Prom Night

Video
2018
1 Std. 47 Min.

IHRE BEWERTUNG

Füge eine Handlung in deiner Sprache hinzuAmy is an 18 years old girl who goes with her boyfriend to the new house he bought her and he try to deflower her just before his drug gang comes home then Amy offers them to Gangbang her in... Alles lesenAmy is an 18 years old girl who goes with her boyfriend to the new house he bought her and he try to deflower her just before his drug gang comes home then Amy offers them to Gangbang her in exchange for not hurting her boyfriend Adam. When Julie gets asked to the prom by the mos... Alles lesenAmy is an 18 years old girl who goes with her boyfriend to the new house he bought her and he try to deflower her just before his drug gang comes home then Amy offers them to Gangbang her in exchange for not hurting her boyfriend Adam. When Julie gets asked to the prom by the most popular boy in school, she simply can't understand why. He can have any girl in the scho... Alles lesen

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IHRE BEWERTUNG

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Unconvincing gang-banging

This pair of "Pure Taboo" episodes united on a DVD release make for a tedious exercise in gang-bang porn. Both suffer from the weak conceit of innocent (virginal) heroines suddenly performing like the seasoned pros that Whitney Wright and Piper Perri are once the banging begins.

Label's chief makeup lady Lisa Sloane is quite effective in an uncredited acting role as Whitney's mom, helping her prep for her prom date. WW plays it as a very shy girl, but her overage date (Kyle Mason, miscast as a 19-year-old) cruelly has pals join him to force her to have sex, and then abandoning her, not even delivering her to the prom.

"The Deflowering" has a very poor script by Bree Mills, with jail-bait queen Piper Perri as a virgin presented wih a mansion by boyfriend Robby Echo, only to be deflowered by his gang of drug dealer creeps led by Small Hands. Robby joins in the sex, even though PP is supposedly giving up her body to save him after a drug deal goes south. The trick ending to this one is not believable, merely underscoring the "who cares?" approach taken by Mills and her co-director Craven Moorehead.