have "shaky camera" technique at times, like some Hollywood movies, BUT NOT overdone throughout the entire movie from the beginning to the end.

    The character development is seriously weak. There is NOTHING about Mat Kilau, other than he is a leader and good in silat. Also, we could hardly understand much about the characters of the FIVE 'brother fighters'. The emotional and sentimental value is just NOT there enough to touch anyone. As such, I could hardly feel anything, even though TWO of them died or anyone died in the movie.

    There is a scene whereby the villagers (at last) came to defend the land and fight against the British. I supposed the director wanted to make an "Avengers Assemble" kind of goose-bump scene, BUT it failed badly. And perhaps due to budget constraints, everything just ended abruptly.

    It leaves room for improvement in many aspects, as said above. Oh ya, it's kind of violent with slaughtering and bloody scenes, so pls beware if you were to bring children to the movie.
    5dukeeeletooo

    pretty meh but seriously what's with the ending?

    All the weaknesses have been mentioned here by other reviews. Screenwriting, jump cuts, camera works etc etc.

    My main complaint is how SY ended his film. It just end abruptly, like TOO abrupt. I'm all for film that ended on cliffhanger but there's literally certain style and technique to leave an impact to the viewer not just fade to black just after nothing remarkable happened before that. When the credits kicks in I'm just like "That's it?". Poor way to end a film that supposed to be an historical epic.

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    Handlung

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    • Wissenswertes
      As of 12 July 2022, the film is reported to have garnered RM71 million in 21 days since opening at cinemas across Malaysia, Brunei, Indonesia, and Singapore. The film even beat Top Gun: Maverick and Jurassic World Dominion at the Malaysian box office. The film is inching closer to becoming the all-time highest-grossing film at the Malaysian box office - which is currently being held by Marvel's Avengers: The End Game at RM87 million.
    • Patzer
      During one torture and ambush scene inside the barn/shed with wahid (beto kusyairy) and the hired mercenary... you could see a cable /wire rope when the performer started doing the front flip on top of the boxes.
    • Verbindungen
      Spin-off Warrior Awang and Master Tok Gajah (2024)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 23. Juni 2022 (Malaysia)
    • Herkunftsland
      • Malaysia
    • Offizieller Standort
      • Facebook
    • Sprachen
      • Malaiisch
      • Gujarati
      • Englisch
    • Auch bekannt als
      • 맛 킬라우
    • Drehorte
      • Pahang, Malaysia
    • Produktionsfirma
      • Studio Kembara
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 8.000.000 MYR (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 57 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Surround 7.1
    • Seitenverhältnis
      • 2.35 : 1

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