The Narrow Road to the Deep North

I agree with comments by other reviewers about the dark murky lighting on parts of the series. I know the intent is to create atmosphere but possibly taken too far. The three timelines were also a bit confusing especially as the two main female characters resembled each other in the early episodes. However, those are small quibbles. This is one of the better series I have seen. A compelling story which stays with you for a long time. The acting was superb. There are scenes which are difficult to watch because they are brutal. Not for the squeamish. An important time in history which poses questions relevant today.

One of the hardest things I watched yet one of the best things I watched.

Do yourself a favour and press play. Photography is just alluring, poetic and yet so descriptive that you just can't look away. Storytelling is compelling and keeps you constantly engaged, its tragedy and mourning, and romance, and longing and suffering and friendship and companionship. All together, all at once.

Despite being a short series, you get to know every character in such a way that it becomes personal, you suffer with them, you laugh with them and you miss them when they are gone.

It's a shot straight to the heart but oh such a lovely one.

My Spanish grandmother was under house arrest during the Japanese occupation of British North Borneo during the war. She told me stories of the treatment of Australian soldiers held captive. This show is serious television. It is part English Patient, Tree of Life, Thin Red Line, and Bridge over River Kwai. It is haunting, erotic, intimate, brutal, humanistic, and historical. This was a show made to honor the fallen and to preserve memories and experiences and is unflinching. It is the kind of series that will penetrate your dreams, make you feel small, and humble you. These kinds of series are not often made. The showrunners are owed gratitude and respect for having pursued this undertaking. It is unabridgedly effective.

I'm not up to scratch on the history of the POW during WW2, but this programme has made me look into it. The actors/actresses are amazing and deliver their characters perfectly. Some of the true stories I have read on the internet are unbelievably horrific, and these are reflected in the programme.

Parts of the programme made me feel sick to my stomach during the torture scenes, and I like to think I am pretty desensitised to TV brutality (long time horror watcher).

If you come away from watching this series without feeling affected in some way, maybe you are a robot, because the emotions it evokes are so strong.

In response of some critics about... The cinematography is one of the best I've ever seen. Mist, darkness, murkiness... it feels like material heaviness... rain, mud, humidity... It's so rare to 'feel' the visual in contemporay cinema... It is the meaing of the supersensible, synaesthetic overtones that Ejzenstejn spoke of, perfectly reproduced with digital tools. As for the plot: the first two episodes are absolutely solid and convincing. Kurzel proves to be one of the most prepared directors, in the name of a certain incandescent naturalism that borders on material evocation, as already underlined. TV at its best.