Shiva Baby

Loved this film. I thought it was highly relatable as a gay-jewish man. Lots of family similarities. Each character was perfectly casted and realistic. Rachel Sennott was great, the audience really can empathize with her and feel her anxiety and panic rising with each scene. The way the soundtrack and music correlated with the scenes was perfect. I've been seeing some reviews compare it to a horror film, which is quite accurate, considering a family gathering can be horrific, traumatic, especially for a teenager / young-adult. I also found this film really funny, in a dark, unintentional way. Each character was just so absurd and an over-the-top caricature of what a nagging old Jewish lady could be like. The actress who played her mother was perfect as the over-bearing Jewish mother, with constant interrogation of her personal life, and crude jokes. I felt like the movie could have been a long pilot episode for a TV series. The ending was a bit abrupt, but other than that, it was an enjoyable film.

Shiva Baby is equally funny and stressful. The comedy makes some clever observations whilst the film generally keeps escalating until it hits an inevitable breaking point. With a film this consistently stressful, it clocking in at only 78 minutes really works because any longer could've been too much.

Rachel Sennott is amazing, really funny whilst trying to hide the growing sense of unease as things just get worse and when it does get too much, the release is so emotional. Molly Gordon is great as someone who initially enjoys the chaos but begins to show a more caring side as it goes along.

Emma Seligman's direction really knows how to unnerve. Taking cues from horror movies with some jump scares and enough intense close ups to make the film feel claustrophobic. Ariel Marx's score pings and twangs throughout in a way that stops any sense of comfort from settling in.

This is a solid horror film masquerading as a comedy.

We need Emma Seligman to direct a thriller/horror movie...like tomorrow. 😱

This was tense, creepy, claustrophobic. It's not one of those comedies that you laugh a lot, it's more about the absurd of the situation, but this was great.

I wasn't expecting to like this this much and this a fantastic debut for Emma. Great acting by all, but especially Rachel Sennott.

Hollywood has taken a lot of body blows recently; from COVID; from the endless demand for streaming content; and from audience pushback against Tinseltown's horrid culture of self-adoration. Viz, the historically low ratings for the award shows. The only content sector unaffected by all his is the indie category. And, with almost Biblical timing, along comes Emma Seligman, an indie writer/director with an ear for dialog and an eye for staging a scene. She faithfully delivers just the sort of fun ethnic romp which, only a few short years ago, would have been the exclusive territory of a "name" writer or director. Good for her! Recommended.