IMDb-BEWERTUNG
6,5/10
3316
IHRE BEWERTUNG
Vier Spezialagenten der Kommunistischen Partei begeben sich nach ihrer Rückkehr nach China auf eine geheime Mission. Von einem Verräter verraten, sieht sich das Team von allen Seiten bedroht... Alles lesenVier Spezialagenten der Kommunistischen Partei begeben sich nach ihrer Rückkehr nach China auf eine geheime Mission. Von einem Verräter verraten, sieht sich das Team von allen Seiten bedroht.Vier Spezialagenten der Kommunistischen Partei begeben sich nach ihrer Rückkehr nach China auf eine geheime Mission. Von einem Verräter verraten, sieht sich das Team von allen Seiten bedroht.
- Auszeichnungen
- 41 Gewinne & 63 Nominierungen insgesamt
Empfohlene Bewertungen
How this director went from shooting, among other masterpieces, the most fabulously caustic critique of maoism with "To Live!" to erecting cinematic monuments to the glory of the Chinese Communist Party will go down as the most tragic waste in the history of cinema.
It should pain every cinephile out there, to see such genius being employed to such petty ends.
This kind of shameless brainwashing was equally pathetic when the Americans were doing it, but at least they didn't send their best directors to do it. Here Zhang Yimou is just kissing the ring, you can feel it, the guy is too brilliant to sincerely adhere to this hopelessly explicit propaganda.
Apart from that heavy aspect, objectively the movie isn't bad, although the action sometimes moves a bit too fast and the sentimentalism can get a tad too facile and corny.
It should pain every cinephile out there, to see such genius being employed to such petty ends.
This kind of shameless brainwashing was equally pathetic when the Americans were doing it, but at least they didn't send their best directors to do it. Here Zhang Yimou is just kissing the ring, you can feel it, the guy is too brilliant to sincerely adhere to this hopelessly explicit propaganda.
Apart from that heavy aspect, objectively the movie isn't bad, although the action sometimes moves a bit too fast and the sentimentalism can get a tad too facile and corny.
"Zhang Yi leads the action in the first half, as his character is the traditional hero type who is decisive, vigilant and unflinchingly no-nonsense, an iron-wrought man who doesn't buckle under torture, so when Zhang crumples under his Achilles' heel (the attachment to his own offspring), it is Yu Hewei's Zhou, the surprising foe-to-friend undercover who takes up the gauntlet and resumes the endeavor. The secret mission takes a back seat, it is the "find the mole" game that propels the film to a satisfying if predictable finish in the homestretch. Great sacrifice is potently effectuated, mind game well played, earnest camaraderie emotively honored, the petticoat fighters are safe and waifs reunited with their parent, with the chief mission is accomplished en passant. Everything is well gauged to comply with China's ever-stringent censorship after Zhang Yimou's previous film ONE SECOND (2020), which also stars Zhang Yi and Liu Haocun, hits a bumpy road to get released."
read my full review on my blog: Cinema Omnivore, thanks.
read my full review on my blog: Cinema Omnivore, thanks.
Well, this movie is obviously another try of the CCP to brainwash its 1.4 billion subjects and at the same to whitewash and make the Chinese Communist Party was the sole entity that fought against the Japanese even before China officially declared war against the Japanese invasion in the Puppet Manchuria regime. But fair is fair, other than the formulaic and cliched ideological whitewash&brainwash purposes, Zhang, the director, the whole cast, the camera work, the editing as well as the soundtrack, the song at the end, all seamlessly performed a great work.
The only miscast was actress Haocun Liu, who played the role Lan, a young, maybe too young to be a Soviet Russian trained Chinese Communist member. Her role in this movie was a huge mix bag, because sometimes she looked just too young, too fragile, too vulnerable to play such role, yet at some critical moments, she also weirdly showed a rare toughness and maturity. Her purity and decency showed in this movie are exactly when Zhang ZiYi was just an unknown young girl auditioned for Zhang Yimou's My Father & Mother 1999. Could she enjoy a bounty future as Zhang Ziyi? Only time could tell.
After watched this movie, an afterthought inevitably came up. If those founding members of CCP were exactly liked what they have shown in each and every propaganda movies including this one, then I have to say, that the once passionate and patriotic first batch of the Chinese Communist vanguards were long gone. If they knew what their beloved Party has become since 1949, I think all of them would turn in their graves and cry their hearts out.
The only miscast was actress Haocun Liu, who played the role Lan, a young, maybe too young to be a Soviet Russian trained Chinese Communist member. Her role in this movie was a huge mix bag, because sometimes she looked just too young, too fragile, too vulnerable to play such role, yet at some critical moments, she also weirdly showed a rare toughness and maturity. Her purity and decency showed in this movie are exactly when Zhang ZiYi was just an unknown young girl auditioned for Zhang Yimou's My Father & Mother 1999. Could she enjoy a bounty future as Zhang Ziyi? Only time could tell.
After watched this movie, an afterthought inevitably came up. If those founding members of CCP were exactly liked what they have shown in each and every propaganda movies including this one, then I have to say, that the once passionate and patriotic first batch of the Chinese Communist vanguards were long gone. If they knew what their beloved Party has become since 1949, I think all of them would turn in their graves and cry their hearts out.
The plot twists and turns in this movie of the Communists vs the puppet regime in Manchukuo. Set in December 1934, the story revolves around a true event.
The sets are lovingly and authentically created to reproduce the romance of the period. Attention to detail is evident even to ensuring the cinema calendar is correct. I had to watch and rewatch the movie so many times to link the clues and details.
Zhang's masterly cinematography would have certainly won him the Best Director Oscar had Jane Campion's Power of the Dog not been just as lush and powerful.
Excellent, really Excellent movie. This will be a hard act to follow.
The sets are lovingly and authentically created to reproduce the romance of the period. Attention to detail is evident even to ensuring the cinema calendar is correct. I had to watch and rewatch the movie so many times to link the clues and details.
Zhang's masterly cinematography would have certainly won him the Best Director Oscar had Jane Campion's Power of the Dog not been just as lush and powerful.
Excellent, really Excellent movie. This will be a hard act to follow.
5qqml
The topic is a typical Chinese communists theme, i.e., how nationalists persecuted them and communists sacrificed themselves to win the ruling of the country. The movie was directed by the famous director Zhang yimo, who did it for Chinese communist authority, which is understandable. The directing is ok, and the movie theme is quite tense from the beginning to the end. However, the actors/actresses are mediocre. The ending is also typical Chinese movie technique, i.e. Use crying and background music to stir up emotion of audience.
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- WissenswertesIn November 2021, the film was selected as the official representative of the People's Republic of China to the 2022 Oscars in the "Best International Feature" category. This was Zhang's seventh time representing the country.
- PatzerWhen the police enter the cinema looking for the communist agents, you can clearly see the chairs are from a modern cinema.
- VerbindungenFeatures Goldrausch (1925)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 152.972 $
- Eröffnungswochenende in den USA und in Kanada
- 53.142 $
- 2. Mai 2021
- Weltweiter Bruttoertrag
- 181.325.565 $
- Laufzeit2 Stunden
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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